SOUL Speak-How Tom Althouse Creator of THE MATRIX Targeted Individual Taps The Art of His Heart

➡ Brad Wozny hosts a show called Soul Speak where he interviews accomplished guests who share their perspectives on life, dreams, and overcoming challenges. In one episode, he interviews Tom Althouse, the original writer of the Matrix series, who claims his work was stolen from him. Althouse shares his journey, from being groomed to be a leader in the Cabal to becoming a writer and visionary, despite the hardships he faced. He hopes to help others defeat evil and restore a golden age in film.
➡ The text is about a person who grew up in a strict, religious family where they were constantly abused and belittled. They were not allowed to express their creativity and were often beaten. Despite the harsh environment, they found solace in lucid dreaming and hoped to escape their situation by growing up quickly. They also emphasized the importance of compassion and understanding in dealing with such traumatic experiences.
➡ The text talks about a product called X39, which is a patch designed to help with pain relief and wellness. It’s particularly useful for lower back and knee pain. The patches, originally developed for Navy SEALs, can also help burn calories and rejuvenate your body by activating stem cells. They are available for purchase at CatchTheLifeWave.com, which offers customer support and a 90-day money-back guarantee.
➡ The author shares his traumatic childhood experiences, including physical and emotional abuse, which inspired the creation of the Matrix story. He also discusses his involvement with the religious right, a political organization with a goal of creating a one-world theocracy. The author reveals that the Matrix story was intended to expose this plan. Additionally, he mentions a wellness brand offering natural products that improve performance, gut health, and remove harmful toxins from the body.
➡ The text discusses the controversial origins of the Neuralink technology and its depiction in popular culture, specifically in movies like Star Wars and The Matrix. It suggests that the technology, which connects the human brain to computers, was originally conceived by the speaker, Tom, and later appropriated by Elon Musk. The text also implies that the Wachowski siblings, directors of The Matrix, were not the original creators of the concept, but were brought in by Warner Brothers to claim the work. The speaker warns about the potential dangers of Neuralink, suggesting it could lead to a loss of individual freedom.
➡ The text discusses how tech companies and media conglomerates like Warner Brothers manipulate public perception of figures like Elon Musk. It suggests that Musk’s appearances in popular media, such as Iron Man 2 and Star Trek Discovery, are part of a strategy to associate him with advanced technology and power. The text also implies that Musk’s success and fame are orchestrated, and that he is being used as a pawn in a larger game of control and influence.
➡ The speaker discusses their experiences with being manipulated and exploited for their work and ideas, particularly in the tech industry. They express frustration with the legal system, which they believe has failed to protect their rights. They also discuss the concept of ‘neuralink’, a technology they believe could be dangerous if misused. The speaker emphasizes the importance of standing up for oneself and fighting back against injustice, and shares their belief in the potential for a better future.
➡ The text discusses the concept of transferring consciousness between beings, referencing the show Altered Carbon. It also mentions the potential implications of technology like Neuralink and Apple’s recent developments, suggesting a loss of personal sovereignty. The author then delves into a detailed analysis of various films, including Minority Report and Saving Private Ryan, claiming that these films contain personal references and predictions about his life. The text concludes with a discussion about the original concept of The Matrix and its implications for society.
➡ The text discusses a complex situation involving the author’s original work, alleged theft, and manipulation by large corporations. The author claims his original drafts were stolen and then returned, and he suspects a conspiracy to hide evidence of his work predating 1996. He also mentions personal tragedies and threats to his family, which he believes are attempts to control him. Despite these challenges, he remains determined to fight for his rights and honor his lost loved ones.
➡ The speaker discusses various topics, including alternative interpretations of the Bible, unacknowledged historical artifacts, and the existence of a 60,000-year-old pyramid below the Grand Canyon. They also touch on the importance of including children in decision-making processes to foster creativity and problem-solving skills. The speaker emphasizes the need for compassion in systems like child services and the medical industry, and the potential for positive change through shared compassion and diverse disciplines.
➡ The text discusses the importance of encouraging children’s creativity and ideas, as it helps them think outside the box. It emphasizes the power of hope, wonder, and love, and the significance of never giving up. The speaker also shares his personal journey and the support he received from others. Lastly, it mentions a website where people can support him and a product that helps with pain and sleep issues.

Divine lions and lionesses, I am Brad Wozny. I’d like to welcome you to Soul Streak, a new series here on the Sovereign Soul show platform. Our ethos is love, levity and liberty. Many times I’ve shared that soul stands for the sound of unlimited love. We all agree this gift from our great creator is infinite. Science proves mysticism, confirming the presence of consciousness. We are all unique expressions of this loving unified field, one which connects every universe, world and life on all planets. Each month on Soulspeak, I’m honored to interview extremely accomplished guests. Those who are considered masters of their crafts, individuals in this lifetime whose hunger for learning and desire to help humanity is seconded only by the love they have for themselves and their family.

The conversations we delve into are meant to reveal my guests perspectives on following the art of your heart. How do we listen to our intuitive guidance? Where do we come from? Where are we going? What. What signs are there for following your life’s dreams? How do you overcome life’s challenges and thrive? Is there such a thing as life balance? And if so, how do you create it? What magic is in store for each of us as we explore our world? These questions and the answers to many more are delivered by each of my guests. Men and women, I feel, demonstrate masters of their own universe by having first tapped into the art of their heart and listening to their own soul speak.

Are you divine lions and lionesses, welcome once again to Soulspeak. And I am honored to be here with this icon and maverick, not just from an industry standpoint, but once again a man who has walked through hell and is still going through a form of hell right now, but still doing so in the light of our great creator, the great Spirit, the great omnipresence of divinity, all loving, all knowing, mother and father. This is Tom Althouse. In a moment, I’ll let you introduce yourself because we’re going to take it into this great interview format, everybody. And for many of you, you’ve likely seen a few of the tremendous interviews that he has done because he is the original writer of the Matrix series, the Immortals, and so much more.

We’re going to discuss that a little bit as well. It was 100% stolen from him. You’ll find out why, as well as a great inspirational messages as we go through this program. So, Tom, welcome. This is the first time we finally get to meet face to face in a virtual setting, right? They still don’t allow me back at the USA Inc. Right now because I was a bad boy refusing a mask and A jab. So eight years left on my sentence from the Nazis, the two Nazis at cbp. So. But beyond that, my friend, you know, you have done a tremendous job.

You are a soul that has a massive bright light that they’ve trying to dim like, you know, moths to a lighthouse. You are one of those avatars, I think, who are meant here to help awaken humanity and the masses. So, you know, thank you for you first and foremost from my heart and for being an inspiration to all of us, mankind on the planet. I appreciate that. What a great intro. Yes, I want to thank Jen Allen too for bringing us together. There are those people that just act like conduits. They have that heart and intelligence and brilliance and they are able to short circuit Cabal’s actions by bringing together the people that should be brought together.

And they do it in such a wonderful, dynamic and gentle way. So, yes, my name’s Tom and basically I was being groomed to be a leader in the Cabal, which that’s a story you don’t often hear about those of us that were actually groomed on the inside as you were brought on the inside too, offered, you know, different things. We often don’t know what’s going on fully, but we are offered many, many things. We start to smell it out, pick it up, what’s going on, and then you get the hook where they actually throw you. What’s actually the plans are when they feel they’ve won your confidence enough.

And what’s interesting is in my situation, being the writer, the intellectual property actually was one of the catalysts or their interest in me personally, just like your talents were. And this I’m holding up is the original 128 page Matrix story, which they didn’t copyright the Matrix title. They copyrighted this title, Immortals. Wow. This title is what they actually copyrighted. But beyond that, they actually commissioned and ordered stars like Tom Hanks to write it for HBO and Warner Brothers. This is in. These entries are in the copyright office. Now the other side will say it’s a forgery, but you can see a pau number there.

Yep, that’s the number, the register number that at the copy office, that this is the house there. So there’s no way around it. This is the only script that exists of the Matrix. Their attorneys are on tape for Warner Brothers saying they have no working drafts, no scripts, no working drafts. They shot that on set with a visual storyboard. Often fans hear about the visual storyboard. The Wachowskis claim they wrote it or whatever utilized. They lifted what they thought was cool off the original script, kept it on set, and used a storyboard to reconstruct a new kind of story off of it.

But you kept the same ending anyway. So I’m an author, I like to say a visionary, like others, father of a diminishing sum. My sons were used in the plans and strategies of Disney and Warner Brothers and the Cabal, and that basically the idea is to break you, kill off your sons, your heirs. Very archaic method, very cruel method. And from thence they think you’ll never recover. But that’s what I am still. Father, writer, performer. I want awards for my work, but my job is to help others together defeat this great evil and allow basically work to be restored.

Then we can have a golden age back in film where all these restored works can then be shown. I look forward to celebrating with other writers their rights and their work returned also. Yeah, it’s beautiful. You know, my first question would be to describe in the audience, who is Tom Altos? So, you know, literally took that right out of. It’s in the air, it’s in the ether. And, you know, since you’ve went there already, I just want to refine for the audience. So there is a movie called the Immortals out there. Henry Cavill, everybody knows he played, you know, the Superman in the most recent iterations of it, and Mickey Rourke, that Immortals.

But they took the Immortals script, reframed it, called it the Matrix and the Matrix series. And that is the work that Tom is referencing was stolen from him. We’re certainly going to get into that because they put like a 20 foot law around scripty and the ad and Joel Silver and the directors on set. You know, if you come near it, you’re going to get fired. And it’s all been verified, which is just crazy, especially on a film set, you know, with how contained it is. You know, even when you’re doing exteriors, you know, 20ft, like, my goodness.

So now we know about that. But where did you grow up? What inspired you to. To go down this path? Because so many people have had the ink that they’ve always wanted to be something, whether it was the kids, the astronauts, the firefighters, you know, to be a doctor when I grew up, or maybe being author or writer in movies. Well, how are you raised? And then what. What drew you to screenwriting and filmmaking? Great, great question for going into the formulation of the piece and where it comes from. You have to have a dark past in order to write such a dark piece.

Whichowski didn’t have that basically, what you got is the original author, myself with copyright, had a terrible, terrible life. And what I kept striving to do was see if we could connect, have people connect, even as a child, connect, show compassion for each other, care for each other. It seemed like I was in a different world, a world that wasn’t the one I was supposed to be in, which then generates that idea for what you get with the Matrix, you know, the world within the world or the world that we’re not aware of that suddenly is thrust upon us.

When I was born in Penn, Pennsylvania is where I was out right from the start. As I got old enough and even got into school, I never liked Pennsylvania. I didn’t want to be there. It made no sense to me why the Pilgrims landed up there or around there in New England. It’s like, why don’t you go where it’s warm, you know? And then I learned about the other family line that actually went down to Texas. I’m like, that’s where I belong, down where the sun shines, you know, I don’t. I don’t want to be up here.

This makes no sense. It’s illogical. And so anyway, so another part. All these factors factored into the creation of the piece where I felt like a fish out of water. I fe like, you know, I didn’t have family support. I got beaten a lot. I was told I was too perfect. Believe it or not, that’s why I got beat. The eyes, the, you know, I. Smiling all the time. It still boggles the mind that that was the reason that I got beat. You know, I looked like a doll, they said. And so basically a area from your mother and your father.

Both. Yeah, both. And my siblings. My siblings were brought into it too. So I was complete outcast in the family. I was brought up, even at five years old, being told I was Satan. I was a. I was mocked continually. I was, you know, I got the scars on my face. But was this a religious family then? Do you know with. It was very religious construct. Okay, yes, very religious. Right. Strict puritan. So what you have is. It’s weird. I never thought of it this way before, but in a. That kind of mentality, Calvinistic, puritan kind of mentality where you had to be perfect.

If you appeared perfect according to their language, then you must be saint and you must be evil. It just was so twisted. It didn’t make any sense at all. There was no way to redeem. So I relied on creativity and sense of humor. But I wasn’t allowed to show creativity. So again, when you look at the Matrix and where it comes from, think of the author as a young child not allowed to do art, not allowed to do music. And if you do art, it’s torn up. We’ve got quite some similarities. There you go. See, so causes us to come to that crossroads mentally of are we going to become bad? Like Megamind character? You know, if I’m gonna be bad, I’ll be bad, you know, but are we gonna do good and try to not let this happen to others? Compassion takes over.

And probably for your situation too, where with compassion, which I tried to argue with Disney, you know, is the way to go if you want to have good writers, work out a place of compassion serving your audience. They said it’s all about power. My siblings were all about power. I was all about compassion. So I never fit in. Couldn’t wait to grow up. And I thought, I’ll do creativity once I’m free from this hellish family. Called it the house of Hell. What’s interesting, let me ask you a question about it, if you don’t mind. Because looking at the audience that we have, you know, these sovereign souls, living men and women souls, not dead corporate entities, you know, Also good friends with Lynn, Scott Hagerman, Bishop Jim o’ Connor, spiritual work, Robin talking to Scarry.

So all. All of these amazing things. And when we look at so much of. Of the awakening which is going on, from the Great Awakening to the spiritual awakening, I’ve always said it’s more important to be spiritually awake than patriot work. That’s a place to start there with what’s happened in the world, though, you know, like my mother was sra. My mother was her. Her father, my grandfather raped her and her three sisters, constantly incestual family. And then my grandmother, my Nana. And that was continual. I’ve heard all the stories because grade eight, I woke up one night, she was screaming like a banshee because she had blocked all the memories that came back.

And I had the same feeling in school. Where I’m going with this is for the audience, for those who can resonate with this message or might have had this at this point in time. And you’ve blocked your memories. So I remember as well, you know, certain time is being taken. You know, I’ve talked about a couple of times on the shows over the years, you know, like, it’s happened to me too. It’s okay. There’s ways through the fire. Literally, right? And you know, for 20 years I was suicidal because I didn’t want to be here because of everything that I’ve saw or been or experienced.

And I just never felt like I had fit in. And you’re touching on that touch point too. And to me, that’s an also powerful aspect to. For the audience, for those members listening or watching this broadcast you know of. How do you get through that as well? So what are the mechanisms you use to get through that? When you are literally denied being who you came here to be, when you are literally in a world of perversion and trying to escape it, but you can’t because you’re a young child, and then getting to that point in time where you can finally move forward, what are some of the tools that you use, you leverage to get through that at that point in time? Brilliant question.

And I’m glad we share an understanding of what these things are. It’s refreshing to be able to, you know, know the part you’re sharing with understands completely and you can learn from each other in these aspects. It’s a great question, by the way. So basically, one of the things I want to point out too is that psych field is like a child that hasn’t grown up yet. The psych field really needs to understand that there is much more than just theory and opinion and that has been put in place to capsuleize the conditions of dynamic human beings, children of God.

And what happens. Like what would say in this case, one of the things we will do is they will call disassociation. But actually, no, what we’re doing is coping. But we’re also coping with hope that we can make a difference with our compassion and learning as we go. It is not something you simply label as he’s disassociating or she’s disassociating. When I got beaten by the siblings, the brothers were told to beat me in the basement and take turns hitting me in different ways. And I was not supposed to flinch or show any emotion. Yes, I took my mind to another place.

That’s not a handicap, and that’s not a condition that’s bad. What I’m doing is I am utilizing every faculty I have at that moment, even as a child, to try to find a solution while thinking it through. So I take myself in a place where I can formulate even while I’m getting beaten. There’s a difference in the way it’s spun by the psych field often is. It’s really. They need to actually employ people that are experienced, like ourselves, can understand and have empathy for those that suffer from Abuse rather than clinically approaching it in dry cut fashion.

And a lot of times arrogance. I just want to point that out. So one of the devices to utilize too was lucid dreaming. See these conditions, like you’re not. Yeah, the conditions push us that way. Right? They push us that way. So I believed the more I slept, the faster I’d grow up and I’d be free. Once I got big, I wouldn’t get beaten so much and I’d be out of there. So I wanted to get my child out of the way. I didn’t have my childhood really. So in lucid dreaming I learned that the nightmares that occurred to me, it was.

I would sleep with my head covered just to withdraw, you know, from the shield, kind of. So I’d always learned to breathe very shallowly and survive. I was in survival mode all the time. And it didn’t stop me from getting beaten in the middle of night. But we’re being called Satan. But I learned lucid dreaming. So if I had a nightmare, I would literally roll credits visually in front of my mind’s eye like a screen. I would wrote credits to end that dream that’s five years old, you know. And then I would recreate the landscape of the dream and I’d lay out like lollipops and, and stuffed bears and things like this on the landscape.

Inevitably it started to go sour and I’d roll credits again. So I was ultra lucid dreaming at a very young age, very young age. And there was one image that kept surfacing in the nightmare which I found very interesting. It was always three headed. Now what’s interesting is in Amazon’s version of wonderful Canadian piece was done about Ulysses and I’m sorry, Hercules and you know, that the stories intertwined as real people, real like people, beautifully done show. And in that they had a God figure with the three heads. And it was amazing to see that because in mind, out of the landscape that I would recreate, a sandy figure would rise up.

A sandy figure with three heads slowly turning the three headed figure, right? And that stood out to me. There was also a lamp at my house, if you want to know the details, where, you know, before matrix that had three cones on it like a stand with three cones, 60s kind of lamp, right? And I called it a doo to do, you know, a doo to do. And it’s like I was scared to death of that lamp. I had no support system, no one I could turn to. If I cried, I could get beaten. So I had to internalize what to do with It.

But it was this fear that developed of furniture moving on its own and this lamp moving on its own. No way to deal with it. If I had a nightmare, I’d be scared death if I had cried out in my nightmare, because that means you could get beaten. So it was like this whole new way of handling it led to the development of the Matrix story. It really does. You have to have that kind of background to create something where Hollywood thinks everything’s been done under the sun and that’s where you get the piece. Then in the end, that has, like, everything’s in it, like Shakespeare in love.

All these things filter in it. And people who always say, like, I gotta watch the Matrix again. If you understand what the author has experienced and what he whispers through art in it, it’ll make sense to you. Then you’ll get it. Then you’ll understand it rather than filtered through people who were brought in as failures to take it in house, you know. So I would say to people, yeah, when you see the original film and some of the scenes we have, it’ll make sense. But that was. I think one of the answers is lucid dreaming became one of the things that I could use.

One of the other devices I used was I needed. I have empathy. Like, you know, obviously yourself, Jen, others, Lynn and all empathy. A lot of times, empathy is the way to survive these things. I endowed it into my stuffed animals. I wasn’t allowed to have many toys. They were always taken from me. But I had four stuffed animals. And I would try to, like, pray, whatever, that they could be alive. And, you know, you have companions that are alive. Well, my older brother caught onto this. And so he called me one morning to the window.

My bears were gone. And. And so he says, come to the window. Come to the window. And it’s interesting because you’re thinking, oh, there’s a connection. He’s being. He wants to interact with you. Oh, my gosh, this is new. So I go very happily to the window. He points outside. He had timed it. When the garbage truck had pulled up and it was doing the crushing thing. He said, your. Your bears are in there. He had taken them, put them in the trash, waited the timing for the truck to come. And it just happened to do that crushing thing.

And I was crushed. I was just like, crushed. I. I never could answer the question, why would people be this evil? Why would they do this? So you think your parents had it where as you came along as the youngest, that that happened to him and they just dropped everyone down the Pecking order, so to speak. It’s a good. It’s a logical question. Logical conclusion, actually. I was second born and my mom had said that she explained to me when I went to college. She said that, wrote me a letter to explain it, gave it to me.

And she said that when she was young, her sister was second born and was favored. So she was going to make sure that her second born was not favored. And so the reason, my older brother looks kind of sickly and stuff, but he’s got a big ego. So I was born jolly happy, you know, blue eyes, dimples, smiling. So I was the one that was suffering for being too pretty. And one of the things they did that I know now, if you look at my feet, I have stumped toes. They’re like stumped and just join it because she even said later, I made your shoes too tight.

So she put the baby shoes, the hard shoes and made them too small. So my feet were always like Chinese, like Japanese thing, like crunch. And that was to make me cry so I wouldn’t be that appealing. And it was always painful. The other thing she said was she told people that I couldn’t eat and was not hungry when I was starving, so I was not fed well at all. And so one time she said that my hand, when I was very little, went. Reached out and grabbed a pie with my hand and put in my mouth.

And the ruse was up. It couldn’t be that I wasn’t hungry, couldn’t eat anymore. So there was things like that. So just constantly. So now I’ve got the scars, I’ve got the stumped feet, I’ve got, you know, my toes look really funny. In fact, one, one girl I was back in high school, she said, everything about you is perfect except your feet, they’re really ugly. I’m like, yeah, because they’re, they’re deformed, basically from tight, tight shoes. But these devices show how far it went. So I was a perfect target for the religious right to be brought in and groomed to be a leader in the cabal.

So we have an international audience from maybe 55, 60% Americans, but the rest all around the world. Australia, New Zealand, Switzerland, Sweden. Just explain the religious right as we go there because that, that’s also a big part. Yeah, great question. Religious right is actually a political organization when you come down to an occult. And at least with Pat Robertson, who was one of the top televangelists at the time, along with Jim Baker, you know, the other guys. Anyway, so what you got is they Had a. An idea that they could form a one world. The. The theocratic or theocracy, right, where they would be the head, not the tail, they said.

And so their idea was to create institutions where they bring in people to groom them to further their agenda for this one world idea. They also had the idea of simulating the return of Christ. And with Hollywood to claim that Christ was returned to them, that they were to rule in Christ’s place. Now CBN in Virginia beach by Pat Robertson’s group actually changed the name of their or their school from CBN University to Regent University to Rule in Place of God. So they give you a lot of clues. The Toronto Star actually came out with the article revealing this was the plan.

That’s what I whispered through Art when I was at his organization, Religious Right was that plan of faking the Second Coming. At the end, the Wichaska said they wanted to keep the same ending on set. They argued. Everybody said, blow it up. Since they ripped this piece of, you know, to shreds with the images they thought were cool out. They didn’t have a cohesive story anymore. And even Joel Silver, the producer, even said on set, we hope it ties together. When we watch the rushes after we just finished shooting, we hope it’ll tie together. We hope we used up the rest of the story.

And the Wachowskis, you know, put aside every argument about just blow it up, just blow it up. Which they should have done when they ripped it apart out of order because you shouldn’t take anything out of this. Out of any piece would unravel the story. So instead they kept the same ending, which includes the Second coming. People watch the Matrix and understand at the third one that the identical figures at the end are supposed to be the Christ figure facing off of the Architect son looking like Christ. It’s the second coming because the Architect has. I’ll just deviate for a second here to make that sense, I hope.

No problem. And just so you know, in the last two days I’ve rewatched all the Matrix 3. Good for you. And then also the Immortals just, you know, because it’s been so long and we have different lenses now and knowledge and experiences to look at this with all of your story. The last two years I’ve been watching you on different programs. Tom. Perfect for your story. Ladies and gentlemen, our show will continue after these brief and important messages. If you are looking for groundbreaking nutritional products which revolutionize the way your body operates, you have to check out this cutting edge American made, all natural wellness brand.

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You can also get rewarded for being part of the root community. See you there. Like man in the High Castle, Many, many, many children, offspring of the Architect and the Architect shows one begotten son who’s supposed to feel grateful that he’s the one that was chosen most authentically genetically matched. They use that in Star Wars 2 in the Clone wars where the guy, he said, the cloners said they couldn’t believe the guy just wanted one natural sun like Galactica and not a perfected one out of all the bunch. But there you go lifting it also there.

Lucas and Spielberg. So what you have is the Architect’s son kills his father by, you know, the embrace thing with Solo. The loving. Be loving and take him out. Rehash with Star Wars. Then you have him taking his neural link out the back of his neck and yes, we’re the ones that create a neural link. Yeah, the whole story through it. And he takes it out, rips it, cuts it out of the back of his father’s neck, looks at and says, now we are one. I like that line. It’s chilling. So now he was, he wasn’t wanting to be under his father.

He wasn’t content to be number two, so he’s going to be his father by taking his neural link. There’s a warning here about the neural link. It was meant for the story, not for consumer consumption. It will enslave us all. That’s in the original work. One of the reasons they took this piece was not only for the story, but also the tech which they gave to Elon Musk. It’s. So I definitely want to go there and I want to, just for the audience, what you’ve just heard Tom describe Neuralink, where we are now with Musk in this day and age in 2025.

It’s in the original script, the copyright script movie that Tom wrote, the Immortals that they just renamed, ripped off the name, put in, called it the Matrix. Neuralink is in there. And a couple of times you’ve described how they’ve placed Elon 1.0 and 2.0. I call them, I’ve been calling Milan 3.0 for a year. And, and they placed him in television episodes actually filming him as himself. Tesla exec, SpaceX exec, stealing information. And it’s almost to me like, hey, we’re putting this in front of your face. We’re showing you. We’re laughing about it. And we’ve set him up as the avatar to still be under the deep state control.

Right? For every. That’s right. And now Apple’s cut just announced yesterday or two days ago this week at least, that they are building a Neuralink version for the Apple iPhone and computers that you can embed into people’s skulls and just walk in and walk out of an Apple Store is where it looks like it’s going and get a quick injection in the back of your head and then you’re hooked up to the Internet of Things. This is Apple, which is now on the present, hey, we’re going to invest half a trillion dollars into America, leave China, yada yada.

Just announced that, yeah, it makes sense. It’s Apple because Apple’s the one that before Matrix, before Neuralink, I was considered a prodigy, right? And so at Millersville University back in 1981, I pitched to my professors who were visiting adjunct professors from California, computer professors, the idea of Windows. So Steve Jobs and Bill Gates got it off of me from these professors at Millersville. So naturally that would transcend into Neural link and everything else in the mortals Matrix. I never stopped. So you look at the Apple diagram or their, you know, brand label, it’s. It’s a bite of an apple.

That’s for the Forbidden. Stealing the knowledge. Stealing the knowledge. Fruit from the tree. God said, here’s a garden. Just don’t bite and eat the apple from the tree. And guess what? Adam and Eve, watch out. Yeah, that’s what. See what’s happening now? You’re absolutely right. Our timeline was hijacked. Many of us were supposed to be in high positions, and we’ve been pushed aside by a hijacked timeline where they brought failures in, legitimate failures. The Wachowskis. They said their mom said all they did was play video games. They failed at their painting contracting business. They dropped out of school.

And they were brought in by Warner Brothers as failures. Wine and dime by Dean Laurentiis, the executive Warner Brothers promised beautiful women fame and fortune. Why they needed in house. Failures that would be loyal to allow Warner Brothers to claim the work and the tech in house. So that’s why one of them transgendered later for their. They both did. They both did. As punishment. They both. Yeah. For sticking all my information in the first graphic of the Matrix. So that’s what’s so wild about this, is that’s irking them because by putting. They were so angry about Assassins, you know, being replaced by another writer to finish it.

Okay, so it’s Assassins. Is this a different movie? So I just want to make sure it’s a different movie. This is the first movie they claim they worked on when they were brought to Hollywood, right? So it’s like 1994. 95. 95. It’s done. Another writer had to been brought in to finish it because as I said, they didn’t. They didn’t do it justice to it. They didn’t do it well. They sterilized it down and dumbed it down. So another writers brought in. They actually did an article. Wachowski’s siblings said, well, to pack our bags and leave Hollywood.

He failed as writers. In an interview, they go, unless we’re given the science project. Unless we’re given the science project because of the tech in it. Now here’s what gets really interesting. Okay, Brad. An audience. What happens is. I’m glad I’m talking to a smart audience too with you. This is good. So you’ll get this. What happens is the Wachowskis jump the gun. They have a very forceful personality. Very, very, like, angry, egotistical. So they decide to force Warner Brothers hand. They are like this. It’s like the Three Amigos where the guy says, we want this thing.

Okay, you’re out. The producer. So anyway, what happens is throwing the humor. What happens? They get the script, the Green Lighted script, from Joel Silver. Joel Silver says. Or Teresa Wayne, head of the story department, says this work went in in 94. Joel Silver submitted it sans the Wachowskis. They’re not in the picture yet. So Joel Silver enters the Immortals in 1994. Keep in mind, again, there is no copyright on the Matrix, only the Immortals. No working drafts. The Matrix, only the Immortals. So what they do is they allow, he allows, by giving an audition piece.

They even called an audition piece. If you direct Bound, because the Wachowski said, we want to be given the science project in the article, and they want to. The only way they save their career is to direct something, prove they could direct, and they’ll be given the stolen work. So they direct Bound. Now, in it, they put my grandmother’s name as the lead character. Violence. Yeah, they’re going to mock that all. They’re always going to keep mocking the whole way because they don’t have that creativity. They mock authors and they decide that since they are now going to be given the Matrix after Bound, they could prove they could direct.

Apparently, they announced this. They say, we want to be given Jax the neck for real. This is very important. It’s the only time they said it. They said it once. They said it publicly. What they were doing was they were trying to. In an age where if you published. I published Neuralink, I published all of it. How you do it, how you connect what’s out in parameters, everything’s in here, so it’s published at that time, that holds up for a patent. Now, what occurs is the Wachowskis given the work, get greedy. So immediately when they’re given the green light to take the science project, which they’re going to rename the Matrix the Immortals by moving the letters around, they say, we want to do Jackson Neck for real.

What are they doing? They’re trying to publicly force Warner Brothers hand to give him the tech with a story. Neuralink, Where’s Elon Musk? At this point? Nowhere. Not even PayPal is on the horizon because this is 1994 and 5. Yeah, that’s right. Not even in the picture. So he’s not a failed person brought in yet. Got failed writers and failed engineers. He was going bankrupt. He’s not brought in yet to be a candidate. So they were after the. Again, Wachowskis get the green light. Just take the work, the story. They want that tech. The money is in the tech, the neural link.

How much is that worth? So they announced on the air, we want a New Jackson Neck, for real. They get slacked back by Warner Brothers because they have not chosen who’s going to get the tech that would enslave our entire world. It’s all about power. There’s your power. All about the money. There’s your money. As far as their parameters are, they leave compassion out, we don’t. So they’re slapped back. Next, Warner Brothers rushes along. They bring Elon Musk on to the cameo of the Warner Brothers Picture Iron Man 2 at the raceway. There’s no sense. That’s right.

And Mickey Rourke was there. Mickey Rourke. There you go. And Mickey Rourke and the New Immortals. So he played bad guy in two films. There you go. And the Immortals as Helios. Helios. Heliopolis. Or. Excuse me. They like to do this, don’t they? They play God. You’re right. So what they did was they have Elon Musk on cameo at the raceways, where Tony Stark. So you can almost see the Tony Stark character going like, why are we doing this? This is even part of the writing. It’s not even the script. Just do it. Just point them out and greet him and then we’ll move on with the story.

Makes no sense. So it’s very awkward. The clip is, hey, there’s Elon Musk. And he goes like, hey, I’ve got an idea for Electric car or Electric Plane. Very good. Thank you very much. I can do an impression of Guru. That’s about it. That’s very good. Ye. Yeah, it’s amazing. If you do the South African accent and you’re not bright at all and failed engineer, you come across as very important. And you know what you’re talking about when they don’t even know how to wipe their own ass. That’s right. Yeah. Yeah, that’s it. That’s it. It’s the full over thing.

So anyway, again, he’s brought in, in that cameo to groom him. And that’s a Warner Brothers piece, right. So he’s brought in. Okay, what’s the next part? Sheldon. Warner Brothers again. Sheldon. So he’s brought in on Sheldon later. That’s like 2010. He’s brought in Elon Musk’s thing. So this is a TV show. So because, like, Australia, New Zealand, you know, uk, other places. So this is another major TV show in America with the pockets of Warner Brothers. So what you have is he’s brought on. Right. Thank you. Good job, Brad. It’s like. Yeah. So they have him and he’s.

What is he portraying himself again? Elon Musk. And what’s he doing? He’s reading Sheldon’s notebook and paging it to steal the rocket tech and shows him stealing the rocket tech. And then he gets a phone call at that moment, a message on his message machine that says CNN’s on the line. Which is owned by Warner Brothers. And so he’s quickly stuffs the notebook into a drawer showing he has stolen young Sheldon’s tech. Young kids. That’s the shame. Rockets. Yeah. How bad can you get? So there’s the grooming, there’s the shaming. One more before he gets it.

What they’re doing is Warner Brothers is establishing. Along with HBO and others. Warner Brothers is establishing. We own this tech. Elon Musk, we own this tech. You are being brought in. We will give it to him. We’re good and ready. Not before we decide who gets it. And once we give it to you, we can snatch it back because we have the proof that we had it long before you were in the picture. A glimmer in the producer’s eyes. Because it’s in this work. We stole the immortals. So now that we have stolen it, you only get it by our grace.

And if you don’t do what we want, the Cabal does, then you’re going to be in trouble. That’s why he gets close to the president. That’s his job. Why is he so upset about current situations? Because he’s. He failed at his job, which means he could lose it all. He is standing by the president. You have is his rockets keep failing, don’t they? They keep failing. And in fact, that NASA launch. If it wasn’t for the NASA tech people I’ve known, a number of them called me because they know I wrote the work. They’ll call me and talk to me.

They. If it wasn’t for NASA’s safety team doing the final checks on the Elon rocket, it would have had the hydraulics failure. Hydraulics failure in space. It was. NASA was part of the shaming ritual then. Didn’t think we’d be going here. And I love how the organic conversation works out for. Was part of the shaming ritual. If you’re a member of the Cabal, like we’re. We’re. We’re alleging right now, FYI, everybody on things, right? You know, speaking here, sovereignty. Just from what we see in our opinions. FYI. However, he was dating, what, Amber something. Johnny Depp’s.

You know, whatever. That whole thing, that was only two years ago, and it’s totally out of everybody’s minds now. So wait, how do you go with a guy who has been literally set up and shown to be a deep state cabal, Johnny Depp, actor, adrenochrome, blood drinker, all of this stuff that’s been shown, who is with Amber Heard and then Elon dating her on the side and all that kind of expose goes on. Exactly. So what? Yeah, these, these, they’re one little happy family that’s all sold out to the gravy. And what you have is then you’ve got this, the grooming, Iron Man 2, you got the shaming, young Sheldon.

And now we get to Star Trek, the Star Trek Discovery. Oh, my God. Universal Studios that received my script, also with Warner Brothers is doing that. They get it and the exec from Warner Brothers who was involved in the correspondence with me receiving my script suddenly goes to Universal Studios. And then Universal Studios does Star Trek Discovery. And in it you have this very interesting series of events. And I think it was episode or season one, episode six. What you have is they say neuro enhancer. Then the character says neuro enhancer again. Then the character says neuronal link.

Warner Brothers is showing that they just threw their own execs at Universal. They turn. Or is it Paramount? It might be paramount. They turn neural enhancer, which is what I called it in my screenplay, neural link. I called it neural enhancer because it was something we can have a library, memories, enhance our cognitive, bring us together more. That’s the intention. They change it to neural link because it’s going to be used to enslave and they give Elon Musk the. Elon Musk didn’t even come up with a name before Elon Musk is claiming it. They came up with neural link in the Star Trek series again.

They’re going to claim it before he gets it. See what’s going on. And so then what they do to ice the cake to get them tied to it is they go neural link, neuronal link after neural enhancer twice. My own, the author’s own copyrighted statement of enhancer, they changed that. Then they had the main Star Trek captain go like this. He’s going to be most. This character is going to be more famous than just as famous as Jeff Cochran. You know, the guy who in Star Trek fans see as the, you know, the one who made the Vulcans connect and, and the one that did the work.

Huge hero in the Star Trek community is the mythical figure Cochrane, Seth Cochran. So then you’ve got. They’re saying you’ll be as famous as Seth Cochran. Elon Musk. What, so you’re saying Elon Musk, they planted that in Star Trek Discovery and name in an actual episode. Yes. That’s not all. Besides saying as famous as Seth Cochrane and Elon Musk, then they have the main characters talking about neural enhancer. Neural enhancer, Neuralink. It turns out she went to Elon Musk high school shows on the monitor. Wow. There’s your final moment. Wow. Now for egotists, egotists like Elon Musk and the Wachowskis, this is the bone they need.

This is the, this is the stroke, the ego. So Elon will go, oh, I like this. This sounds wonderful. I’ll get laid more. So that’s what’s going to happen with him. That’s him. That’s his mind, you know, populate. There are many beautiful women and via Genghis Khan. But the thing is like here you have him through being thrown a bone of. You’re going to be famous. We’re going to be. Women are going to love you. You’re going to be famous. That’s being done while they’re attaching neuralink to him. Now, after that’s done, he’s given the product if he behaves himself.

But he has a job to do. Buy your way into the president. Be close to the President. Just like the Omen. Like Damian Thorne at the end of the Omen, looking back, smiling. Be there. And you didn’t. You didn’t get elected. You bought your way in in Pennsylvania. Yeah. And then if anything happens to Trump, heaven forbid, by popular demand, you’ll step in place. Forget Pence, you’ll just step in place because we’ll want you to be our savior. Now, how do I know all this? Because the actual author who came up with neuro enhancer was groomed to be this very person.

Elon Musk are brothers in this. I was groomed by the Christian. They said the religious right. You know what? Yeah. They’re part of the cabal. They’re the religious factor. Religious control factor. And so I was groomed to be the face of the Christian Coalition. Blue eyes, dimples, that even women would say, oh, he’s so nice. If he does wrong. He seems so nice. Well, excuse the wrong he does because he’s so nice. That’s the power of the face aspect. Right. So Elon Musk took my place with my tech to be the face, a willing face for the rewards.

But he’s not that bright. I think it’s. I think that’s a good Thing. So you’re on our side. I said no to their. Yeah, I got. Great. Exactly. Trained and I said no. And I. Yeah, you’re absolutely right. So here I am, supposed to be a leader in the cabal who wrote these works and they’re afraid of the influence that carries. If I get credit for my work name, credit even though I have the copyright, everything else should be hands down. But of course, they threw the case. If you look up, you know, Tom Althouse’s name, it’ll say he lost his case.

They supplied their own attorneys, they blocked all evidence. We actually won the case and they blocked us from filing it by supplying their own attorneys. We actually. Yeah, we definitely know about the lawfare these days. I mean, you know, you’re also, you continue to be a target individual. And I just want, I want to go there as well for people who have exposure to that. I mean, even in our own, you know, team, Team Buddha lifewrite team. You know, there’s two people who are working with their mutual friend Michael and coordinating. They are teis full on as well, you know, Jim and Nicole as well.

Right. Great people. And, and, and, and that’s pretty powerful. I hope the White House actually in a positive way is working through this because I’ve had conversations with Todd Callender and he, he and his senior partners of his law firm actually led the world’s first class action case in the United States for targeted individuals. Like 25, 62 or so class action case. And every court continually, continually the judge would rule, get out, get out, get out, get out. Until they finally went through. Right. And here. And to me, he’s also a hero because he took on DOD and HHS in the beginning for the vaccine genocide.

Right. You know, like, hey, all the military have a class action against them, working with, with them to go, hey, listen, you know, you cannot do this to our military members. This is Nuremberg. This is also medical freedom. These they cannot be. So he won that, but it took a long time. And also he lives, you know. What, what did he say? Major General Valley told me first. And then I’ve heard it from another somebody else who knows Todd very, very well and has worked with him for a number of years. And then Todd said it also on a show.

He gets between 30 to 40, 50 legitimate death threats monthly. Yeah. And because, because he stands up. So, so for people to note that there’s people standing up, fighting back. That all of what we’re discussing right now, if this is new for you in the audience, just becoming spiritually Awake that this exists. It’s, it’s all evidenced based as well for those who are just waking up to this information and that for those who feel like you, there are places to go as well. You know, there’s not only is there hope, there’s actually a path, you know, to get past walking through the fire and into thriving.

You look at this man, I mean, he is thriving while they are still coming after him. And what is, what is done. So that’s also a purpose of the art of your heart. And I want to get it back into, if you don’t mind, in this pivot. Yeah, the art of your heart. So we’ve, we’ve taken it to almost where we are today, relatively. But get walking through the fire as a kid, leveraging your ability to go out and do lucid dreaming, which is very powerful. I, I leveraged that. I didn’t know it was called lucid dreaming back then, but, you know, stuff was happening.

I just, I checked out. I just called it checking out. Right. I just checked out. I went into my mind, I would read books or I would take off and go into the forest. And I found that to be very powerful too. Right. And at that point, his kid not really wanting to leave. But I did threaten a couple times right in front of my mother and with my younger sister, I’m just going to kill myself. And I had a steak knife to it. But where does a kid like 5, 6, 7 or 8 years old get that? But I did and because other stuff was going on that I had blocked and anyway, to the art of your heart.

So you were being groomed religious, right? Had the face and the story. Now I feel that you are, personally, I feel you are a high dimensional soul who has come back, has been on this planet before probably about 45, 50,000 years ago, between the, the, the fall of Lemuria and the rise of Atlantis. That’s what I totally feel. But I, I don’t have anything for somebody to point to with that. Right. But the amount of knowledge and wisdom which you bring forth is likely the light that you chose when you incarnated with the family to walk through this fire, to feel it, pick it up and eventually come to this point in time.

Where we are, I believe Tom, with what we’re going to talk about later in the program and what you’ve got going on now is literally to bring the ancient and the quantum back to us, both as a warning and both as a path for peace and prosperity for humankind. That’s what I Believe that’s brilliant, but I don’t want to kind of set it up and put words in your mouth, so to speak. Oh, no, it’s. It’s. It’s like a brother that just stand. Stood with me in the past and knew exactly what I was talking about and what I was trying to do.

Because the neural link has to be harnessed. It has to be given back to us to control it, because it will be what destroys and may have destroyed it before. So we cannot have the neuralink in the hands of the nefarious that they’re going to do wrong with it. And they got. They see it as a. As the Holy Grail, basically for enslaving the entire community. And they are doing everything they can to paint a pretty picture on it. But it is a killer clown. It is not something that should be unleashed. And they even did with Alder Carbon, with Joel Silver, the defendant.

That’s right. Who had all my materials worked to deal with Trudeau’s and Canada’s finance minister to steal the work there. And all these things transcended in. In Canada. Events happened in Canada that were just. I was just talking. This is during Christian Freeland when she was the finance minister. It was a gentleman. The gentleman was caught in the Mediterranean on the yacht and everything. Oh, yeah, yeah. That guy. Yeah, yeah, yeah. Oh, yeah. Trudeau very much, yeah. And so what’s interesting is this goes back to that situation where they consider the biggest boon, Alder Carbon, the biggest boon for Canada as far as film industry gains.

And the finance minister was bragging about that. Well, that was right after he had. Joel Silver had all my notes, drafts, everything where their. Their attorneys on tape saying they had no drafts, you know, none at all. So they. He was using up the whole premise about. And this is very important, the rich in the future have immortality. Yeah. Or is used as pawns, are used as pawns. That’s the premise that was in my story that Joel Silver saw during the throne case we had and where their attorneys were on our control of it, blocking us from our win.

He had all my stuff. So that’s direct access. So Alder Carbon hasn’t even been claimed yet. And that’s like direct access. He has all my stuff. He’s not. He’s defended reading it all. So we got him on that. But he said back then it was a mundane concept. When they do alter Carbon. And again, the ex. One of the execs from Warner Brothers, Kate Chilton, actually goes to Netflix in order to launder the Work. She becomes in charge of litigation, content application, throne. And that’s where Joel Silver does the Alder Carbon. And again, now they claim that it’s the rich in the future have immortality.

The poor is used as pawns. Is the greatest sci fi concept in the history of film. Well, that’s right for my story treatment, for my pages. So. But what’s chilling is to institute that, well, I would like to give the premise to ultracarbon for people that don’t, you know, so they’re just kind of catching up rather than doing the, you know, mine says, no, I’m not sure. What is this? So Ultra Carbon is a sci fi series set not too. In the. Not too far in the distant future, you know, trying to build the log line here.

And you have the ability to pull the chip of your consciousness on a little chip right out of the back of your neck and then transfer that consciousness into another sentient creature. You know, typically bipedal, right. Individual. But of course, you do Cats and dogs, by the way, this is actually proven, right. It’s. It’s literally been published in the last two decades that they have done tests to transfer consciousness between cats and dogs, but the altered carbon is transferring consciousness between soldiers and people. So there’s even a scene in Altered Carbon because I, I watched that during the lockdown pandemics because again, you know, in Canada, in Vancouver, we had a few months, it was full on lockdown, can’t go anywhere.

I gave him the finger, I got him a motorcycle, went up to Whistler and all that stuff, which is great because nobody’s on the, on the road while they’re murdering seniors with medazine and still doing maid. Right? Euthanasia, right across the board. So with this scene, there’s a guy who walks in and his wife re says, oh, is that you? This is your new body? He goes, yes. And she talks about liking the older one versus this one. And then he talks about, no, the penis is bigger. And what do you think about this? They’re literally just, you know, decanting, growing, or taking on other humans and transferring their consciousness.

What, what, what’s extremely scary, if you will, about this. Here is the neuralink. And what Apple has just announced is that step to people going, oh, yeah, this is okay, I can walk out of Whole Foods with the chip in my wrist. Amazon pay, boom. This, you’re all done. Like, there is no sovereignty. You are that dead corporate entity. And then you are the robot. Then we have the zombie apocalypse, which failed during pandemic, but they’re also going to rise up again. We have machine access codes. I know. You know this time coming out of graves from people who died after the jabs were given to them in 2020 and 2021.

Those graves, you can still walk up to it and whatever has decomposed within it still is active. Where you have Bluetooth enabled corpses inside those grave sites. Right. You know that’s part of this. Yeah, that’s the thing near. Near the whole thing with the chip in the wrist in mine it was the palm. So this is like 1993, 1999-93 where he puts the palm up and then everything’s like transferred banking. Everything else information gathering is. Or their bomb and the. I read out Minority Report. I report. That’s the big one. Even Spielberg really stacked it in Minority Report.

That’s where he put again John, John A. Whatever. Anders Anderton. So he put my dad’s captain Johnny. Put my dad’s naval rank and name played by Tom Cruise. Where his son Sean has been murdered. He’s going to put away for pre crime. My son Sean was murdered after that film was made. Spielberg did pre crime by doing Minority Report predict forecasting that my son Sean would be murdered. And that’s not even in Philip K. Dick’s novel that the film’s drawn from. If he could take had nothing to do with or didn’t have anything written about a son Sean or a son at all being murdered.

They stuck it in. Spielberg stuck it in to mock just like he did in Saving Private Ryan. I did. This is the first I’ve heard about this. I. Yeah, if you look at it, look at the name of the kid Sean and you have the whole thing where he’s in the like the holographic thing where he’s come back and talking to him, which is in the Immortals. Yeah. And you have my character Thomas A. Who’s actually not named Thomas A. In mine, Anderson, he’s actually named Jim Reese. But they take Jim Reese and put him in terminal list in Amazon and use the exact name there as the agency agent.

So copy that there. But name Neo. Two names. Thomas A. Anderson and Neo. They’re putting my name as his. And then the first graphic, there’s my high school, my birthday, my dad’s name, my fiance’s birthday. All that’s in that first graphic. It’s incredible in the interrogation scene. But Minority Report. Yes, they alter it when Philip K. Dick said he didn’t want his work altered in any way after his death. That after his death it would not be altered. They alter it, and they make it so altered that Steven Spielberg puts in Sean, the son being killed.

The reason my dad’s name and rank, Captain John Entertain, will be put away in stasis for life, which they tried to do for me after Sean was killed. But Steven Spielberg didn’t stop there in Saving Private Ryan. He also forecasts that my sons will die in Saving Private Ryan. It’s fictitious characters. All right? Now, the premise is there. We know that people have lost multiple children in war. We know that. But there was no, as far as it was historically, the Jim Ryan kind of thing. So Spielberg has liberty to do what he wants. Now here’s what’s chilling.

He chooses Jim Ryan as the main character because Jim is Jim Reese, the main character in our. Our thing represents Tom. Then they pick Sean again. So Sean is one of the brothers who’s murdered, killed or killed in war. And then Kirk Daniel, my other boy, is in there. So you got Dan, Kirk, Daniel, Sean, Jim, my main character’s name that represented me all in the same thing. Now, what’s really amazing is they do this. The. The officer who receives the dispatches that these boys. Brothers have been killed. Right. And takes it to the. The colonel in the office, if you will, at the.

Yeah, I remember the. In that scene, they actually had the woman on the tipper. She gets it and then runs in. In, you know, like, oh, my God. Oh, my God. Oh, my gosh. What’s the name of the guy delivering? It’s rhetorical. What’s the guy. What’s the guy’s name who’s delivering from the. The woman who holds it up to the colonel? His name is Boyd. Why is that important? Because Boyd, who’s. Who is the attorney who delivered my work to Warner Brothers. Oh, so you got my son’s names, my character’s names, and the very attorney who delivered it, delivering the message of my dead sons in the Saving Private Ryan.

I mean, this is how far I was told. And this gets worse. Spielberg’s best friend was named Peter. Ex cop, divorcee from New York in Hollywood, California. He took one of my housemates named Kirsten Leslie said if he sleep. If she slept with him, she would have dinner with Spielberg and be a lead and sweet charity in Hollywood theater. So she acquiesced. She said, yeah, I’ll do it. I’ll sleep with you for. For that. And got my work to Spielberg that way. She took my screenplay with her. And Peter had said to me on the phone, don’t you ever effing come to Hollywood, you’re a dead man.

So it makes sense that Spielberg would put my son’s names in Saving Private Ryan and also minority report in 2002. Minority report changing Philip K. Dick’s novel where son Sean will be murdered. Which means the catalyst for putting Neo or Thomas A. Away for pre crime using my dad’s name and rank. So what you got is Spielberg committed pre crime by making a film about pre crime, saying that when Sean dies, Tom will be put away for life using my dad’s name and rank. And they did. They came to put me away for life when Sean was killed.

It doesn’t, it just, doesn’t. It just. How far did they go? So the real concern by the religious right again, Pat Robertson with the cabal, with the FBI, with Hollywood, was that this man who was groomed to leave before you would have influence the way they didn’t want blowing the lid off of everything. And working with you, Jen, Lynn, all the rest, Michael were able to do this. And now what’s happening is which is mind boggling is in the original piece the Immortals. And I want to just share this with you, give some hope to everybody.

The central Neo is a lower echelon CIA department head Smith, who is Behringer in this isn’t is in a department over him. And so you have CIA, Central Intelligence Agency in this original work at the backstory you have that becoming central in the future. Central is what Smith is from with the room of monitors and everything. It’s not the architects. It’s Smith’s room supposed to be in the original that is central which controls the one world societies, enforcement. In it you have at the end central agents switch sides because the Architect who needs his mind stimulated decides to purge the agents which were doing that stimulating through the conflict and all that stuff is suddenly not needing them anymore because he’s going to come back as Christ, thinking there won’t be any Christ showing up.

And he can have the pure people of Zion coming out. Supposed to be one generation, not six. Even the Wachowskis on their fan page said that audiences were right. It should have been one. Yeah, it was in the original work, guys. One, not six generations. The Architect knows where Zion is. He needs the people there untainted to the right time to be brought out by an ambiguous oracle. So the Architect could be architect’s son can be seen as Christ returning. So his mind will be stimulated forever. The architect’s mind will be stimulated forever by the pure power of worship and not needing the conflict Anymore.

So he purges his own agents. Talk about looking like the good guy. But the agents switch sides to our sides come to present day. So what just happened? The agents often will come up to me. They’ll come up to me and they’ll say, we’re really fans of your work. Everybody knows you wrote it. So the other side knows I wrote it. So when I was before Easter, three days before Easter, a break in occurs in my house. They didn’t take anything. They brought stuff back. So in my bedroom, on my bed, are the original drafts that were taken back in 20.

With your notes taken away, stripped, because these are proof that the work was completed in 1993. Before. In. Before 1996. Warner Brothers attorneys were trying to make sure that there’ll be no proof of any drafts before 1996. So they took all these. Look at this one. Holy. Look at the entry on the bottom here. Yep. 1993, March 21st. And look at this molded entry up here on the top. It talks about. This is a red over January 1994. Yep. Up to date. After December, Christmas. Up to date. So here’s an original draft also. That’s not all.

They also restored this one. Wow. And look at the comment at the top. There’s a date on it by Trisha Pike. October. What’s that? 1995. October 7, 1995. Before 96. Right. And just commented everything by her. The reason this is missing the COVID page. You notice all the. There’s another one they restored here. Another one on my bed in my bedroom. 1993. All these restored. The agencies want us to win now, or at least certain elements. Like Michael said, probably entertainment one, film one. So the reason this is missing his cover page is because cover page had been ripped off by the supplied attorney who had a suspended license, who was classmates with the Warner Brothers attorneys and defense attorney representing me.

No. Blocking all evidence and blocking our chance to file our win. And so the COVID page was taken, stuffed down my child’s art box, ruining his artwork, along with our poor man. Patent ripped apart by him. And this was taken because it has that entry restored now. So what’s going on? Why are all these being restored now? Because now they want us to win. They are figuring. What I understand, what I’m being told is they’re tired of working with the failures who are very egotistical and bragging all the time. Again, compassion can have its work and charm.

So now they’re figuring, well, why not the nice guys and girls? Why not the ones that actually wrote it? It’ll be better entertainment. If our fans the work, why not have them succeed? Why are we working for these failures that all they do is brag and boast and want more when they didn’t even create it, when it’s common knowledge they didn’t. So now the good guys and good girls are suddenly being considered the ones that have survived the horrors and are still alive. I’m still alive, but I have two dead sons. I’ll never get over that.

Ever. Ask Jen. There’s no way I’m going to get over that. But I can do this in honor of their memory. And I explained that to Disney on a call I recorded where they told me that they, that the reason my last son was alive, Aiden, was. They said that they basically knew that they would, they would keep me behaving myself. They said, we know you’re concerned for a safety, so Aiden’s alive as a leverage card. How long ago was that that Disney said that to you? That was back in 2019. So this call is recorded.

Disney has literally agreed to maybe being complicit in the murders of your previous two sons, but at least admitting to the fact that your current son is alive as a way to keep you in control. They said that I was, they knew I was concerned for my last son’s safety, so that was supposed to keep me from speaking. What they were most concerned about was interviews. There are those individuals at Disney still walking the streets free today? Yeah, yeah. Because they didn’t know it was being recorded. It was an attorney for Disney connected attorney. And so what I did was I tried to like, I looked at it as a way that they have a playbook.

So I thought, okay, how’s their playbook mainly work? What I picked up the idea was they try to use what matters to you most, what you care about most, and then use that against you. Right. And so I thought, what do they care about most? Well, that came out very clear in that taped conversation because I said that, you know, I had the 16 more drafts at that time, 16 other screenplays that were even better than Matrix. They said, how do we know you’re not a two hit wonder? And I said, because they’re referring to the one that’s green lighted for Broadway, the Domestics and also the Immortals.

They’re not even bare bones about it. They don’t. I guess they didn’t think they were being recorded at this point. And so I said, you know, well, what do you think I’ve been doing since 1993? They said, okay, so we like to see these. You got to show it to us. I said, no. I said, in fact, if anything happens to my last living son, I’m destroying these. I said, they’re buried in a trash bag in hard copy form. They understand that because they said their library for Disney is in a New Jersey warehouse in hard copy form.

They understand that there’s no staples, no fasteners in metal at all. You’ll never find them. They’re in a trash bag. If anything happens to my last surviving son, I’m destroying it. And they said this. You’d think they would be compassionate about life, the child. No, they go, you can’t do that. They were concerned about the property and the worth of it and the value of it. So that’s what helped keep my last son alive, was I played a leverage card, incorporating what they fear and most, and that is this other work product. They’re also concerned that work product could show legitimacy.

So that’s what we’re facing. That’s the way I had to do it. And people now accuse from the other side will publicly say, why is he still alive? He must be working for them if he’s still alive. I’m still alive because I outplayed them, and God gave me the grace and ability to do it. And the idea. And that’s a grieving father trying to grieve, using whatever he could to keep his last son alive. And I feel good about that, that I did that. Absolutely. Absolutely. Tone. Yeah. So what compels people? If I was just to kind of summarize our conversation to this moment.

Yeah. What is. What has compelled you to be where you are from childhood, your first known memories to this point in time, was living in a world of love because you had empathy and compassion and. And starting to walk that path to stardom, which would ultimately unleash your objective, which are these stories, the immortals, aka what they spun to the matrix, assassins, that story, etc. And then realizing what was going on, stepped away from that, and you continue to walk in a path because there’s. There’s only two things, right? And I’ve learned this really well 25 years ago, and I was exposed to Reiki, and I’ve been a Reiki master for a decade.

And it’s what we talk about in Spiritual awakening virtually every single episode that I do over 700 now here on the show is love, is the absence of fear. That’s the basis of it. Right. You either have fear as control or love. That’s it. All our Decisions stem from either love or fear. And so a love from expressing aspects of yourself through the movie, through the story, then moving forward and seeing how compelling that is and how they want the deep state. The bad side wants to own that and turn it into control rather than inspire people.

Because that’s what we see with stories going all the way back through, you know, the hero of many faces or the hero’s journey. But it doesn’t have to be one individual. We look at the Freedom Convoy in Canada, there is no one individual. That was the collective. The Freedom Convoy in Epic Australia, that wasn’t one individual, that was the collective. They still turned the LRADs and 2 million directed energy weapons on and fried people with microwave weapons. And, and again, that art of the heart stems from doing it out of love and still moving forward in spite of that.

Like Bishop Jim says, you know, in, in his versions of the Bible, which I think are a lot better than the 66 or the 61 after the council of Nicaea, right, they removed, you know, the Pisto Sophia, the Book of Enoch, the other, you know, 600 plus almost 700 books of the Bible. And then, and then they don’t even acknowledge anything about. What about these Sumerian tablets over here or Atlantis or Lemuria or these, you know, galactics that keep coming in and other parts of the earth and planet? We don’t know. So what about the Smithsonian? Did everybody notice that, you know, there’s five dragons that the Smithsonian in the United States that the Smithsonian recognizes? Oh yeah, that’s just a massive dragon fossil.

We call that a mountain range. Anyway, next U.S. geological Survey. I’ll just, you know, play with me for a second or allow me for a moment. U.S. geological Survey, August 2022 acknowledged that right below the south rim of the Grand Canyon is a 60,000 year old pyramid. 60,000. So there’s that break in that structure of control, you know, of religion, you know, King James murdered 350, 000 Irish, genocide, enslaved 300,000 Irish and then wrote the King James Bible. Enslavement, control, Right? And you know, I don’t care about the comments that we get because it’s about leveraging also.

We have to realize there’s so much that we know we don’t know. Why aren’t we open to other aspects of it, society and creation, Right? So where you are today with this is doing such out of love, taking these steps and being here out of love and, and still moving forward in this journey, which I think is absolutely incredible because gonna coin this phrase here, so pardon the euphemism, you know, not all heroes wear capes. And. And this is extremely heroic. And this is why, you know, this show is reserved to icons. You know, people who have done and been through and accomplished incredible things on both sides of the coin, have experienced and are still here.

I feel it’s important that they have their story that gets out there to motivate, inspire others to do the same. And hopefully nobody ever has to go through this type of stuff ever again. Where we are now in the. My goal was to, like, I said, whisper through art. Thank you for that, Brad. And it was like this people, they’re pushing. Now they have their players pushing, like, put the whole thing online, Put every page up online. It’s like, otherwise, you know, no, if I put every page up online. I’ve shown the train station scene, the matchups, the room of monitors, the Republic.

I’ve seen these. Shown all these things on there, including the train station scenes. So I do not. I’m not supposed to put every page up because that’s what they want so that nobody will come see it. There has to be something where the experience can still be had of what the matrix was supposed to be and how it ties together. Joel Silver on set in 2003 saying, we hope we watch the rushes. We just finished shooting. We hope we watch the rushes. It’ll tie together that we use up the rest of the story. That’s not going to play into that.

So we have the train station scene published. We got to see. We’ve got the squiddies, the Jackson neck, the. All that stuff for people to see. So what I want is I’m going to hold out to do this the right way and have the experience. They’re not going to take that away. It was a gift for humanity to bring us together. Yep. That’s like, let’s, you know, let your child see the instructions of the gift we’re going to give them at Christmas. And let’s let them see the instructions and the breakdown and lay out all the pieces before we wrap it and put it on the tree.

I want them to have the experience, so they’re not going to take it. Will they get that experience? I heard Roseanne say that she was going to back you. Ladies and gentlemen, our show will continue after these brief and important messages. Foreign lions and lionesses, you amazing sovereign souls, look at this. Powerful, affordable x39 patches help regenerate your stem cells. These were developed for Navy seals. Burns up to 500 calories, acts like A wearable med bed on your body so you get to wear your natural wellness daily. Order X39 now@catchthelifewave.com There’s Monday to Friday phone support so you can go there.

There’s zooms and there’s a 190 day money back guarantee. At Catch the LifeWave.com the X39 there is nothing else like it. Help activate stem cells, reverse aging and rejuvenate your life. Catch the life wave.com Roseanne would like to make it. She said, yeah, I’m supposed to see her. She’s doing a press thing. I think it’s in D.C. now with the release of her documentary which is great. And she’s got some big things coming up. So her son Jake said, you know, probably this next week I’ll be with her. But that’s going to be a banger also.

Big, big, big piece. But this is, I love doing this with you, Brad, because you evidently, obviously you have the heart. The whole team does. I mean, it’s like, you know, Jim, Nicole, all the rest. I mean, Lynn is like a sister to me. You know, Michael’s like a brother to me, you know, Tracy, Joe, all these guys. I mean, that’s what I was even back to my childhood when I’m being beaten, I knew someday I would beat beautiful people, great people. And in the piece it’s all about a remnant gathering those that were scattered. That’s a child mind again.

Scattered. Coming together to solve world problems by bringing their different disciplines and having each their shared compassion. That’s how we change the world and to change the medical industry that way too. Child services should be outlawed and we should have people in place that actually care about our kids. It should not be weaponized system where you take away the children of targeted individuals because it pleases those in power to break us. It’s got to stop. So what I would like to see is a compassion brought in. I would rather have compassion emulated rather than professional. Absolutely.

You know, trappings presented, you know, show me heart and you’ll have healing heart. And you know that I think that’s where it all started from originally. Some of the like whether it was boy and girl, Boy Scouts, Girl Scouts of America and all these clubs were originally started with that compassionate level, I feel. And then obviously we get back to it, you know, the return to sovereignty and God and I truly appreciate it. How would what audience, what, what advice would you have for parents listening to this to guide themselves to raise their kids right. And then any children or you Know teenagers or young adults who are listening to this, dreaming to get into the arts because, you know, there’s things are a lot, a lot more positive these days.

Yes. As things flesh out. Yes. I think that’s why we’re seeing a switch up too. But we’re, it’s being conceded that we have, quote one, we haven’t seen the money, we haven’t seen the power, we haven’t seen any of that. But that doesn’t mean as much to us. What we’re seeing is the influence being restored that we can cause an effect and have a positive influence. What I would say to parents right from the get go, especially new parents, is include your child in the creative process. If you want them to be able to create, include them in the creative process.

When you go to make a decision, even over dinner, ask them their opinion, ask them their input, let them have inputs all along the way in what you do. If you go to work and come back, share with them what you had at work and ask them what they think they would have done and their opinions. Let them formulate those synapses of problem solving and creativity employed by interacting with you in your daily lives. I think that’s how it was in the olden times, if I’m back from another time. I think it was done at that time where we included our children in every aspect of our lives and thought, you know, they could be part of our process and we could be part of their processing, that they learn cognitive problem solving skills, creativity, just by our interactions.

And in the end we have no regrets because we did not neglect them. We included them all through our lives. They were part of our lives and we, and we were part of theirs. So it’s certainly a cross pollination. I, I feel too that you’re tapping into. Tom. I have another series called the Starseed Children series where we literally just focus on, you know, where did we come from and these incredible ultra dimensional souls who are here to pardon the pun, break the matrix, so to speak, and literally bring stuff from the future, in our long time past into the present for us to construct these incredible projects.

People might call them humanitarian projects, but they’re like, almost everyone is like a prodigy. It’s amazing kids and we have so much to learn from them and what they’ve brought into this world and it’s fascinating. So yeah, that’s that out of all the shows that I do, Soul Speak and, and Starseed Children are my favorite, beautiful favorite, but we’ve gone through and others like us allowed us to formulate our minds formulated a different way outside the box. And that’s why this work is so different. When Hollywood says everything is done under the sun, back to that taped call with that Disney attorney person said that everything’s been done in the sun.

There is no new content. I’m like, no, there isn’t. There’s plenty that hasn’t been done. And I’ve got 16 more. And that was part of that too. Another thing that parents I believe can do too is to whenever a child has an idea, don’t shut it down. Say, that’s very interesting. That’s a great, that’s a really interesting idea. Always acknowledge it. Don’t say no to them on their ideas. It’s not a disciplinary thing. If they’re coming up with an idea, engage in it, explore it. Fascinate with them. Allow them to activate their wonder and bring your wonder back into life.

Wonder is a great thing. It goes coinciding with hope. Hope, wonder and love is a powerful concoction. Yeah. You know, one of those. Your, your point is spot on. It just, you just reminded me one of the greatest trainings I ever had in my life was I did level one improv at Second City Toronto. Number. I love it. Yes. And the very first thing that’s taught, and this is the number one rule of improv comedy is. Yes. And so if you, you can take that, to extend that exactly to the teaching principle you just delivered about being a parent with the kid is.

Yes. And you know, when they have a creative idea. Oh, that sounds amazing. And what else? And what else? And allowing that imagination. I Magi Nation. Right. The etymology of the world at word and where that comes from too. And then historically Greek literature and then before that, Bhagavad, Gita, Muhammad before that as well. Is really on point. Absolutely on point. What do you feel then as we wrap this up is your soul’s purpose in the near future? Finish the job is what my dad said from his deathbed. He said, you’re a straight shooter. Finish the job.

And people like Jen, Alan and others are like, Jen is doing a bang up job. My God. And it’s, she’s allowing me to finish the job. And so people like that, imagine a whole earth like that filled with gems. It’s like. Right, exactly. And she’s got so, I mean she’s 80 years old now. Right. Skin wisdom rocking another life wave. Putting everybody together. Eight brilliant freaking kids. You know, great grandma, like a, a small little army platoon and Incredible. Yeah, absolutely. I got my Wish as a child to meet the best. Yeah. And to work with the best.

And that’s what I was living and breathing for and trying to grow up fast to me. And that’s what I put whispered through art. In the Matrix story. The immortals was to gather that Remnant. In fact, if you want to know the actual name of Trinity, it’s not Trinity. Reason they call her Trinity in the stolen version is because Neo, when he’s being chased all over the place. Thomas A. If you will. Is because he had three love interests. In the end, because he had to survive at the three love interests, one of the final ones was being.

He was sent told that when he’s cut from the program. The train station scene. The same as they had in Matrix. They ripped off. Exactly. Added the train man from Ghost, which is stupid filling what they weren’t, you know, blanks in. He gets through with Trinity helping him. Now that’s where I recognize it. You just said the train man from Ghost. And I had to go back to me more. Back to. Oh, yeah. Yes, right. That was added in because they were filling in what they’re. What they’re familiar with into the gaps. Yeah. So that’s why you wonderland everything else as they’re making up on set off this piece with the visual storyboard in the other, thinking they could create that.

So what happens is. Yeah, the Trinity character was actually named Monique. So all these people, parents that name their kids Trinity. What you’re naming them is in the. If it’s off the Matrix, you’re naming them. Okay. The three love interests that were stolen from the original piece. Actually, her name was Monique and she had a second name, Remnant. She had a biblical name also. That’s why they gave it a biblical name with a three. But the biblical name was Remnant. Because he’s asked, you know, who is that? That’s Remnant. She was part of Remnant. Remnant is all of us that have that heart that has been scattered, the hijacked timeline cast aside that are now coming together to right the world and right the wrongs, make a better world.

That was the vision that was. Was the code in the piece. And I’ll say to people, I am honored to meet you each. And you, Brad too. And God bless you all for seeing it through and never giving up. As my son said, never give up. And I’m honored to be in the company I’m in now. Getting it done, getting the job done. Couldn’t do it without you. Mahalo, Tom. The feeling is absolutely mutual and truly inspiring. Where can everybody Go to support you now. Site called tomaldhouse.com My other friend Jen did the whole thing for me and so she made it memorable.

I wouldn’t forget it. So tomoldhouse.com and on there is even a site to donate if you want to help the documentary, things like that, but. Or even just live. Keep living through this all. But it’s like that site. She did a really good job with that. So with your permission, we’ll put this up there too. And absolutely that way too. Yeah, absolutely. Well, I hope we meet someday in person very, very soon and it allows it and God bless and God speed. You’re. You’re welcome to come on at any time and give us updates. And thank you so much, everybody.

That information is right below the description. So if you’re watching this broadcast or you’re listening to us on the podcast, just scroll right below the very top of the description is Tom’s website. Follow him, Stay in tune. And I would encourage you to listen to this a few times again because the nuggets of wisdom delivered by one of the greatest sages of our time and scribes is right here on the screen or you’re listening to him right now. So I would encourage everybody to go back a few times and allow the different vibrational notes, those nuggets of wisdom, to be embodied in your heart, in your spirit here as well.

God bless you all. Thank you all for being here. Thank you, Tom. And we’ll see you next time on the Sovereign Soul Show. Hey, dear soul, if you know anybody who needs deep healing, has pain, hard time sleeping. Stay tuned for these messages from Colonel Chuck Sellers, the former deputy commander of Delta Force. It is powerful and literally may help change your life. To revitalize energy, activate stem cells, and live younger, reverse aging. I’m telling you, Michelle will tell you because she watches me. Okay? So, you know, you saw me, Brad, that time when my back was so bad.

You remember, we were here, you were here and you said, this is. We got to do something. Like my Robin. My left knee is destroyed. I mean, it’s. It’s totally rebuilt and then five operations. But you have to tell about your back. My back is a. Is a. It’s a disseminated idiopathic skeletal hyperastome dish disease, which is a degenerative back disease that’s genetically passed down. But what it leads to is total calcification of the spine. And so jumping out of airplanes just made it come quicker. Yeah, I didn’t know that I had it until. Until 2002.

After I’d been in the army for 24 years and I’ll jump in and all of the parachute jumping and the opening shock and everything did. So when I was what, 48 when I got out, something like that in one application of the patch later. We went to a rodeo on Saturday, our first day, literally. We went to a rodeo on Saturday and it was maybe six to seven hours and he wasn’t slumped over and he couldn’t handle it, no finger. It was like pretty incredible. That was the first day. That was your first day wearing them? That was the first day.

That was the first day on. Are you wearing x39 too or just Ice Wave? No, just Ice Wave right now. The way we did it, I just have. I’ve only done the Ice Wave. All I have used so far is the Ice Wave, the two patch thing. And I’m doing it just over three days now. I find that where I needed, I did try it on the behind the neck, the first. But what’s here, what really would where it helps is it put it right on where it really hurts is my lower back across the pelvis and I put it on the spine there and then down on my lower left leg down the top of the foot so it goes through the bad knee.

That’s it now. But since I put these things on, that’s how I feel. I mean I’m walking straight, I’m not limping. Hey, you divine lions and lionesses, you amazing sovereign souls. Look at this. Powerful, affordable, excellent. 39 patches help regenerate your stem cells. These were developed for Navy SEALs. Burns up to 500 calories. Acts like a wearable med bed on your body so you get to wear your natural wellness daily. Order X39 now at catch the life wave.com There’s Monday to Friday phone support so you can go there. There’s zooms and there’s a 100% 90 day money back guarantee at catch the lifewave.com the X39 there is nothing else like it.

Help activate stem cells, reverse aging and rejuvenate your life atcat Catch the LifeWave.com thanks for joining us on the program, ladies and gentlemen. Please like follow, subscribe, share this with 9 friends, family and of course, if you enjoy our blinged Buddha firing red pills from his nine mil, let us know.
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