Matrix creator Tom Althouse on theft of his work amazing reveal and how consciousness is advancing.

➡ Michael Jacob interviewed Tom Alhouse, the original creator of the Matrix movie series, who claims his screenplay was stolen by Hollywood. Recently, some of his stolen material from 2012 was returned to him. Alhouse discussed his original script, which he believes was a divine download meant to awaken consciousness, and how it was manipulated by Hollywood. He also shared his thoughts on the future of technology, including the potential dangers of neuralink technology.
➡ The text discusses the idea that the Wachowskis, creators of the Matrix, and Elon Musk, who promotes neural link technology, don’t fully understand the technology they’re dealing with. The author suggests that these concepts were stolen and misused, and that the credit for these ideas is wrongly given to these figures. The author also mentions a connection with George Michael, who was supposed to contribute a song to the Matrix, but died under mysterious circumstances.
➡ The speaker discusses their return to YouTube after being banned for years, and how they believe things are changing for the better. They also share a story about a dishonest attorney who destroyed evidence related to a case involving Warner Brothers. However, the speaker reveals that some of the evidence, including a screenplay and a poor man’s patent, mysteriously reappeared in their home years later. They believe this is a sign of positive change and justice being served.
➡ In 1993, important documents related to a project called “The Immortals” were created and later stolen. These documents were crucial in a legal case and were believed to have been hidden in a CIA vault. The documents were also linked to the creation of the Matrix series and other movies. The return of these documents is now helping to reveal the truth about who had access to them and who might have stolen them.
➡ The text discusses the corruption in Hollywood and the lack of creativity among those in power. It suggests that those in power often suppress others and steal their creativity. The text also mentions a possible shift in power dynamics, with suppressed individuals starting to rise up. Lastly, it emphasizes the importance of compassion and humility in creating meaningful work.
➡ The text discusses a conversation between two individuals who have faced adversity and manipulation from a powerful “other side”. They’ve been targeted and discredited, but they’ve managed to overcome these challenges and are now working to expose the tactics used against them. They believe that their experiences and struggles have led them to a greater purpose, and they express hope for a future where they can work together with others to create a better world.
➡ The text discusses the journey of individuals who have chosen to leave a dark path and move towards goodness. It emphasizes the importance of thinking with the heart and the struggle of deciding whether to forgive those who have wronged us. The text also talks about the power of collective creativity and benevolence in overcoming evil and fear. Lastly, it highlights the role of supportive audiences in facilitating this positive change.

Hello everyone, it’s Michael Jacob with Unleashing Intuition Secrets. I’m joined today by Tom Outhouse right here. So isn’t that great? Be able to do a live show with Tom Alhouse. Very, very amazing gentleman. He is the creator of the Matrix movie series which was the screenplay was stolen from him by Hollywood. And we talked about this in many, several, and several shows for several years now. And it’s interesting things are coming to a head because as we’re going to talk about, he had some of, some of his material that was stolen back in 2012 just a few days ago that was placed back in his house.

Wow. Yeah. So things are moving, I think, very, very quickly. Like we talked about how white hats, the good guys, you know, wherever they may be, whoever they may be, are trying to help us. Tom, thanks for joining us. I am so excited to be here. I think it’s the first time we actually got to meet in your home and do a show like this. Yeah, this is cool. Yeah, yeah, this way. It should be good. Good. I’m glad, I’m glad you, you know, you came here to take care of some business because you’re still trying to steal your, your information and you’re, you’re, you’re making moves to like, you know, overcome that still.

But in the meantime, amazing things are happening. So let’s, let’s go into your original script real quickly, give guys an overview. Okay, so this is again the original script and it’s the only one that is a copyrighted script that an author has of the Matrix. No one else has it. No other claimants have a full script certified. So, and this one has the 1998 stamp. It’s hard to see here, but a 1998 stamp, which is the one that was used on set in 1999, and that’s been made clear by fight choreographers and others connected that were there on set.

And they, they also emphasized that there was a 20 foot rule that if you’re within 20ft, you could be fired. And we think about that, that seems like kind of an absurd rule. If you’re trying to work as a team, a union team to get these things created. Why would you, you know, instill that and enforce that even? But that was done so that nobody would see this material when this was in one hand and then the storyboard was the other to create it. And in here is everything from Train Station, Jackson X, goodies, blue pill, red pill, you name it.

Right? All the stuff we’ve talked about over the last several years. And what you intended for this information to be and how they manipulated that information. So the controlling consciousness. But you were trying to awaken consciousness. Tell us a little bit about that. Exactly. I felt like my calling was to do this faithfully, to basically take a download that was being given. Right, Michael? And it was like I was given what I considered almost like boot camp training or what you had gone through, not to the extent of physical extraneous, but it was actually a mental boot camp where I had to learn humility, compassion.

And I think that’s very telling if that’s the requirements that were. Were put upon me. Whether people believe that or not, that that was instilled. It’s like that says something about the powers behind this that they wanted. I got the impression they wanted us to all do our parts and basically bring us together as humanity, that we solve problems together. And that became a core theme in the piece itself. So I felt like a scribe or a servant. And I was amazed. I also had the sense that I’m experiencing this for the first time, and I had a deep sense of responsibility that I had to do it properly without inflicting my own bias in.

Wow. And we talked how you basically were being groomed to be kind of like an Elon Musk. And when that didn’t work out, then Elon Musk showed up. That’s exactly right. I was given a series of questions when I was at the religious right and being courted by the FBI. I was actually on John Walsh’s program when it was a season premiere of America’s Most Wanted. So I’m taken to lunch or dinner with John Walsh and FBI heads, and they gave me a card that said, you know, present. Please extend every courtesy to Tom Alhaus. So I was being groomed by both religious right to be the face of the Christian Coalition, which basically my job would be using dimples, blue eyes of the time, blonde hair, to mislead people into steering their way towards Pat Robertson’s political agenda and.

And the cabal’s plans. Wow. And I was made privy to certain aspects of it, such as a reset of a One World Order where they’re actually going to simulate the return of Christ using Hollywood elements. So it’s just. And that’s now coming out, as crazy as it sounds, it’s now coming out in Toronto Star and other publications where you’ll see articles. I have one for you later where I can show you to attach on here, if you’d like, where it said that Pat Robertson was concerned about getting Enough power up to the man made mountain so he can be seen interviewing Christ when Christ returned.

So that’s why at the ending of the Matrix story you got identical figures facing off. But they wanted to take out any of the religious messages and so they turned it into Neo facing off Smith looking alike. But that ending is right here with the people, you know, the identical figures facing off into the pulse wave coming out. One throws it one in the crater and the earth regreeding again. A little girl pointing the sun. That’s all from this. And if you counter in also the Wachowskis and this is made clear in articles and those that are fans of the work will note this.

The Wachowski said they had a big argument on set basically about how to end it. No one, they said everybody wanted to blow it up to finish it because the whole spine was ripped out of the story. When you revert and take everything out in a visual storyboard and try to reek put it together, it’s like taking a Porsche and what do you got left? If you’re taking the parts all out of order and you’re not a mechanic, not a writer. So what happens is they, they totally blew the ending and said we’re going to keep the same ending as it is.

Well that’s interesting because what same ending, you know, you already have a 20 foot rule, no one can see it. And if you already have it written and approved, where’s the debate coming from? You know, why are people saying they should blow it up? Why are they claiming everybody said to blow it up? Because you unravel the story. And Joel Silver actually said that he hoped to tie together in 2003 on set. He said he hopes when they watch the rushes in this article on set that they would tie together and it would actually, you know, be cohesive.

Never did. Wow. So that’s, that’s so in your mind you were going to bring out this just amazing information that was downloaded you from source. Including tech. Including tech. And that raises the question, I’m glad you brought that up because why is God, if you will, giving us neuralink technology? And I, I’d like your thoughts on this because what you think, because it’s like to give that. That’s a Pandora’s box, that’s a thing that can enslave us all. Is it that he was giving it so that we would have ownership of it or did he already, or he or she, whatever, foresee that it would be taken? And that was part of the plan because the premise in the.

In this piece right here was that man tries to outwit God, and God outwits man in the end. So he allows man to imitate revelations, and in the end, man uses that. So I think it’s a pretty interesting premise. But I love your thoughts. Yeah, so my thoughts today, actually, Apple said that they would endorse or. Or help sponsor people with implants that connected with Apple. Were Apple computers, phones and everything. So they’re. So we’re moving in that direction. So we have to. We have to decide as humanity whether we want to go down that road or not, whether we want to give up our control to.

Because that’s obviously something that can be taken over. Yeah, yeah, we can control something. You don’t think that could be reversed? Yeah, that’s. That’s pretty much what we’re. We’re moving to. Well, Michael, you just took us right to the screenplay again. Part of the download that I was supposed to faithfully follow. Right. And it was very. Made very clear during that training that I had, which was amazing. And I just wrote a chapter for a book with Lisa Sherwood about that. So I just did that today. But addressing that very thing. But I’d like to share about it too.

Is that in it you have all these things happening to Neo? Thomas A. Where. No, I didn’t name the character for myself. That was Wachowskis throwing it in to mock. But in it, Neo’s enhancer, or neural link is diseased from the start to go off at a certain time where it will short circuit, but act as a tracking device. And also where it would lead him to underground. The Architect had it all planned out. So these devices that Elon Musk is pushing, it’s not even his tech. And he doesn’t fully understand it, just like the Wachowskis didn’t fully understand the script.

But they’re all endorsed by Warner Brothers to make the claims. And I want to point out again that the Warner Brothers, when they gave the Wachowskis the green light to steal the work in 1995, what they do immediately, Michael, they announced, we want to do Jackson Neck for real. Think of it. So what they did was tried to force Warner Brothers hands to say, okay, you gave us the story. We want the tech. They got greedy. They got greedy. They failed at everything they did. Their painting business, their schooling, everything. They failed at everything they did.

And so they’d have to pack their bags and leave Hollywood because they failed as writers. On Assassin’s Night, another writer was brought in and so then they got greedy when they’re given the green light after I was broken and they said, we want to do Jackson Neck for real. They never said that again. What they’re saying is we want to get credit for the neural link. We want to get credit for the tech back in 1995. Now Elon’s not even the picture at that point. Wow. He starts to be groomed in 1999. I think it is with.

Or. Or 20, 2010 or something with Iron Man 2. With. That’s when they stick him at the raceways and he’s not there for the sake of the story. That must be a nightmare for the writers, where they’re like, we’re just sticking Elon Musk in. Why? Because we’re promoting him. We’re going to groom him first. Then they shame him and Sheldon again by Warner Brothers and hbo. They shame him in Sheldon, where he’s stealing young Sheldon’s rocket tech as himself. And then in Star Trek Discovery, when they’re going to give it to him right around 2016, 2017, when Elon’s going to be given by Warner Brothers the claim for neuralink.

That’s why it doesn’t show up yet. Star Trek Discovery, where they have. In neural enhancer. Neural enhancer, all in the same scene. They repeat it. Then they say neural link in the same episode in Star Trek Discovery. I think it’s season one, episode six, which is. And this is all stuff that you came up with in the Matrix. That’s right. I actually called it neuro enhancer. I called it a brain enhancer. Neuro enhancer. Because. Supposed to. They steal your. Your information which you download. It’s just basically you download it for all humanity and then they steal that and they twist it and they.

They take it all these different directions. So that’s interesting about Elon Musk being, you know, in this. You know, he’s stealing rocket tech and now he’s got a rocket. And he. He says, I’m not a. I’m not a rocket. I don’t know anything about rockets. Yeah, duh. Yeah. And you don’t know anything about electric cars and you don’t know anything about neural link. Just. Just like Bill Gates doesn’t know anything about Microsoft. No, because they, they questioned him one time. Could you tell us about the. The chip manufacturing, blah, blah, blah. And he was like, no, that’s right.

Like, what do you mean, no? He can’t tell you because he doesn’t know. I know. I wish there was a program where I Could be on with Elon Musk and we could talk about the baby, you know, talk about the tech and what the implications are because they’re getting it all backwards. There’s. They were still talking about having pins on the neuralink. Filaments that were microscopic, basically thin, thin filaments that would pierce into your sensitive areas of your brainstem. And it’s like that’s in the beginning. In the beginning you’re actually imitating the original work and the Immortals.

You have the interrogation scene. The first scene I wrote the first scene they did is interrogation scene also. And they have in mind you have the Neo character being spiked with this pin like device in the back of his neck where Neo actually winces, where he’s given a tracking device. So he’ll behave himself and they can monitor him. And that’s where the, that’s the precursor of the neural link in the story. And then later you have an adaptive collar that doesn’t, doesn’t impale any sensitive, you know, organs or items or material or skin. It’s actually an adaptive collar that allows the transference like temporal bone to work the neuralink.

Now you’re going to see that happening later. But they just, they seemed like they just didn’t do their homework. But that’s what’s so fascinating about it is the Wachowskis really wanted to have credit for that tech. But I think Warner Brothers knew that would just be outlandish. But Elon Musk being an engineer, they can then make that claim. But I’ll tell you, Michael, it lays out the same thing. What they did with the copyright. They took the copyright. And besides, you know, saying commissioned and ordering Tom Hanks to claim it as authorship, that Immortals title, that’s title they.

Because they don’t have one in the Matrix any kind of copyright on it. They also then said that the investment companies, like the different banks and investment companies were the ones that created the material. So it doesn’t follow. They would take an engineer who wouldn’t come up with these ideas, but would be the one responsible for facilitating such a design and take a failed engineer and give him credit. They thought that would be plausible for audiences to understand. So just like Tom Hanks being an actor, maybe he got the writing bug and wrote the Immortals. But I think it’s really interesting how they, they think we’re that dumb.

Yeah, yeah. And you know, they get away with it because they basically steal all this information. They put it somewhere else so you don’t know really where it’s coming from now, you have had a lot of people that have backed you. One of those people is George Michael. Yes. And when George Michael was going to testify for you, he mysteriously died. He died in 2016. I think it was 2016. Christmas Day or something, if you correct me if I’m wrong, but I think that was the day. They like to pick holidays. A lot of the horrors that happen to you on your birthdays, it’ll be on holidays.

I don’t know if that’s a satanic thing or ritualistic thing, but they just. Maybe it’s to have very greater impact or send a message to others. But George Michael died, and they say his heart gave out on Christmas. Well, that’s when they have finally finished throwing the case. And what’s interesting is, like I was showing you earlier, if you go to the page here, I think now look at this. What’s the date on this original work? This particular one is 1998. And you can, like. You can actually see it. So 1998 used in. Onset in 1999.

Now, keep in mind, there’s no copyright on the Matrix. In fact, Warner Brothers attorneys, Michael, say that they have no working drafts whatsoever. It’s on tape, on their own tape. And the beauty of that recording is that their supplied attorney with the special extended license gave me his wrong tape recorder back after I recorded everything. So that’s like. That’s God. That’s God. Wow. And so, like here. So we. We have talked before about George Michael. Yes. And George Michael was supposed to be in here writing like. Well, that’s, you know, music. Yes. So look at the last.

Look at this last page, guys. They already had him written in at the bottom. At the bottom. So George Michael, Praying for Time. Praying for Time, which is the perfect song for the ending of the Matrix. It talks about the wounded skies above. It talks about what’s over here is over there. I mean, if you look at this song and take it from the standpoint of a Matrix narrative, do it. I’d ask people to look at that, play it again and think of it as Matrix ending credits and watch what you get. Instead, they did something like Rage of the Machine or something.

Of course, the Wachowskis went broad and big because they didn’t, you know, if you don’t know what you’re doing, then you go broad and big. So, yeah. So anyway, but George Michael, that last page is very telling because that means that he reviewed this full script in 93 before it went in. Because I asked him and his company, I said could you check this and see if you would give your approval for us to enter it with your music as the final credits? And the quote, basically what he said to me is very, very congenial. He said, let’s send it in and see where it goes.

Yeah, that’s what he said. So we did. It was very, very gracious. Praying for time. Wow. Perfect ending piece. So now we’re at that point where we have been praying for time, and now we are in that time. And that’s what’s so wild with what’s happening in the homes. Right? What’s happening now? So you’re going to lead into that. That’s fine. Yeah. So, you know, we’re basically waking it up. All of us are like, you know, I’m here back on YouTube. I’m having this show on YouTube. I was canceled out of YouTube for years. And this just on a whim, Women of prayer, just.

Why don’t I try and see if I can get back on YouTube? I have this old channel that I never like, you know, ask them why can’t I? Because they would normally say, no, you’re not coming back. And so I was like, I think things have changed. And so I. I asked, I said, you know, I don’t really think I did anything wrong with this channel. And they, they came back to me like, like within 24 hours. And they said, you know, you’re right, you got your channel back. Boom. So here I am. So things are changing and they’re giving us stuff back.

Yeah. Tell us about what you just got back. Mind blowing, Michael. It’s mind blowing. It’s like I. What they did was with that George Michael situation, which, God bless him, a great, great man. I want to honor him right now. Absolutely. Oh, he was. Right now. Yeah. Empathetic. He was giving. He was one of those artists that really wanted to make a better world, basically. And his music reflects that. And so I felt an affinity with him in this project like it was meant to be. He was the first person came to mind and the song seemed to be written for the piece.

And that’s what I told him. It seems like just made to be. So anyway, thanks to him for what he’s done and the sacrifices he made. But here’s the deal. In 2016, he’s taken out because what Warner Brothers strategy was, after they’re throwing the case, they did not want any evidence of any drafts or screenplays. Keep in mind, they said on that tape, we have no working drafts. It’s a hands down win. In a fair venue, in court. We have all the drafts. Now, that’s what we’re leading into here, is that those main drafts, everything from pre 96 was taken.

Was taken. And let me just lay a setting out here. Yeah, the. In 2012, at dinner, the attorney that was provided me, Tony Rankin of Maui, was classmates of lead attorney for Warner Brothers of Caldwell, Leslie, and Proctor, a transgender firm, of course, with Wachowskis. She. They all went to University of Berkeley, and they’re all defense attorneys. So he solicits me and my family and says, I’m going to represent you. $100,000. And here’s the deal. He comes on board and says, okay, let’s have a dinner at your house. And is this all the evidence? He comes to my house on a Saturday and goes, is this everything? You can imagine where this is going.

It reminds me of Kevin Spacey and Pulp Fiction where the guy says, have you talked to anybody yet? And all the audience is going, don’t say, you. You haven’t talked to anybody else. Because then he gets shot. And he’s like, you know, boy, o thing. It’s like, oh, God. Well, I was right there, because he’s like, is this all the evidence? And I’m going like, Kevin Spacey? Yes. And then his phone goes off and he’s like, I have to take this call. Are you kidding me? You got to take a call in my dining room at dinner, at my house and tell me I have to leave my own dining room? Because you.

You just got a call after asking me if this is all the evidence. Well, you’re supposed to trust your attorney. Well, I didn’t realize he had a suspended license, that he was classmates with the Warner Bros. Attorney, and that he was defense attorney. So anyway, we leave the room. My family leaves the room. We’re waiting for a long time, and you can guess what happens. The poor man’s patent that was on the table, and I’ll lead into the scripts that restored. Is ripped open. He rips it open. He didn’t waste any time under their instruction on that call.

So what happens? Not the first time it happened. And so he gets instruction on ripping open the poor man’s patent. The full script’s taken out, and he pulls out the notarized statement out of it, which is a poor man’s patent is when you mail your work to yourself and you have postal stamp on it which shows this is when it was sealed on this date. And it proves that you created the work at a certain date. It sets it just. The copyright. Copyrights. Interesting. So it’s a poor man’s patent. It doesn’t cost you much, but a stamp and postage.

Cool. So anyway, that was there on the table, too. He rips it open. Very much concerned for Warner Brothers. Pulls out the full script, pulls out the notarized statement. The problem was on the back of the notarized statement was the first page of the story treatment. So he’s ripping out the first page of Story Train. It doesn’t make any sense that that would be what’s left in there. He shoves it down my son’s art box. He was 8 years old at the time, my son Aiden. And he shoves it down the bottom of the box, destroying his artwork.

Ripping, you know, wrecking up that little profile thing of himself and all that stuff, which is just pissing me off. And then shoves down the screenplay by. Was reviewed by Trisha Fike in 1995. Now here’s where it gets interesting. So all that was done. So evidence is destroyed. That’s why you plan an attorney, right? You plan an attorney to do this to get access to your evidence. And they’ll ask you that question. So what happens now? How long is it since 2010 or 2012? I’m sorry. It’s like 13 years. 13 years. Okay. So what happens two days before Easter? Two days before Easter in my bedroom, on my bed, where I’m not around here, is Trisha Fike’s screenplay that the attorney took.

Shows back up. And look at the heading on the top. It says, you know, commented by. And here’s their handwriting. Trisha Fike, October 7, 1995. Now, this is. This is pre 96. Keep in mind, the reason they didn’t want anything from 1990, pre 96, is because the Wachowskis didn’t put Matrix title onto a screenplay unless they were green until they were greenlighted to steal the work in 96. 95. 96. So that’s why the attorneys were laundering it out and taking it. But this is showing up in the house two days before Easter. This Easter. Wow. It’s restored with all the comments through it.

They’re trying to help you bring this back out. Yeah. And it’s not the attorneys from Warner Brothers. We know that. Oh, no. This would be somebody. Yeah, somebody. Somebody. But that’s not somebody good in the CIA, I guess. Yes, yes. Which I liked your comment about. I’ve been on programs saying, you know, basically that, you know, agents are bad, but whatever. But what’s interesting is in my work, I have the agents as the good guys. In the end, the Architect purges them. Right? Yep. And they are the ones that join underground and Neo to save the day.

It’s happening in real life. Yeah, I can tell you. Like when I worked in the CIA, there were. There were. We knew who the bad guys were, but most of us that were doing the good work, we kept to ourselves. And it’s like they’re in some kind of other program. Let’s just do what we’re doing and we can make an impact. Whatever funny business they’re doing, eventually we’re going to overcome them. And I think we’re at that point. Right. So you can’t speak out because everything’s compartmentalized. And if you go out of your box, out of your compartmentalization, then you can be.

Get in a lot of trouble. Right. You can be. You’re exposing our work, and now you’re going to jail. Well, I liken it to math. You can’t do that. Right. I like it. But now we’re seeing it. You’re seeing it now, right? Now it’s happening and guys are doing it. I like what you said. Like they were waiting for the right time. Because I liken it to doing a complex math problem. If you’re going to approach a complex math problem and you’re only able in your capacity to address the first part of it, and you’re the only one working on it, there’s no sense solving that problem until you have the fact that faculties and the abilities to solve the whole problem.

So if that makes any sense mathematics out there. But this is also what showed up. Look at this. Now, keep in mind, again, anything pre1996, and they certainly didn’t want anything that was 1993, pre. The poor man’s patent. All right, now, the poor man’s patent is done in July 1993. And look what shows up on my bedroom, on my bed, the draft from March 21, 1993. The first draft, and even the address on here is before. I’m working with the Rockefellers in 1993, mid 1993. And you can see on here, too, in the column up there, and look at the mold on it.

So the column on the top is just January, like right after Christmas of 93, January 94. Corrections added to this very piece. This is historic. The Immortals. Yes, the Immortals, which is what they copyright. They even claim they do not copyright claim. The Matrix title. That was the Wachowski’s invention. Awful letters of The Immortals. They’re claiming the Immortals. That’s what Tom Hanks was commissioned for. So look at this. Materials being restored to our home, which wins our case. This is what they worked so hard to steal and what Rankin was hired to steal. That attorney from Maui with a suspended license.

George Michael didn’t have to die. But I do appreciate the men and women in the agencies that are doing this, because I can’t imagine anybody else, unless it’s Santa Claus, you know, or God himself. Yeah. But they’d have to recreate this or get this somehow from the box. So, yeah, we’re looking at 32 years back. 32 years, yeah. So there. Somebody’s had this somewhere in a file cabinet or vault, something. Somewhere probably in CIA headquarters where there’s compartmental. Compartmentalized stuff. I. CIA headquarters is like. It’s voluminous. So. Yeah. And it’s not just in, you know, in one area.

There’s multiple areas throughout D.C. and all. All over the country, really. Denver. All kind of crazy places. So who knows where this particular group is working at that has, you know, got access to this information? And they’ve been told to, like, keep it, you know, away while they’re creating the Matrix series. The bad guys, really, and probably the good guys are like, dang it. So we. We get our chance, we’re gonna, like, going to crush this. And so now they’re helping you. So who would have the information to begin with? Right. For all this time, who would have access to Tom’s movements? All right, so somebody’s got some intel going on.

And who would have the ability to go through the lock. Right. Surreptitiously. Go through the lock so no one sees. And then come in, place it on the bed, and then leave surreptitiously. And no one sees. Exactly. I got. There’s very few people. There’s very few organizations can do this, guys. Right, Right. Thank you for sharing that, too, Michael. And what I want to point out, too, is what Michael’s doing right now. This is the first time this has been shown or aired in this way. So God bless Michael for what he’s doing right now, because this is the first time audiences.

You’re the first audiences to see this all unfolding. And the question is rising. Who did this? Yeah. The only thing I can say is agencies. Right, Right. So. So let’s. Let’s now. Let’s relax a little bit. So we’ve shown all the paperwork. Well, almost all. Oh, there’s more. That was on the stack. Okay. Oh, you Got another one. There’s more, there’s more. There’s four. Four. The four of the crucial evidence screenplays. This is from 93 and it was laid on the bed. It’s, it’s like they, they had access to the total files. And Michael, I’m surprised they didn’t destroy these things.

So how many screenplays did you write that they stole? I mean, how? Well, I think the fair question would be. It’s a good one, but I think it’s how many derivatives were done off the derivatives. That’s right. So let’s, let’s go down that rabbit. Because they took pieces of all of this, of his work and made movies, whole movies out of them, using up the rest of the story. Tell us some of the movies they made from your work. Elysium was just like point blank. And if you listen to the directors in charge or the writer directors that take the work or given the work.

Blomcom, for whatever his name is, who did District 9. He said writing is like pulling teeth for him. You can find it in articles, I think if you Google search this. And he also said that what attracted the most to what he claims he wrote, what attracted the most to the screenplay that he claims he wrote was that it was the scene with the barbed wire and the people looking through the barbed wire at the, at the world they couldn’t be part of. Across the barbed wire with the pods and the helicopters flying over because he did District 9.

So that really well, that’s the train station scene from the Immortals that you’re not allowed to see within 20ft. So they gave him that. And in that they even have it where the shard of glass is used to cut out the baddies enhancer. And in fine Wachowski style of overblowing everything he. You remember Elysium. They take it instead of doing like we did, where the enhancer is simply with a new adaptive collar to use Smith’s memories. THOMAS A. The Neo uses Smith’s memories. They have a box about this big that goes on the back of the neck and shows exactly what he’s thinking and seeing out of the memories.

It’s like insane. I mean you were an operative. Would you wear something on the back of the neck that shows everybody behind you exactly what you’re thinking? I mean that’s real. That’s real co. You know, covert, that’s, that’s going in unnoticed, you know, where it’s like that’s a cloaking device. But everything was in there, even the picture falling from the Hand that was used in Braveheart later. And they chopped it up and just, you know, chop shopped it. And it’s like as the person’s dying and downloading, they even like using a Braveheart. Yeah, Braveheart. Mel Gibson was brought in to launder the work by Joel Silver.

Check it out. In forever young, in 1993, when this went in, they did Forever Young. And they credit Mel Gibson not to burst bubbles, but this needs to be all honestly out there. Sure. Mel Gibson was brought in by Joel Silver and Warner Brothers to first lawn of the work and became the claimant for Wachowskis coming to California. Now, some of these fans may know of work that will know this is that Mel Gibson is credited with discovering the Wachowskis, discovering what they had, what they were working on. Predator. Wow. Mel Gibson’s. Yeah. Mel Gibson’s credit was discovering the Wachowskis.

And as that cover story goes, he then is given Forever Young. And I think people that fans of that work would know, but that’s the beginning of the work. So he just took the beginning of the work, which is, you know, also Outbreak with the running through the jungle, the monkey and the lab coats, people running through the jungle and lowering down from the canopy and the boots are pounding by exact shot description. Right. The opening here and right into Forever Young where, get this, they have Mel Gibson playing the Allied officer who’s cryogenically preserved, Right? And I hate the way he brought him back.

That’s not the way it was done in here. But they bring him back and he goes out to find his wife, Helen, Right, Michael. Yeah. And she has age and he hasn’t. Well, in this, the officer is actually a former SS officer because it’s the architects guys that are being experimented on. Including a Jewish man that’s running with his SS officer who wants to do something good for others. At least they’re secondaries. They are the field of pods in the facility. Secondaries that match the primaries physically of the architect’s top 100. So we can bring them back in our time.

That’s the field of pods, not battery power. Not hooking up humans for power. That’s insane. You are the person that did all the strenuous activities. You know, our hearts can bear barely run a Volkswagen. So even that. So it’s like, you know, why are we going to farm us for powers? You hook up cows, you get a lot more power, a better engine. Right. More reliable, and you worry about free will. But anyway, so in this, our character is coming back and Seeks out his wife named Helena. So Helena, German version of Helen. So Mel Gibson’s given it where he goes and finds Helen.

It’s insane. So they. They launder it immediately. Joel Silver, in fact, Joel Silver. It wasn’t the Wachowskis that entered the storyboard or the story department at Warner Brothers. It’s Joel Silver. According to Teresa Wayne at the story department, head of the story department says that Joel Silver entered it without the Wachowskis. In 94, before the Wachowskis even claimed ownership of anything. In 95, it was Joel Silver that gave it to the Wachowskis to claim after they passed the candid. All the candidates when he auditioned them as he claimed it with bound, they had to prove at least they could direct.

And then they’re given the work which goes back to our original point that all pre1995, 90 script, 96 scripts had to be, you know, destroyed or in this case, put in a vault and not returned until the agency decided it would be the right time. Right. So this, this is, this is fascinating. All. All these different people that are involved in this. It’s, it’s. You wonder, you know, what capacity are they involved? Help. Are they. Are the good guys or the bad guys? Are they just part of the whole thing? Because we know that Hollywood pretty much is all corrupt.

Are there some that I corrupt? Because we’ve been led to believe that Mel Gibson is not corrupt. So, yeah, I don’t know. Oh, yeah. Well, the only time I think Mel Gibson really, honestly, from what we can see on the airwaves, told the genuine truth was when he was raving, when he was out inebriated, when he went off about the Zionist in Hollywood. He was telling the truth then, but he was brought back, slapped back to apologize to Zionists on the air. Really? So, yeah, he was brought back to apologize for everything he said, but he said everything when he’s inebriated.

So maybe he has a couple drinks, he’ll tell the truth again. But the thing is, like, you know, that’s what’s going on. But I think it’s just fascinating that these things being restored, which includes this one, just so I can throw it in. This is the original 1993. Also, that went to my friend Greg Mazer. And you can see the inscription right on there. It’s sloppily written, you know. And then the insert here from Greg returning it back in. This is from January 1, 2010, where he’s moving to Thailand and he does this whole affidavit about how this was the 1993 script and it was fully written, which the chagrin of Warner Brothers, and this had disappeared also, and now it’s restored.

So God bless whoever’s doing this. Yes. And you’re actually completing what the story said, that in the end, the agents switch sides. But what’s chilling, I think, Michael, is in the story itself. They’re being purged. Is there a purge that’s going to happen in the agencies? I think. I don’t know. I. I believe. I believe there’s a purge that’s been happening, and I believe that the. The good agents are coming forward and pressing out because, you know, when someone has power, they have power, and they can suppress everyone under them. So the people that have been suppressed are starting to rise up.

Right. And they’re. They’re actually able to do what they did for you, reveal this stuff. They’re not going to reveal their identity because then. Then you’ll. You’ll get sidetracked. No, just stay focused. We’ll help you. This is, I think, what’s happening, and I think this is what’s happening right now with the Trump administration. Right. And with a lot of things that we’re seeing, that a lot of. A lot of systems are collapsing while other systems are being built and. And being focused on. So it’s, It’s. It’s a. It’s an incredible time, but is also a time of destruction.

Now, my question to you is, you are obviously an amazing creator. You tap in. Yeah. You bring information down that is, like, very, very valuable for humanity. They don’t have. They. The dark side does not have this creativity. They have to steal it. What is that? Why don’t they have the creativity? What. What stops them? That’s a great question, Michael. I think it’s because they don’t have that humility and compassion. I mean, the things that I was. That I really formally believe. I went through that training and I first, when I was approached with that idea, I thought, well, I’ve got.

I’m one of the most compassionate people I meet. Know, like you. You know, I thought we all attract each other to work together. And it’s like I thought, what. How. What am I missing? But they taught me that it was a discipline. It was a discipline. And I. No one really had it yet. So I was like, okay, because the words were, I looked for someone and found no one. And I was like, I’ll do it. But I had no idea I was volunteering for. And it was like, wow, you know, but I’m glad it was done, and I’m glad we’re at the end of this story of that.

We’re now getting into that. Like you said, things have changed now. It’s like we’re in favor and everything’s switching around. It’s like the. It’s like that commercial where they go, bob’s highway and Bob’s Light and Bob’s Lane. It’s like that right now. Everything’s opening up so well, Partly why I’m here, but I think addressing the question you just asked about. Wait, give me a question again, because I just layered out of it. Yeah. So, you know, the. The dark side doesn’t have the creativity. Right. So they have to steal the creativity. Right. And you’re saying that compassion, humility and compassion.

That’s what I told them. That’s the absolute. They’re. They’re psychopaths. They’re like. Yeah, well, they’re psychos, you know, and they. They want to control. They want to manipulate. They get. They get off on, like, doing horrible things to children, you know, and they just love that. It’s like the. The essence of innocence. They want to take that and control that and disrupt that on a. Well, it’s like the magic pedophile kingdom. It’s like, you know, and you try to. To bring that out in your storyline. Absolutely. In. In the train immortal slash Matrix. Yeah. Train station scene.

That’s what it’s all about. And the Wachowskis on their fan page say, you know, well, the train station seeing little girl is just a subplot. That’s all they said, just a subplot. The little girl, the train station is key to basically everything and to a satisfying ending. She’s key. Wow. And it represents the daughter I lost. The writers, of course, I’m writing from a place of passion and hope, you know, a reunited family that was taken from me. So it’s like the Chowskis ask him about it. It’s like that. That’s important to them. Like picking an apple that’s rotten off a tree and discarding it doesn’t mean anything to them.

To the original author, it means everything. So. Yeah. But compassion. I have a tape from a Disney exec, a Disney attorney, where they’re talking to me and they’re saying things like, you know, like, I was having a conversation and I said, why was this done to my family? And I may have mentioned this before, but I think it’s very important in that the answer was given. They said, well, you Were getting too close. Basically. You were doing interviews. You know, you were daring to face us down, is the main quote. Daring to face us down. Now that’s a mouthful.

And then they said, you have to understand. I said, well, what about having compassion and humility? I just pointed right out to them and they go, you have to understand it’s all about power for us. All about power. It’s on the tape. And I said, well, you know, compassion actually means that your creativity will be better. If you’re writing from a place of compassion, your writers are doing that, you’ll have better work because you’re doing as a service to your audience. Yeah. Instead of thinking about the. What the Choskies were promised when Dino Laurentiis took him to dinner, when Mel Gibson brought them, supposedly to Dino Ranches, they failed at everything.

Their mom said all they do is play video games. Gina Rentis promises them beautiful women, starlets, fame and money. Well, if that’s your motivation, your work’s gonna suck. Yeah. Using the vernacular. So it’s. You’ve got to do it as a heartfelt, passionate service to your audience. And so that’s why I’m actually looking forward to having the film made the way it originally is and watching people tie together. Now the other side is saying, no one’s going to come and see it. It’s already been done. Well, that means you tuck it, you know, and. But I think love it or hate it, people will come to see how it ties together and we can finally lay this to rest.

And I don’t think it would be anything like the other one. No. Well, if you take it, like, again, take it this way, where you’re lifting everything out into a visual storyboard. Yeah. To reach shop. Shop it. And you don’t understand what it means. Well, then you’re not going to come up with a good product and you’re going to have everybody on set, as I said, saying, blow it up to end it. Of course. Yeah. Blow it up. Yeah. If you’re trying to, like, you know, copy the Matrix, that’s. That’s it. The. The mate. The immortals was.

The Matrix was stolen from the immortals. Right. Pieces of it and manipulated. Right. So it. The immortals would be completely different. It’s. There’s nothing like it. The story is. There’s nothing like it in Hollywood right now. Right. And that’s why they had to come in and. And take it. So Tracy in the chat had a really good input where she’s talking about how goodness has never been allowed to study evil. We’ve been suppressed and so forth from doing that. But I believe that we’re starting to understand. We’re starting to call out evil. Exactly like what we’re doing right now.

We’re calling evil out. Well, that’s what’s so great about doing this interview with here. Right here in your own home. This means a lot to me because we’re two of the best candidates, I think, for addressing that very thing. Sure. We do understand what goes on the other side. We were both groomed, if you, if you allow me that term, by the other side. We’ve worked with the other side. Right. We were looked at as assets by the other side. So we would know what. How they tick and how they play. Both of us weren’t controllable.

No, we would. We. And that’s why we got pushed out. And, and they came after us in very evil, very much ways. The worst ways possible, both of us. And so. And here we are, we’re back. Yeah. And we’re, we’re coming at them and. But they’re still, you know, impacting you, even though they’re giving you script. It’s not like, yeah, oh, everything’s roses now. When you’re coming here, your vehicle broke down. Right. Very strangely. And the person you’re. You’re going to meet, their vehicle broke down. Right, right. Which was a crucial meeting. A crucial meeting. Right.

So we’re reverse engineering the whole tactic system they deployed and beating it that way, which includes protection by doctors who can then stop the 302s and the false claims. Yeah, they try to do that. So. But I think it’s. Yeah, they try to destroy your credibility. Right, exactly. And once they’ve destroyed your credibility, they could come in and rob you and put you in jail and put you in mental institutions, all kind of crazy stuff. Guys kill your children. All right, so you don’t know exactly. All the different things that they, they can. And they can cover this stuff up.

You never know how it’s going to come at you or your family, your friends. It’s, it’s, it’s a, it’s a, it’s a rough game. It is. And the condolences again, Michael, on your situation, because I think we’re some of the few that can understand what that’s like, you know, and Hollywood talks about that and, you know, what you went through now. God, you, you, unless you have lost a child, you, you can commiserate with someone, but until you’ve actually had that experience, I mean, you can prepare yourself for It. It’s like, Bob this, or my son is doing this, and maybe it’s going to come and.

But when it happens, it’s crushing. It’s absolutely crushing. It never leaves you. And you’ll never. It never leaves you. No. Never leaves you. And it’s hard because you have to keep going and get the jobs done. And so it’s almost like you postpone your grief. For me, it was. Yeah, I didn’t have time to grieve. It was like I. I felt like in their honor, I had to complete the work. But these tactics they employ that include this. To go after what matters to you most. I am looking forward to that book being shredded and a better world.

And what’s interesting is many of the agents that came up to me throughout this timeline have said they’re fans of the work and they admire the courage. And so it’s. Even those that were assigned to give me trouble, even attorneys would say that. So I think we’re looking at a timeline that was destined to converge back. Right. Proper line. Yeah. Alignment. And I think that’s. So those people that approach it like that, the people that approach me and have come at me in different ways, given the option, the real option, instead of like, you’ll do this work or otherwise you’ll lose your job or you lose everything and we’ll come after you just like you.

You. You see what we’ve done to them? We’ll. We’ll do 10 times that to you. So of course they’re going to come and do their. Do their job on us. So I think those people are starting to realize that’s no longer an issue. That’s huge. Right. And you know what? I got to credit. Michael just came to me. That is audiences that have a big hand in this, they believed audiences are dumb. I don’t mean to insult, but they really do. And Spielberg illustrates that all the time. Anytime you see Public Illustrated and Spielberg’s pieces, like, you know, Men in Black, where they walk in the living room, like I said, and get the weapons, and they’re just standing there with their guy mouth open, you know, just dumbstruck and remain dumbstruck, it’s like, I think what’s happening is if you go back to that Disney call where the attorney was saying, you know, you got the word out, and that’s what made it, made you win the chess game.

So audiences getting it is what’s defeating the whole strategy. So kudos to those that got it, that have been vocal about getting it for both Michael and Myself and others like us, you’re the ones that are facilitating the victory. We, we couldn’t do this work without everybody not at all involved. They didn’t count on you getting it. They did not count on you getting it. I didn’t count on it. But it’s been huge. And this is why we’ve been able to not only continue, but actually grow. Exactly. And now we’re growing again and we’re going to get all the stuff that we, that they took from us.

We’re going to get all back and we’re going to take it to the next level like we meant to, to begin with. And we’ll keep using it as we’re intended with humility and compassion for. And that’s what I believe. If we go back to what are the sources of all this material? Is there a God and all that. That. Yes. It shows the benevolence of our father, our creators. Whatever. Whatever you believe. Because. Because I don’t think we have the full picture yet. And in that it shows that. I think it’s designed, that we really have to work together if we want a good ending.

We’re given pieces. We’re given. I was given my piece for the screenplay and all the stuff in it. And if we work together, we’re going to have that better world. And that says something about our creator. Yeah. You know, so we’re moving into that, that zone, I believe, zone of consciousness where we can work together and create on a massive scale. And those people that have been suppressed in three letter agencies, they can start to rise up and assume leadership roles instead of the ones that are there now. That’s something too. I’m glad you said that.

That I’ve. I’ve seen with the stolen. Like it’s like the hijacked timeline. They. The other side seems to pride themselves with putting us into low level positions or positions that are the opposite of what we’d be in the actual unadulterated timeline. And so I think there’s so many people out there even listening in that you have a major part to play in the restored timeline. And you know, you have the gifts, you know, you have the abilities. And you probably feel like you’ve been misplaced. You have been. And so it’s like now I look forward to.

It’s almost like a game of charades or that thing where you wear the name tag of some famous person and guess who you are. Where it’s like we could get a sense of who we are and what our aptitudes Are you may see a big reversal on a lot of people in careers and things like this where we come into what we would be if the time Jack had timeline had not been hijacked and altered and they played God. Right. So yeah. So what do you see with these people that are kind of sketchy that we’re, we’re talking about now? The, the Elon Musk’s and from what I understand, the adage of keep your enemies close is being employed and that they fall by their ego.

It’s their ego and pride, which is almost like an inebriated man. Inebriated man thinks he’s making sense, think he’s being clever, seems the life of the party, but he’s actually looking like the opposite. And he reveals himself quite well when he stumbles over the cat on the couch. So what you got is I think that’s what’s happening. Not to pick, but Elon is definitely inebriated with self pride and ego right now. And I think that’s causing him to make big mistakes such as Heil Hitler. So I just think that, you know, he’s, he’s stumbling himself and I think the powers to be are letting him do that again.

Man tries to outwit God. God outwits man. And this thing I just saw recently was the whole thing about him saying we’re now going to create God in our own image. Well, if you’re saying you’re going to create God in your own image, you are on the final pages of my screenplay. And let’s put George Michael back in with a song. Praying for time because you are now inadvertently converging back into what it’s supposed to be. You just prove the screenplay right that was downloaded and faithfully downloaded with compassion and humility, where now I get to meet other great people that have compassion and humility.

We certainly all been put to the test. Yeah. And I think that compassion and humility is coming for them as well. Because I think that once those people that have gone down the dark path, once they see that that is not going to lead to anywhere and that the, the path of light is the path that everyone, everyone’s moving towards now, many of them will come off. So everyone, I believe, has a spark of light, of goodness within them. Some choose to go the dark side because they’re groomed sometimes to be part of the dark side.

And, and very rarely. We’ve seen some people, you know, that have basically broken free from that dark path and have, have moved into levels of goodness and have exposed Stuff. Right. So, I mean, there you were being groomed to go down the dark path. Absolutely. And you broke free. I said no to the. You know, there was these. What I think people realize a lot is that there’s prompting questions that we go through. I think you experience that too, where it’s like they ask you certain questions. It’s almost like an exam just you graduate with. And if you answer the questions in their terms properly, then you advance.

If you don’t, then you’re a red flag to them. Like you care too much. Is the phrase I heard so much. Sound familiar? Yeah. Yeah. And it’s like that. That means that you’re not passing the test, that you could be somebody who thinks with your heart. And that’s a big no no according to the organization. What I think, Michael, too, is that a lot of us are going to go through a quandary where we have to search our souls. Are we going to forgive these guys? And ladies, I mean, it’s like we have to face that now.

And. And where you draw the line, you know, because so many people are in a gray area that have maybe felt afraid to move forward when they were called upon. Right. That which may be labeled cowardice or it’s just human nature for some. Where they’re afraid for factors that we don’t know. So it’s hard unless we’re in their shoes. But it’s like, where do you draw the line with who is culpable for. You know, and. And can. In the screenplay itself, the Architect’s son, they left that out. The Architect’s son takes the place of his father, the Architect, by taking his neural link and putting it.

And having all his memories and feelings. They left it out. It’s actually a really important piece. I think that’s pretty cool. Where you become your father. And he even says, now we are one. After killing him and taking his neural link. I think it’s kind of cool. I think it’s pretty fascinating. They left that out. They didn’t. They couldn’t think that far. Like neural link with Elon. But the thing is, like, what’s interesting now is in that final scene, the Architect’s son falls on his knees before the identical figure is made to look like Christ begging forgiveness.

We realize is the bullets aren’t going to work. You know, and keep in mind they actually kept the same scene where Neo is pummeled by Smith. Yeah. And he looks down and only his palms are dripping blood and looks up. That’s from the original. And the Immortals So the Wachowskis did keep the exact thing because. So that scene has been replicated in real life. And I’m going to have a woman on that has done it. Oh, my gosh. Yeah. Wow. Well, I’ll be sure to watch that program. Yeah, that’s going to be. That’s amazing. So it.

We’re moving into this level of consciousness where we are literally creating these things. Guys. And that’s what is waking everyone up. Everyone. Would you like to be able to do that? Would you like to manifest on a incredible fast level? Whether you like it or not, that’s where we’re at. So the dark side is losing control because they can’t have that creativity and manifest like we can. So we’re. We’re outpacing them. So we’re manifesting the good faster than they create the evil and fear to come to try and control us. Exactly. And. And we’re all racing together forward and.

And outpacing them. That’s the beauty of this whole story, of all our stories. It was meant for everyone, this particular piece. But we’re all crossing the line together. We’re all being victorious together. It was written, my piece was given to me that the code in it basically was that great people of humanity, humility and compassion would come together from cross disciplines and solve the world’s problems. It makes sense. Think tanks are the biggest thing right now in Washington and other places. Think tanks really hold the power. Think tanks come up with the plans. Why not have a benevolent think tank? And that’s what I believe God gave us.

So, you know, when you see organizations, and not just in writing and art, but. But also in invention and creativity and other ways, health and other things. Like your Lightwave organization is. When I heard David Schmidt talking, it’s like it has a benevolent core. Yeah. And so you’re seeing things tied together from all disciplines, all markets, all kinds of things where we’re going to see even in currency and everything else come with a heart of benevolence in it. So is this turning into God’s world? I think so. And we who have had been fortunate to walk the walk are now like end of Troy, the movie Troy.

I got to stand with heroes. And that’s how I feel, Michael. And that’s how I feel right here. And with people even tuning in, I got to stand with heroes. And I wouldn’t trade this for the world. So. Yeah, that’s beautiful. So, Tom, how can people reach you if they want to? I have a beautiful young lady who formed the website for me. And I, I said, well, I always forget the names when I’m talking. She goes, I’ll make it easy for you. I’ll call it Tom Malhouse.com so can’t miss it, you know, doesn’t help me with a Warner Bros.

Claim of egotistical. But the thing is, like, she came up with it as a memorable item is what it really was. So tomalt house.com you can see a lot of the stuff there. I’ll be going on RoseAnne Bar show, the 29th and some other shows coming up. But I this is a golden moment for me right now to be here in your home. Thank you for graciously inviting me and God bless your audience, too. You guys really are the heroes out there that have supported Michael and stood with him because like Michael said, that’s what’s allowing us to win.

That’s what’s affecting the other side. I could talk to on Blue. I could show you all the evidence. But unless the audiences believe it, they’re not going to flinch on the other side. But they’ll crumble when you do. So God bless you. That’s beautiful. Beautiful, Tom. Thanks a lot for sharing. Sure thing. And you guys know the deal. Stay in the love vibration. We’ll see you guys next time.
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