(5/9/2025) | AUDIO CHAT 174 | SG Sits Down w/ Patriot Childrens Author Chad CR Stewart: The Upcoming Britfield Childrens Movies

➡ Chad C.R. Stewart, the author of the Britfield Series, joined the Q News Patriot Rumble channel to discuss the upcoming cinematic adaptation of his books. The Britfield Series, which took 10 years to develop, is a present-day adventure story about a 12-year-old orphan named Tom who discovers his parents might still be alive. The series, which is popular among both children and adults, emphasizes themes of family, friendship, loyalty, courage, and hope. Stewart has toured extensively, presenting to over 40,000 students in 23 states, and plans to continue the series with more books.
➡ The author discusses his book series, which takes readers on a journey through 11 countries, with a cast of 11 main characters. Each book is carefully crafted, with the author aiming to balance and give relevance to each character. The series has been well-received, with plans for seven books and corresponding major motion pictures. The author’s goal is to elevate literature and inspire children to realize their potential, with the series serving as a form of ‘stealth education’.
➡ The story revolves around two orphans who escape from their orphanage and embark on a journey. They learn to rely on their own courage and wits, and along the way, they meet kind-hearted strangers who help them. The story teaches children about problem-solving, resilience, and the importance of asking questions. It also emphasizes that not all adults are bad and that there are good people willing to help.
➡ The speaker is creating a $50 million independent film, aiming to maintain full creative control and avoid Hollywood’s profit-skimming practices. The film, based on the book “Britfield Lost Crown,” is unique and hard to categorize, drawing comparisons to Star Wars, National Treasure, and Harry Potter, but set in the present day. The film will feature British actors and be shot in England. The release is optimistically planned for November 2026, but more realistically November 2027.

Good afternoon, patriots, and welcome to the 174th audio chat on the Q News Patriot Rumble channel series. I am the Q News Patriot, joined today by children’s author Chad C.R. stewart of the Britfield Series. My name is S.G. and on for the audience out there, you’ll remember Chad joined us once last year to talk about the adaptation coming up of a cinematic version of Britfield and also to introduce us to what the Britfield books were all about. Well, the time has come to discuss that adaptation rolling out in material form in today’s day and time, and it’s my honor to have you back to the show.

Mr. Stewart, thank you for coming on Cunis Patriot once again. Oh, it’s great. It’s always a privilege to be on your show. Well, it’s good to have you back. And I have to say it has been a minute, so I hate to wax a little bit redundant here, but do you mind to give my audience just a quick reminder of what the Britfield books are, how they came into being, and where you came into this mixture? Yeah, and I think I’m originally from Newport Beach, California, back east in Wellesley, Massachusetts, for 16 years, did my undergraduate British literature, European history, which will explain a little bit of the series.

Then got into investment banking, worked for three Fortune 100 companies, postgraduate graduate school. And then about 12 years ago is when I had the idea for this Britfield and the Lost Crown book or book series. At the time, you know, I was just dying to do something creative, and I got the idea through a sketch of just a circle, three lines, a basket, a boy and a girl. And I wrote the boy and the balloon. And that idea resonated with me. That was my moment. I had no idea what was ahead of me, but I just thought, what a great story.

And to quote Beverly clearly, who’s a children’s author, she wrote Runaway Ralph and the Mouse of the Motorcycle. She said, if you ever walk into a library or bookstore and you don’t find the story you’re looking for, write it. And I think that’s exactly what I was trying to do. And a lot like what CS Lewis did with Narnia. He was trying to create a fun, exciting adventure, really, in some ways for adults. That became a children’s bestseller. And our beachhead from day one has always been middle school element, elementary, middle school, even high school, but specifically that sort of 8 to 14 year olds and then on up.

And so anyway, sat down. Took me four years, 2500 hours to write book one, Britfield and the Lost Crown and again takes place in England, starts in present day. And I think that’s really important, we can talk about that. Meaning it’s not post apocalyptic, it’s not futuristic, not space age, it’s not 100 years ago, it’s here and now it’s right here. And I think that’s exciting because it engages the global audience, whether our youngest reader, seven, our oldest readers, 93 and 55% of our audience are adults. And so it takes place present time, starts up in Yorkshire and it’s about Tom.

He’s a 12 year old orphan, been an orphan his whole life and he’s been at Weatherly Orphanage, a terrible place, for six years. And this is the year he’s going to escape. And really the main, the main thrust of the first 20, 20% of the story, which we’ll transition into the movie and we’ll talk about is sort of like planning the great Escape and then the great escape with his best friend Sarah, which is only 20%. And then the rest of it is just this adventure that just sort of builds and builds and builds and builds.

And right before he leaves, he’s told that his parents might still be alive. So imagine if you’re an orphan your whole life and suddenly you realize your parents might still be alive. And he’s given one clue and that clue is Britfield. Yeah, there’s the website. Very cool. And so we launched officially August 2019 and I started a national tour, was always part of my plan. And I started here in San Diego, went all the way up to Seattle, all the way over to practically Chicago, all the way through the Midwest and ended up all the way down to New Orleans and ended up in Memphis, Tennessee.

When I had to stop the tour in March 2020 for the obvious reasons and drive back, but we had driven about 9,000 miles. I presented to over 200 schools in 23 states to more than 40, 50,000 students, fourth through eighth graders. It was amazing. And we were really talking about having an idea and taking that idea into, into reality and that it took me 10 years. So from concept and doodle to launching in August 2019, that was 10 years, 10 years of hard work, planning, you know, building the team, building the raising capital, I mean, for this, if you will, huge endeavor.

And it basically became this huge endeavor. And we like to say that Redfield is more than a book, it’s a movement. And it’s a movement in literature, education, films and media. And so what’s great about the story is number one, takes place in present time. Number two, it’s based on family, friendship, loyalty, courage and hope. And if you ask me what’s the main theme that runs through all four of the seven books so far is family, the importance of family, the meaning of family. And again, not just by birth or blood, but by friendships that are forged, often stronger than those from our own direct bloodlines.

And it’s fast paced action adventure. I love some of the comments for book one is it’s like CS Lewis meets Dan Brown. I got this. So I got one feedback from this older woman up in Canada and she said, love the Ritfield series. She goes, it reminds me a lot of James Bond but with a bigger cast and a greater purpose. And I thought, wow, that’s really well said. And so as kids are reading it, as adults are reading it, they’re learning about geography, art, architecture, history and culture of each country. Book one is in England and we’re hitting the four Cs, creativity, critical thinking, communication and collaboration.

And then I sat down, I spent five years, 3,000 hours to write Britfield and the Rise of the Lion. This is my book two, this is my Empire Strikes Back, if you will. 474 pages takes place six months later. The main characters are 13. It’s in France. It starts on a little island outcrop about one mile off the coast of France and then heads up to Paris and then down to the Loire river valley and Bordeaux and finally to Nice and then the Swiss border. And it’s a lot more intense, right, because the stakes are higher now and you’re finding out a little bit more about Tom and this idea of Britfield and are they the real royal line to the British throne? And so it’s got a lot of fun, fast paced, great characters, very diverse characters.

And we launched book three, Ironic, with the timing to October 2022 and it’s called the Return of the Prince and you can see a little bit of that behind me with those three figures standing in front of the gate and that’s the St. Peter’s Basilica and I was doing a couple interviews yesterday, we were talking about this with the recent history because there’s a really great scene almost midway through the, through the book when they’re in Rome and now it’s Tom And Sarah, the 14 years old and then someone else that I don’t want to give away and then all the other characters that I brought, you know, Inspector Fontaine, Detective Gowerstone, Henry Oliver, Kate, all these really neat characters and Thomas, Sarah trying to break into the Vatican, in fact, to the secret vaults below the Vatican to find a missing Britfield codex, which is the first, the second of two.

And so it’s pretty cool because, you know, we really, we really expose quite a bit with the Vatican and they, you know, they, they go into this private library and then they go through this, you know, private door and then go downstairs and take an elevator and basically go into this huge underground city which is basically the size of a city. Underground shelves, sections, rows of gold bars, antiquities, rows of all types of literature and books kept away, if you will, or tucked away from society, hoarded. We go in there, we get into some of that, which is pretty cool.

And then I don’t give anything away, but it’s a really cool scene. I was just, I just thought with the timing of everything, it’s, you know, we, we’ve gone there, we’ve tapped all of that stuff and, and then we just launched book four, Britfield and the Eastern Empire in January. We’re really excited about this book because it’s a continuation of a 7, 7 book series, but it’s very different. It’s a keystone in the seven book series in the way that we’re now including multiple countries. And so we include 11 countries in Britfield in the Eastern Empire.

It starts in Vienna and then sort of heads to Bratislava, to Prague, to Czech Republic, Czech Republic, pog, Warsaw, Krakow, Berlin, Baltic Sea, Lithuania, Budapest. The interconnectivity of us all. I know, yeah. And it’s funny because like my stories seem to be paralleling all these world events and which is interesting but I’ve done my research like you for 12 years, but. And then finally St. Petersburg and then Moscow and, and they brought the whole book in at 437 pages, which I really love. I was aiming for 450. So that’s not bad because it’s like I’m including 11 countries now.

I’ve got all this main cast of characters of 11 different characters coming in which you know, as a writer you need to balance and, and bring in and have relevancy to it. And each one sort of has a character arc and a need from the story and something they have to overcome or do. And, and so I thought it was really beautifully presented and some of the feedback we’ve received, I guess, especially from our fan base is that, you know, best book yet. And that’s always good to hear because it’s like, you know, you’re always trying.

I mean, like, what do I do now? You know, like I’ve pulled, I’ve, you know, I’ve exhausted myself in every stunt, you know, like every type of vehicle, like from a car to a train to a boat to, to a hot air balloon to cargo jet. I mean, you name it. Like we’ve used everything, a taxi cab, the subway. And so it’s like, you know, use so many different devices, so many different scenes and it was really great. And I read one comment from an adult who said, he said, love the series. He goes, I love book four.

He goes, I’ve never read a novel so fast. And I thought that’s really interesting because that’s the. Fascinating how they’re designed. Yeah, because it’s, you know, and we could talk about the art, art of, of writing and why that is. And, and so now I actually officially have started writing book after a nice four month break. Not from, from life, but just from writing. I started six weeks ago on book five, Britfield and the Lost Treasure. It takes place in Asia and I’m. And I’m having a blast and I’m having a great time. And then book seven is, I’m sorry, book six will be in South America and then book seven will be in the United States.

And when I bring the whole thing to conclusion, you know, the main characters of Thomas are now 18 years old. And so you sort of have this great middle school book. And then book two bridges into young adult. And then book three is young adult. But it really is like I said, we’re hitting, we’re hitting all the demographics worldwide. We get feedback from Germany, from Australia, from New Zealand. I’ve been getting a lot of emails recently from Australia. We’re working on distribution right now in Australia and in New Zealand. We’re already in bookstores in New Zealand.

We launched in Britain last year through a British distributor, which is very exciting. And just had my conversation this morning with my film team and we’ll get into that because my producer’s headed to London next week for, for two weeks and he’s gonna be meeting with some agents and some site, you know, location people and all kinds of things. So. And then it’s gonna be seven. Seven books, seven major motion pictures. We’re in pre production, the first of seven movies. This is a seventh draft. It was just finished in February and it is pretty much complete.

And I say that in the sense that it’s extremely tight. It parallels the story. We don’t waste words. We start on the action, we end on the action. Good dialogue, funny dialogue, beautiful, beautiful scene structure and story structure based on the three act structure, the plot points. And then between the plot points and the midpoint are something you would call a pinch that’s dead center. That’s another reminder or another twist. And I mean, this thing is beautiful. And so it’s gone through 18 months from first draft all the way to the seventh draft. And that’s where we’re at now.

And so we’re excited. We’ve already got our cast that we’re looking at and directors that we’re looking at and a lot of other things. And so that’s kind of a quick, a quick view of the book series. The impact, you know, schools have always been our beachhead. We’re trying to elevate literature right now. That’s our goal, bring literature to another level instead of the sort of fantasy nonsense that’s saturating the industry. It’s like 90% out there. And it does three things. And I probably said this before, but disconnects kids from reality. Number two, makes them feel less than they are.

Right. If I just had a magical powers or if I was just, you know, had superpowers or demigod powers or all that kind of stuff. Whereas every child is amazing. We know that every child is creative. Every child is born with talent and a purpose and a reason to be here and alive and make extraordinary impact. And that is what the book series is instilling and connecting with them and bringing out of them. We like to call it stealth education, if you will. And so we’ve got product development moving to television programs and a global 18 month tour, hopefully kicking off in June.

And I’ll stop. What an incredible opening segment. And thank you very much for that reminder, you know, and then I’m done. I’ll see you later. Well, I have to say, Mr. Stewart, you know, I actually, I’ve read the first book. I find it very, very compelling. It’s an. It’s an absolutely fascinating story and I encourage the audience out there. If you’re looking for a good sort of entertaining read, this is absolutely one that’s relatable to adults, I think, and children as well for the depth of the discussion that goes on. But for the audience out there, if you could, can you encapsulate in your own terms what the first book and what all of the books are going, or maybe a better way to ask this is, is how they encapsulate and preserve and really magnify that feeling of community, that feeling of self empowerment.

Because we don’t want to, you know, bridge into the arena of arrogance, of course, and self righteousness. But we do want to have healthy self assurance and self confidence of who we are and why we’re here in the world. And so in your opinion, how does Britfield do that? Love that. And that’s a great question and thank you for your comments and compliments and that you read book one and again, it’s fun, you know, I mean it’s designed to be just a fun, exciting read to recapture that sort of wonderment of childhood. Going from an orphanage one night to staying the night at Windsor Castle the next.

I mean that’s kind of cool. To shopping along Bond street and yet the threat of cops finding you and all that kind of stuff. Yeah, book one was, and book one’s definitely has a, a sort of Star wars feel to it. You know, it’s kind of the launch of the series. It has a feeling of, of Dickens or Dick and esque feelings. Loved England. I lived in England off and on for about two years. So again I was pulling from a lot of my places, a lot of my experiences. But book one is very, very strategically designed and we can get into this or not if you want.

But you know, it starts up in Yorkshire, northern England and it’s at Weatherly Orphanage and that place is called where they. And the kids work all day long. It’s like the girls are weaving baskets and the boys are building chairs and tables so the greedy caretakers, Mr. And Mrs. Grievous can take those off into the towns during the weekend and sell them to make more money. And so it’s like the kids have no schooling, you know, nothing as far as clothing, like one, one, maybe two meals a day. And they call it the factory. Right. And so it’s really kind of an undercurrent of the sort of industrial revolution, the factory model and even how orphanages today are run.

And yes, they’re still called orphanages in different parts of the world. And so that’s very strategic and very key. And then all of a sudden you go from industrial and that’s how education is too. So it’s a shout out to education because the entire educational model got into a big conversation interview yesterday about this was, was founded on the industrial model and completely and totally failed. And then you get into. And then from there you go on to sort of parts of England as they’re flying through the balloon, which is exciting. And then they crash land at Oxford University.

You have Oxford University which is supposed to be, if you will, the epitome of academia. And what does that really mean? Right. And you have people with PhDs, and they don’t know anything. Right. And then Windsor Castle, which is royalty. And again, what does royalty mean? And what’s royal royalty’s influence on society been? What’s Britain’s influence on society been? Due to the city. City of banking, city of industry, and then finally down to Canterbury religion. And so it is very interesting that it has those kind of pillars that you can build on. But I think what’s great about it is, number one, because we.

We don’t suspend reality because we don’t bring in the magic of the witchcraft, which obviously have two kids. The. They have to rely on their own courage, their own wits, and they communicate, they collaborate, they’re critical thinking, they’re thinking about what to do. What do we do next? How do we do this? We try this, we try that. That failed. We learn from it. We move on. And in a subliminal way or in a subconscious way. That’s why we call it stealth education. Children are learning now about approaching problems and sort of how to solve the problems.

And if you fail, it’s okay. If you fail, you fall forward. Right. You roll forward, you learn from it, you move on. Asking questions is not the worst thing in the world. Plus, along the way, there’s some really great characters that just step in and help them. And I like to call it that kind of serendipity moment where you have someone that sort of gives you. Gives you a. Gives you a lift up when you need it or help out. Yeah. Or. Yeah, a meal. I mean, like one of my favorite scenes. We’ve talked a lot about this with the script, and you remember this because you read it.

But right when they escape, you know, from. From the orphanage and really, for them, if you will, adults are bad. You know what I mean? Because that’s been their impression with the orphanage. You know, you have Mr. And Mrs. Grievous. You have Speckled, a caretaker who’s nasty. And then you have these two other. Other guys. I think it’s Sludge and I forget his name, you know, that are kind of just bullies. And. And that’s kind of really all these poor orphans have had. And so they break out and they’re crossing this field. It’s late at night.

They’re tired, exhausted. They’re trying to get to the train station. It’s getting cloudy. And they stumble across this little cottage. And that’s where they meet Wilbury. And this kind of older guy, he’s like in his 40s or something, smoking his pipe outside, sees them, recognizes Immediately, their clothing. So he knows that they’re orphanages. And he says, come on in, wash up. I’ll give you a good, good meal. And it’s like the first. It’s so tender, it’s so powerful. Simplistic, but so powerful. Because it’s like not all adults are bad and there are good people out there and.

Of course there are, but I’m just saying from their impression, once they were out of this institution. Yeah. Suddenly it’s like, you know what? People are cool. People are willing to step in and help and, and it’s like they’re, they’re washing their hands in this hot water with soap and you can almost just feel how good that feels and putting on their faces. And then they sit down and have this big bowl of stew and it’s just. Then they get like a second helping and he’s like, you know what? I got these sweaters. My, my sister keeps knitting for me and she thinks I’m still a kid.

Would you like one? It’s like the fur and it’s like Sarah puts on this really beautiful emerald green. Tom puts on a, on a blue, blue sweater. And it’s, it’s like probably the first nice bit of clothing they’ve had in years, if ever. And it’s, and it’s a gift and it’s keeping them warm and it also covers up a little bit of the uniform. And so there’s so many different things going on there and, and they’re like, well, we better get going. He’s like, you know, where you headed? And he’s like, the train station is like, and it’s starting to rain.

He goes, he goes, finish up, have another bowl of soup. I’ll drive you. Drives into the station, gives Tom a ten pound note and says, take care of Sarah. Good luck, kids. And it’s just, it’s a, it’s a very, very powerful moment. And all stories and movies need that. You know, you have the intensity, the fast paced, and then you just need a, you need a moment of a break. And so we included that in the script into the movie and it’s a wonderful moment. I’m kind of answering your question because it’s like it’s, it’s these different dynamics.

They’re all very specific. They’re there for a reason. The book is extremely layered and, and very accurate. And we do all the research and stuff as far as, you know, train times and, and distances and how long it would take and propane and how long it would last. And suddenly you know, they get to the train station, they bump into Detective Gowerstone, who knew they would be there. He’s like this renowned detective used to finding runaway children and lost orphans. And he’s kind of, he’s kind of a cross between Sherlock Holmes and James Bond. Very smart, very, very, you know, all about, you know, just to the point really, really, really quick.

And then they’re chased out of there and then running in this field and it’s wet and it’s, and it’s raining and it’s thundering. See the flashlights behind him? And then they see this big silhouette of a hot air balloon. And I’ll stop there, but you know what I mean, it’s just, and the story just goes and goes and goes and it builds and it builds and it builds. And then one of my favorite scenes was really when they bump into Professor Haynesworth and it’s in the movie. It’s beautiful, it’s right at the midpoint. And the midpoint is so important in a film because you work your, your first half of the story to that midpoint and then the second half pushes from that midpoint.

It’s usually a reversal of fortune. Major revelation. And here’s, you know, Tom, they’re running from the co cops. Gower Stone, he knew the kids would crash landed there. Sarah’s, you know, running on into Trinity College. She’s, she, she sprains her ankle. Tom picks her up, he’s, he’s carrying her. You hear the whistles blowing, you know, cops shouting. I mean, and you just see the panic on their faces. I mean their hearts are broken. It’s over. We’re going back to Weatherly, we’re going to get caught. And they’re trying the different doors, you know, and all of a sudden it’s like they’re all locked.

And Tom just sits on the stoop, you know, a little bit hidden from some bushes and it’s like, I’m sorry sir, we did our best. And you know, Sarah’s almost got tears in her eyes and then the door, you know, opens up and there’s Professor Haynesworth, the sort of stodgy, you know, 40 year old tenured professor from Oxford, you know, three, three or four PhDs, been promised a sabbatical for years, dying for vacation. And he takes pity on him and I’ll stop there. But you know, it’s, it’s just beautiful. And it’s a father and children relationship.

You know, he’s single, doesn’t, doesn’t have any kids and suddenly there’s almost that relationship. They’re orphans and they suddenly have this sort of fatherly figure that’s going to help them get to London. And it’s just, it’s like this beautiful, beautiful story packed in fast paced, you know, Dan Brown meets Narnia meets James Bond series. I think that was a fantastic overview, much more than I expected in response to the question. And I really appreciate that, so does my audience. So thank you for that. But I have a question to ask then with the movie. And then we’ll lead into where the audience can reach out and make contact and support and look at the books.

And that’s with respect to preserving the spirit of what you just described. I mean you were lighting up the energy with the particular story itself. I mean, I found the energy very compelling when I read it. But hearing it from the author I think is a really special thing. And so with respect to the movie adaptation, we have this age old adage, you know, the movie is never like the book and the studios always make the author unhappy and things like that. And I think we’re moving into a world now where we as a collective civilization, we don’t want that.

We want the stories to reflect themselves truly and accurately and in the ethos and the spirit of how we wrote them down into the book. So from your perspective, what are we doing with the movie production to ensure that that occurs? Yeah, those are, those are wonderful questions. And yeah, from day one, it’s always been geared as an independent project, meaning outside of, of Hollywood. Meaning it’s, it wouldn’t be a big studio that would take it on because you know, number one, there’s no point to it. Number two, you’d lose creative control and they could make all the promises in the world.

And then just because it’s such a great family friendly film, shelve it for five, five years and you could be in some legal battle. Right. And that’s what they’ve done often with good films. They’d rather just have it, they’d rather buy it and have it out, have it off the market. So they compete, keep putting out the propaganda. So it’s been independent from day one. It’s going to be a $50 million independent film. And then again, that 50 million by Hollywood standards is really about $150 million movie in its, in its grand, grand dose. But, but 50 million outside of Hollywood.

And that’s kind of how Hollywood works. You know, same exact cast, same exact directors. We do it 50 million. Hollywood does it under 50 million because everyone’s got to line the. Line the pockets and. Yeah, and that’s when the Laundromat starts to kick into where they’re laundering all the money. Oh yeah. I mean, it’s like, and I don’t know if we talked about this before, but there’s a great story. When I was taking my MBA at an accounting class, the first day of class, she gave me a Harvard business case study on Paramount Pictures and Forrest Gump.

And if you remember that movie, you know, very successful movie, I think was made for about 30 million and in its total did about 4 to $500 million worldwide. That would be considered a hit. And the writer of the story, you know, best selling story, received a small upfront fee for it. You know, like, but, but we’ll give you. What they did is, you know, studio says, hey, we’ll give you three or four, five points on, on profit points on the back end, you know, or, and I don’t, I don’t remember the percentage. It was probably three points, maybe five points of profit.

And you’re like, okay, fantastic, I could make millions. And so, and so when it finally came out and again, $30 million budget does about 4 or 500 million worldwide, including DVDs and all that other stuff. Paramount says, hey, I’m sorry, we didn’t make any money. It wasn’t profitable. And that’s Hollywood, that, that’s encapsulating Hollywood. He eventually sued their bat, those bastards and he got millions of dollars back from those wretches. But I’m just using it as an example. That’s how the model works. So we’re not working that model. So we will have complete creative control. We’re looking at a couple major directors right now that would be a perfect fit for the film.

And again, I wish I had more updates on that. I literally was talking to my film team this morning for, for an hour. My producers headed over to, like I said before, London for next week for about 10 days. Location scouts. He’s meeting with tax accountants for tax credits. We’re already working with the film department. We’re hoping to be filming in England next spring there in England for book one. Britfield Lost Crown. And we’re looking at a lot of great British actors and be pretty much all British actors. We’d be pulling from the, you know, great character actors.

And I think what makes the film very interesting in a lot of ways is number one, I don’t, I don’t, I don’t know of any other film like it in, in film history. And I’M basically historian in film and studying, studying it since like, you know, I’ve been studying the 1930s all the way up screwball comedies into the 40s, 50s and stuff. I mean, wrote like thesis on it for scholarships and things like that. So I know the industry extremely well. I was involved in the industry for a while. I have my favorites. It’d be interesting to see what some of your favorites are.

But I don’t know a story like this, we try to compare it, you know, a little bit. It has a lot of feel of Star wars, but it’s not a, it’s not a sci fi. It has a lot of National Treasure kind of feel to it, but it’s not that kind of over overt adult type of thing or conspiracy thing. It feels a lot like Raiders of Lost Ark, but it’s not in the 1930s. You know what I mean? I mean, so it’s really hard to sort of pin it to one type of film. I mean it has, it has a lot of the feel the Harry Potter movies, but it has nothing to do with witchcraft and a fictional world.

And so I mean it’s like here and now. So it’s this great exciting story that, that the story is the, is the main actor and then the rest of them will just be really great character actors that you’ll recognize, much like Harry Potter and their cast. And it takes place in present times. So it’s not an expensive per se movie, movies. And you know, to do a movie right, it tends to cost money. But, but you can be, you can be smart about it. It’s not a James Bond type of movie where we’re shooting in six different countries.

We’ve got major setups for car chases, you know, downtown Prague, explosions, stuntmen. Do you know what I’m saying? So. And yet we still have that sort of intensity of a James Bond movie starting up in the orphanage, but that’s mostly interior shots and then Oxford and then Windsor and then London and so beautiful cinematography. You can think of sort of Sound of Music, what that did to you. Seeing Salzburg and the hills and the town and all the different buildings and the lake and you know, you’re gonna have that same kind of feeling, that great heartfelt story, that adventure without anything being compromised and no agenda.

And so we do have complete creative control. The script is paralleling. We hired a professional scriptwriter for the first two drafts. I took over for the last five drafts. And I do come from a script writing background. But again, I’m not trying to be Jack of all trades, master of none. But I do understand story. I did write book one and so it took quite a bit to sort of get it back on track and tighten it. You know, it was coming in at like 168 pages and I got it down to almost 140 now. And the movie itself will come in right around 2 hours and 10 minutes.

I’ll stop. Absolutely fantastic. Mr. Stewart, my only remaining question for you is where patriots can go to get involved and how they can reach out and what your hopeful best guess timeframe is for the movie’s release. Yeah, great question. Optimistically, we’re shooting for November 2026 for a worldwide theatrical release. Realistically, we’re looking at November 2027, but not past that date. And I mean, everything is, is geared in, if that makes sense. It’s been kind of last year was tough across the board, I’m sure, for you, for your audience. So you’re not alone. That was a brutal year.

And this has been a very awkward and sort of slow start to the year. We’re working all the time. But I’m just saying, like, there’s been a sort of a lack of flow of momentum. But now we’re at a tipping point. April was a tipping point. We’ve gone global with the book series since April six. There have been six years of a soft release. So if you’d like to support us, if you’d like a great book or book series, in fact, you would love Book two. So if, you know, you enjoyed book one, it was kind of fun.

Where do you read Book two? It’ll knock your socks off. I mean, it’s like we talk about push a one world digital currency, hidden group that dictate world events, fake wars, fiat money systems, compromised governments and agencies. We touch on super soldiers. We have all these great threads and stuff going on in the background. You would really like to, you sit there and go, whoa, this is out there. It’s incredible. Again, stealth education. So go to the website. It makes a great gift for children, for grandchildren. It’s a great graduation gift. It’s a great summer read for children and adults.

Usually our youngest reader is seven or eight, depending on their age for book one. And our oldest reader’s been 93, so. And there you have it, folks. Mr. Stewart, thank you very much for coming back on Q News. Patriot for the audience out there. If you’d like to learn more and follow the progression of the movie adaptation, you can navigate to Britfield.com or see the links in the description box below the video. God bless everybody. This is sg. I’ll be back with each and every one of you again soon on the Q News. Patriot, stay safe today.

Thanks. Bye Bye.
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