Tom Althouse Creator of THE MATRIX films: Is a Reckoning here w/a Rebel Alliance of [DS] Operatives

➡ Tom Althouse, the original creator of the Matrix and other films, discusses his experiences and struggles in the entertainment industry. He shares his journey of being a targeted individual who has had nearly everything taken away from him, yet continues to share his light with the world. He also talks about his recent appearance on the Roseanne Barr show and his hopes for a new era of Hollywood that recognizes creators and artists for their work.
➡ The text discusses a complex legal situation involving Warner Bros., attorneys, and a deposition. It also mentions a film franchise called the Immortals, which includes the Matrix and Neuralink. The text criticizes Mel Gibson and Joel Silver, accusing them of ripping off ideas from the author’s film. It also discusses the concept of an insurance film, which is made cheaply to collect insurance money if it fails. The text ends with a detailed critique of the Matrix’s plot and characters, claiming they were simplified and ruined.
➡ The text discusses the complexities of the Matrix screenplay and its interpretation. The author criticizes the Wachowskis for their handling of certain scenes and characters, suggesting they borrowed heavily from his original screenplay. He also discusses the importance of copyright in the film industry, comparing it to patents in the corporate world. The author expresses frustration with the Wachowskis and hopes for his original vision to be realized.
➡ The text discusses how the speaker’s original work was used by others without proper credit, specifically in the creation of various films. The speaker feels wronged as their ideas were taken and used by big names in the film industry, such as Warner Brothers, Tom Hanks, and the Wachowski brothers. The speaker also mentions how this has affected their career and personal life, and hints at a desire for retribution.
➡ The text discusses a man named Tom who survives on donations and is trying to get his original screenplay, “The Immortals”, produced. He has more screenplays that he’s withholding as leverage to keep his son safe. Tom also talks about using a technology called Neuralink in court cases to reveal the true thoughts of severe criminals. He believes this could be a tool for good if controlled by the right person.
➡ The speaker discusses their journey as a Reiki master, emphasizing the importance of firsthand training and the spiritual growth they experienced with each level. They also mention their involvement in writing the Matrix, claiming to have the original copyright and drafts. They express frustration with those who have taken credit for their work and stress the importance of service and making a difference in the world. They end by encouraging others to reject ignorance and work towards uplifting the consciousness of mankind.
➡ The speaker discusses their belief in love conquering all and the importance of female empowerment in their work. They express frustration with Hollywood’s misinterpretation of their characters and ideas. They also mention their joy at having stolen documents returned to them, which ensures security for their loved ones. Lastly, they encourage others to share their stories and evidence, and express hope for justice and truth to prevail.
➡ The speaker is preparing for an event and discusses various topics, including a comparison of themselves and others to characters from the Matrix. They mention a potential dinner with President Trump and their mother’s admiration for him. They also discuss the idea of a new era in Hollywood, crediting themselves for causing a shift. They encourage support for their website and hint at future events and appearances.

Some uncensored jaw dropping information, plus funny memes, good deeds and loads of laughter kind of have it all. Ladies and gentlemen, if your soul is awake, then welcome because you’re in the right place. All right, you divine lions and lionesses. Tonight, live streaming, the Rebel Alliance. There is some proof that tides have turned. But Tom Althouse, the original creator of the Matrix and other films like Forever Young, reveals on a rebel alliance of force, former Deep State operatives, what’s going to happen now? What type of reckoning should we expect to see? And will creators and artists finally get their due day of recognition for their works? And will we reinstate a new era of Hollywood, a golden age of film, television, entertainment, written works, paintings and more? Tom just comes back to us in three weeks since our Soul Speak show together, having done the Roseanne Barr show and he’ll tell you why Roseanne sees him as her husband too.

Look forward to seeing you in the live chat. This man is a hero, a targeted individual and he has had nearly everything taken away from him except his soul, his heart and his need to share the light with the world. And here we are. Hi everybody. Brad Wozny here and with Tom Althouse now a friend of mine and honored to have you back on the show. Tom, God bless you greatly. I consider myself definitely a friend of yours and very honored to be back. This is great. Yeah, it truly is an honor, mate. And we’ll get into the the husband wife comment in a second for everybody on the show.

But I just want to go back to if anybody watched the show we did three weeks ago. It was Soul Speak, Art of the Heart. And I had a couple of incredible comments from people that listed it on the show. God bless you both. Thank you so, so much. Another comment. Very privileged to have Tom with us to share his moving story, A true hero and survivor. Thanks for leading the way for others to come forward to share their story. A true gift to humanity. Thank you for your work and for making the time to share your story.

And it continues on. So for everybody here who’s watching this broadcast or you’re listening later, maybe on Apple Podcasts, put those comments down. You know, you’re also putting out prayers and hope and inspiration for others as well and acknowledging this amazing man’s work and the hell that he has walked through and to still be here right now and fresh off the Roseanne Bar show episode, the second episode with now here’s the thing, right? So she said, we were talking in the pre chat, you know, she, she said, okay, I want I’m your wife, but then your second wife, but you’re her fifth husband.

I. Yeah. I asked if you would. Whoever the concept of God is. I asked God if you will, you know, what do I say? And I got this answer. God, if there is a God, he has a sense of humor. I got smile and wave. So I was like, yeah, nicely done. Nicely done. I’m gonna play a clip here from that show. Take everybody right over to it. Obviously you can find Roseanne on YouTube. This is on the rumble channel. And. And it’s maybe about a 30 second clip as well as Queen Roseanne bar with Tom.

And this was just on Friday that passed. It’s currently Tuesday, so matter of a few days old. Satan, that’s who they are. The synagogue of Satan, the Jews. Conceptually, what I conceptualize is that we’re in a cave. Basically. That cave idea that’s been talked about before by philosophers is, you know, we’re children in a cave trying to get out of the cave and everybody has their opinion and no one’s actually lighting a candle to get our way out. That’s such a great. That is so true. Godamn. Yeah. Real quick, because I want to get back on track.

But we’re trying to light a candle. It’s gonna be hard to go. I can tell it’s gonna be hard. No, shut up, Jake. We’re trying to candle because I got us. We want to save children. Well, we’re gonna do it. Whether they’re grabbing our throat, hanging on our back and using our monkey tails around our head, we’re gonna. We’re gonna get people out of this cave. We’re gonna do it with other artists. And that’s why that’s right too is to bring artists together. People that have different cross discipline, expertise, hearts and compassion. Let us lead the way.

Let us drive the car and not these pedophiles and we’ll get our way out of the cave. Okay. We’re connected to God. We know that the work thing that God hates the most is hypocrisy. Yeah. And the harming of children. Wait, I. Right. I think this is a good moment for. For this moment. It will never rise again. So we’re going to go to musk after I present your mom with the gift I want to give her. Keep framing in liner. Yeah. So I am presenting. My dear. This is a big mistake because she’s already got a huge.

I do not have a huge eagle. You’re feeding the beast. I don’t have a huge ego. I Have a huge sense of. I gotta film. Oh, I love it. It goes to who I consider should be honorary Queen of the world. Yeah. Thank you. Brilliance, beauty, compassion. Divine. Feminine. And never say no. Thank you, baby. There you are. I so appreciate it. You have earned that, Mother. I agree with you. You are a goddamn icon. Because I know. And I’m not goddamned. I’m God blessed. See? I am so happy somebody gets me. If you were Queen of the World honorary, we’d have peace.

Hey. And there we go. Yeah. Fantastic. Absolutely fantastic. And you really got her emotional there. It was really amazing just to see that she really felt the energy from you, the sincerity and how genuine you are. Tom. Well, she’s a great lady. I mean, seriously, we can agree. She’s. She’s been like. Yeah. Storming the gates forever. You know, like, it makes the Game of Thrones with a flaming sword. She’s led the way and she hasn’t backed down. So if she’s ever had fear, she doesn’t show it. No, definitely, Rabbi Roseanne. And it would be awesome if we did that Friday.

I know you’ve said yes to it, so. Oh, I just thought it was amazing. I know. It’s great. Let’s throw all the shackles off ourselves. You know, let’s free ourselves up completely. Yeah. Well, everybody knows on. On. On the Sovereign Soul show, it’s about putting fun in the funk of life with Friday. So that would just be a amazing mashup. And at any point in time. So that second episode we covered on Neuralink, and, you know, we’ve got so much to cover on over the next, you know, 45 minutes to an hour. So why don’t we just do a quick rewind for two or three minutes on the backstory if this is new to anybody.

And once again, everybody, I will show you. You can go to Apple Podcasts, which is where you can re listen to if you need to, rather than watch the last show that Tom and I did, you just go to Apple Podcasts. You find it right here on the Sovereign Soul show. That is Soul Speak. Just find the Soul Speak show. Or you can watch it on Rumble or Liberty Club, Todd Calendar’s platform to get caught up. But we’ll catch you up in two or three minutes right now, because Tom is the original screenwriter for the Matrix film series, which was copyrighted as the Immortals.

But the entire screenplay, which is also known as a script for people who need. You know, they say, what’s a screenplay? Is that Broadway only? Only. And it’s not Movie, it’s pretty much part and parcel. It’s the same thing, tomato, tomato, potato, potato, Right. For everybody. So the Matrix is actually Tom’s and they all stole it from him. They’ve had infiltrators out there like this black woman who said that she wrote it. And you have all of the living proof, all of the living proof beyond it and whatnot. So why don’t you just, you know, share with the audience a little bit, catch them up, Tom.

And we’ll continue on with the rest of the show. Yeah, that’s what has always floored me and killed me, that their PR machine and their grass or hold on, the court systems in this country have strangled the truth evidence and shut it down. They have a whole game plan that they implement through, you know, hack attorneys to shut down any evidence being shown, to twist you into corners. That’s not what law should be. Law should be about bringing truth forward and showing the evidence. It’s completely ass backwards. And so here we are sitting with the only copyright, you know, the only copyright.

Even that like the black woman you talked about, she doesn’t even have a screenplay. She’s got 33 page manuscript, she calls it not even a screenplay. And it’s like, you know, never did. And so here we have all these working drafts. You got their attorneys from Warner Bros. Saying they don’t have any working drafts. On a taped deposition of myself where the attorney that was supplied by them with a suspended license, who was a defense attorney classmate of theirs, is recording it illegally and gave me the wrong tape recorder back. So I’ve got his tape recorder with all the stuff on it.

What an idiot. And so crackhead. But it’s like divine providence of God right there for sure. Totally. So yeah, we got everything. So that’s what’s so wild. I mean, this attorney too, this attorney Rankin out of Maui, classmates with the Warner brothers. One of the Burroughs was at my deposition. He objected to everything, was in my favor, you know, objected to everything in my favor. And then he says afterwards, he goes, jim Boyd, the submitting attorney, submitted everything just the right way. Tracking number, receipt, you got it all proof, more and more proof of direct access.

He said he won’t have anything. Then he tells me, oh, I contacted him, he has nothing. I told him not to contact him because I was going to fire this attorney. And so then I contact James Boy myself. He had everything, submits it. And so we’ve got a hands down coming up. Awesome. And then coming up, so we’ll get into that what also is included in the Immortals, which is the Matrix film franchise, is Neuralink. And before we go down that path with Elon 3.0, which we discussed a bit in our last show, Soul Speak, we also have this guy who you say, as we’ve heard on Roseanne, they kept saying, allegedly, allegedly.

Jake. Jake’s amazing. So great job after this. And say, jake, allegedly. We both say you’re amazing. Yeah, yeah. Allegedly. Capital, capital letters. And underlined and maybe with italics too, right? Yeah. I love how you said that. Joel Silver and Mel Gibson, now, we’ve seen Mel going out there from Sound of Freedom and recently the Palisade fires whatnot. But maybe not all is good in the Mel Gibson hood, so to speak, with the experience you’ve had. So just bring everybody up to speed on that. And Joel Silver. Yeah, I don’t like to slam people, but Mel Gibson was a plant from the very beginning.

He is a sellout completely. And the only time he really told the truth, like I said, was when he went on a drunken rage. When he had his drunken rage, he spelled out about the Zionist and everything like that. He was actually being honest. And then they made him go back on and apologize with his tail between his legs. So so much for that moment of honesty. And, yeah, took alcohol to bring it, apparently. But then, yeah, Joel Silver, the producer of the Matrix, is the one that brought him in as a plausible story idea that he brought the Wachowskis to Hollywood.

Why would Mel Gibson be meeting these failed painting contract dropouts from Chicago who never did anything, and bring them to, you know, hey, come with me to meet Hollywood guys. You know, it doesn’t make any sense. But as a reward for being that connection they can pretend to have, Mel Gibson was given forever young. And that’s the first ripoff of my film. I submitted in 93. And they do this in 93, 94. And it’s an insurance film. So what you have is an insurance film. You probably already know that. I think it fill me in. Even better.

But an insurance film has audience. Yeah. Yeah. You’re not gonna lose any money. So it’s like you. You purposely do it cheap and bad. It’s like the Producers, that musical off Broadway. You do it bad so you can collect insurance money. It’s like, you know, it’s like, I’m gonna do a children’s show. I get a grant to do it, and I put a paper bag in my head and just dance around and it’s out. That’s what you’re saying for Insurance money for. For everybody else around the world not familiar with this. Is it. Is it either or.

Let’s get a, A name star who just, you know, 1993. So this is after the. The Lethal Weapon movies, the franchise. Right, right. Did with Danny Glover who’s totally been out outed two years ago with him and Sir Richard Branson and all of that stuff on the wokeism and. And other islands and things. So Danny glover, Lethal Weapons 1, 2 and 3, a couple of other movies and then 1993, Forever Young which can be made very, very cheaply even though it’s a period piece. But you know, if you film there’s very few exteriors that require period backgrounds.

So you make it very cheaply with a kind of up and coming a list star attached to it. You already know at the box office you’re going to get it with some of the money from the name star. But how does the insurance play in on this for the audience? Well, that’s what they’ll collect on it. Any losses and things like that is what I was told. I’m not sure exactly the facts on it, but you can collect if you claim that you didn’t, you know, do well and that it just. Oh, sorry investors. It didn’t fly.

We didn’t get. We thought we’re gonna get so we’ll just pocket your money. But thank you very much. You know, it’s producers and so if you remember Forever Young, they got the, the plane. I think it’s got the plane scene where the plane’s coming down. It looks like a World War I footage, you know, from a bad movie where it’s just like in the. With a screen in the back and he’s going down like it’s just like. They didn’t even try. They don’t even try. I think this is protect their ego. But yeah, Mel Gibson gets in there and he goes ahead and starts ripping it off ever since.

And he got the Christian market given to him because I actually had Christian messages in mind. So that’s what he did. He’s doing the Christian market in the. He gets that. So in Braveheart he actually has the picture dropping out of the hero’s hand, which is from my work. At the end it falls. You know, he believes he sees his wife is gone. That’s in mine. Yeah. So he has the double love interest. So he’s. He’s also stripping the work since it’s a free for all once Warner Bros. Acquires it. So it’s like you see it over and over him stripping it.

They even did the scene. The stripping of the work is lifting, like, scene lifts. So what you just described there in Braveheart is the scene lift. So Braveheart’s on the back getting tortured, gonna die. Holding the. Holding the cloth handkerchief from the wife. He’s his wife. Is that. Yeah, that was. You’re saying it was in the original mortals and how it goes. Yeah, they simplified everything in mind. You’ve got three love interests in the course of his being. You know, the events that happened to the Neo character. And so they just called her Trinity. See, take three love interests make it Trinity, but there’s facets of each one in the Trinity in the Matrix, so.

But it’s. It’s infuriating. It’s like watching your piece torn to shred by monkeys. Because it’s like, you know that scene where he says to Neo’s told he has to kiss the. The men, Arenji, whatever, the underground woman, the pretty woman in the red, whatever, has to kiss. And Trinity’s going like this seething like. It’s so juvenile. Oh, my God. That’s not. In my piece. You don’t have that. Where, you know, it’s like, if you’re gonna save. Yeah, yeah. You’re gonna save the world and save the kids. It’s like, there you go. Fine. You know, I think my person I’ll be with, my companion would not mind.

Mind that if it’s, you know, explained and, like, okay, we’ll do this. If that’s their stupid requirement. They milk it and make it into something ridiculous. So everything was just taken up like you said, Scenes, scenes, scenes, shredded into a storyboard and then shredded on screen. It was just. It was unreal. And that’s what really gets me when people go, you know, they’ll say, like, well, you don’t understand what the Matrix means. No, the Wachowskis didn’t understand what the Matrix means. They. They ruined it in the renditions of it and simplified everything. So, you know, everything.

Like, if you have the Architect. Yeah, we have the Architect. We have the Architect, and we have the Architect having a son. And with the Architect, I thought was kind of cool that the Architect takes the son, actually kills his father. The solo style. Lucas liked it, where he’s embracing and kills him and takes his Neuralink and holds it up in front of himself and saying, now we are one. Kind of wild. The Architect needed someone who would love him. And the backstory is that he took all the siblings of his son and had them killed when they were Five years old.

So that the Architect’s son would be the only begotten one. And he’s supposed to be grateful for that. And so the Architect’s son uses that as a ploy or a play card with the Neo to work with Morpheus. There’s so much depth to it that he actually used that as a convincing tool to say, look, my dad did this. I want to prevent this Armageddon ending. I want to prevent it. So I want you to help me stop my dad. But he only takes his dad’s place. That’s why he’s going like, you know, now we are one.

And then blames Neo4. There’s so much more to it. When people see the actual Matrix the way it’s supposed to be, which is actually the mortals, which they copyrighted in Warner Brothers. So much more. So when people say, you know, some of these morons go like, you know, you. You don’t know what it means. Join the club of idiots. Go. Just go. I kind of had enough of it. Because it’s like, no, it’s rich. The screenplay is rich. I didn’t pitch it until it was ready. And I hope we do get to see it. I hope we get to make it.

And Warner Bros. Is very upset about that. She actually sent that. They sent that black American woman after me on that one, going, you can’t make it. You can’t make it. I’m like, yeah, we can’t. Anyway, it sounds like I’m rambling, but actually I’m trying to keep a track here. What’s like, this is big. This is big. Finally, the message will come forward, you know, and the Wachowkes don’t want that. Giving glory to God or anything. They want. They want glory for themselves. Yeah. If they’re still around. I mean, my goodness. You know, after all these.

These things. Oh, and, and, and what we’re going to be getting into here about, you know, former Deep State operatives, you know, forming an alliance and rebelling. Wow. Which is in the screenplay. The agents join the Underground in the end because they’re being purged by the Architect. Now, they kept that in the Matrix, they kept the Purging, but they didn’t keep the. Really, the joining. And they echoed just. I mean, there’s so much I could tell you. So we have life imitating art at the moment. So to bring everybody back here we are 32 years later.

Yeah. From the original screenplay, the copyright, everything that you have, which included neuralink and how they stole it and put set up Elon to be the figurehead for this and all of the other things, too. Everybody. Everybody kind of forgets, though. It’s coming back now. Elon. Peter Thiel started PayPal or. I know, right? Almost like Zuckerberg starting Facebook. Yeah, yeah. It’s like they take and they give to others. They take and they give to others. It’s like that’s how they do it. And they give it to field people in order they. So they can keep control of those people.

Have people in house. Like, Mel Gibson was brought in house by Joel Silver. You know, so he. And he. He said yes. He said yes. So I was at Roseanne’s house and the family and all, we were all watching this Matrix. They wanted to watch the Matrix. So the scene that one of the scenes was on was the Morpheus being interrogated, you know, by Smith and the agents there. Remember that one? Everything else, and they’re, you know, the helicopter program. Anyway, so what’s really wild is when I was watching it, one of the good friends of everybody, Shannon, she was really cool from Hollywood, she was asking me a question when the scenes were running.

And I was like, the director cut guy. I couldn’t help it. I’m like, okay, well, here’s where. This is where it’s going. This is where that goes. Anyway, so I realized they had really ridiculous filler scenes to get to what they had on their storyboard lifted from the screenplay. Here’s an example. So in my screenplay, you’ve got Morpheus, right? The Morpheus guy, where Smith has to just. He just. He’s disconnected from the program, right? It’s disconnected. If you disconnect as an agent from the program, you’re terminated. The room of monitors in the original original, which they didn’t know what to do with exactly, has Smith overseeing all the monitors, not the Architect.

The Architect isn’t watching reruns of the Andy Griffith show. And black and white on thousand monitors. He’s actually. He’s in a different place. And the silver pen actually belongs to Neo. Just watch how they reversed everything. It’s Neo’s pen that’s silver. They give the Architect the room of monitors belongs to Smith, that they put the Architect in. See how they danced it around, thinking that would change. Change claims, whatever. And so who knows? In their small minds with a P riding around. But the thing is that actually Smith is then going after Neo in mind. The room of monitors is managed by other agents right at the time.

And Smith catches up with Neo at the hospital. The false flag scene, I had the false flag scene in it, which they put in Dark Knight Rising, right? Hospital blowing up, right? False flag. So what you have is Neo in mind, cuts the Shard, uses a shard of glass to cut the enhancer out of Smith and takes it and underground drags him down with it and adapts it to him. And adaptive collar. And so they put that in Elysium, right? They took that for Elysium. That’s what they did. Just shuffled around. So what you have is in theirs, they show they have to get to where Morpheus is alone with Smith.

And Smith detaches from the connection, right? So what they do is they go like this. This is the filler scene. They have Smith suddenly go like this. You guys have to leave the room. Oh, that’s really creative writing. That’s great. That’s really brilliant. Really way to work it. Way to work it into the story. Just, you guys have to leave the room. They’re like, okay. They leave. That doesn’t make any sense. And so set it up for what they want next as they make it up, as they go along. And what’s interesting is the agents come back in, because that’s what happens.

Smith is discovered, disconnected from the program in mind. The agents are getting a false read, right? And they’re not sure. They know he’s disconnected and they’re wondering if they should terminate him. Which is the rules of engagement at the Room of Monitors. If you’re disconnected, you don’t want to fall in the other hands. So they’re told, no. They’re told by high up, no, do not terminate Smith. He’s the only one who gets away with it. Earlier in my screenplay, you see an agent terminated who was disconnected. He’s terminated. No boat bones about it. He’s just. He’s terminated by Smith from the reminders.

So forget the Architect there. Anyway, so what happens in. In mine, you have that happening where the agents are like, you know, ready to kill him for this. And then they’re given the word not to, but they almost did because he was disconnected. And there’s how the Witch House is going to handle it. Hope this makes sense. So in theirs, he’s disconnected so he can beat up Morpheus. And what’s their brilliant solution to lifting this work? You know, in ours, they’re about to kill him. In theirs, the agents come back in and basically go. You’re not supposed to, you know, not supposed to disconnect.

Yeah, brilliant writing again. Well done, Wachowskis. With your small mind, no wonder you failed at Everything. So I’m not holding back now. Some people say you’re, oh yeah, it’s horrors to a pa. So. God. Some people say I’m being too mean on them. They haven’t seen nothing yet. Oh, man. Haven’t seen nothing yet. And, and I actually want to get into that as well. We’re, we’re on the copyright side, you know, from what I learned in my, you know, limited time doing some movies where you’re literally, if you’re in the same studio but you’re on a different project, they have to get permission from the owner of the previous project that might have already been greenlit, made.

It’s, it’s out there or it’s shot, it’s in the can, it hasn’t been released and go, oh, hey, you know what? This was in that scene of that movie or that TV show. So we need to actually have the paperwork to show the bridge that for us to use it over here in that movie, that we have a copyright allowance to leverage this so we never have to come back and show that this is stolen work or work that has been lifted directly, whether it’s a scene or an idea. So this is very powerful because the same thing applies in the corporate business world, especially with technology and utility patents, right? So if I came up and I developed the rear view mirror cars back in the 40s and the 50s, you know, like, I can’t remember if they had reverend years or not, but they definitely rarely had side mirror.

But whoever came up with the idea and the concept, like, we should just look over here and see what’s behind us, like, that’s a brilliant concept. You have a utility patent, the formation of it on the mirror. You have mechanical, a use patent as well. And then that patent then gets licensed across to give permission for other automobile manufacturers or oem, original equipment manufacturers to make those mirrors. It’s all covered, it’s all blessed in this legal framework and paperwork. Plus on common law, this is lawful and honorable. What Tom is sharing your audience again is what you’re hearing, have heard and are continuing to hear is none of that.

They took his name, they took the immortals, removed it. They put the Matrix, they put the Wachowski brothers and Tom Hanks on it. And then they said, well, this is now our work, Warner Brothers. And now we’re going to lift pieces. Whether it’s in Forever Young, like you mentioned, with Mel Gibson to all the other things to Braveheart, these scenes where. Which allows you to be able to say, you said on Roseanne there’s about a hundred movies. Yeah, yeah, that. That they have that came from your original work that never existed. And Neuralink. Yep. Outbreak, Elysium, Alder, Carbon, Sense eight.

Oblivion. You go on and on. Yeah, on and on. And because you didn’t play in the club, you didn’t join the club. Yeah, I didn’t join. They just out you. I was too nice. I was told. Too nice. So it’s like, well. Well, that’s why I want to turn that around. The nice guys with nice girls win. But it’s like what you just pointed out answers the question to why they put the copyright with all the subtitles on Immortals. And you know why they put that there? Because that way all the studios can take their work, do their own derivatives off of it and they’re covered.

So they don’t have to go through copyright questions or permission from each other. Because it’s like, okay, we’re all going to claim the Immortal’s title and this work, we can all butcher the baby. We want whatever we want. So it’s not incredible. You just answer that question. That’s why they entered it, for all the studios to have their takes on it. It was a free for all. I was a carcass for all my baby. Yeah, yeah. Incredible. Incredible. And here we are 32 years later, and the reckoning and the retribution is starting to come for you and others.

But this is specific to you and what it meant for the world as well. And let’s get into that. Start with the Elon rabbit hole path documentation and then open that up to what’s going on with the operatives. Like. Yeah, yeah, agents that have switched sides. Well, you know what, if you are innocent, if you are actually the good person in the story, in this particular story, you know, which Trump knows and all, then you are going to continue a line of operating from a genuine heart. Usually, if you’re the person that’s benefited off it, something’s not going to be right in your soul.

Like Elon Wachowskis, Keanu Reeves. These other guys are going to reveal themselves. Not to step on toes, but they’re going to reveal themselves. Mel Gibson. The ugliness is there. They know they’ve done wrong. They know they have not succeeded. And there’s something inherent in human beings, I believe, that we feel, or maybe our society has instructed or integrated this into us, where we know we need to feel like we scored the touchdown that we hit the home run. If we take the credit for someone else hitting the home run, we know in Our heart. We didn’t do it.

And that’s pretty much a male thing too. It’s never going to leave you. It’s always going to be in your psyche. And that’s where the hate comes for the person that actually hit the home run or actually did the work. We’ll touch on Keanu for a second, if you don’t mind, with regards to this, because you brought him up between the Elon and naming Mel Gibson. Because for, for anybody who’s, who’s not aware in the previous shows we’ve done, you’ve done and shared that. Hey, there was a. There was a rule on set filming all the Matrix series that you could not go within 20ft of the director, the Wachowski brother, sister, whatever they are now, and scripty and the first AD that would have original copies of it.

You weren’t allowed or you would be fired. Explain that rule and then let’s tie that into KE you. Well, first of all, Brad, have you ever seen that before? Have you ever seen that before? Absolutely. Not even. Even with the convid lockdowns when they had these little high school kids are paying 500 bucks a day in Vancouver to walk around with this, the noodles, the floating noodles and go. We’re Covid police. They pulled them out of high school, 12th grade 12. Pay them 500 bucks a day. Cast and crew. I’ve seen the checks. We were on the shows with the owner and they’re like, they’re like, make sure you stay six feet apart.

You wear your mask. So. Yeah. You never have a 20 foot roll around set. I mean, it’s. There’s so many people like what? Yeah. What about the working environment? I mean, you’re telling you. There was a Barbara Walters interview I talked about before, mentioned that the a list factor. Said they were not allowed to even ask questions or make advice. Take it. Give advice. Because Wachowkes are working off of stolen material. So 20 foot, so you don’t see that stolen material. But Keanu Reeves was allowed in that circle, by the way. He was part of the theft.

So yeah, the suits that Warner Brothers said that he had to be the lead, which I’ll see. You didn’t get to choose that. No one got to choose that. The suits declared that they’re going to save Keanu’s career. If the suits are declaring they’re going to save your career, you’re probably not a good cookie, you know, out of the Keebler house. So, yeah, so basically what you got is 20 foot rule. And you’re not allowed to ask any questions or make any advice. And you can imagine the argument on set. You’ve been on this film since like you said.

So it’s like imagine the argument when they come to wrap it up and tie it together. Joel Silver that, that last session when they were done shooting, he said there was an interview in him when they were done shooting and he said he slipped and said, you know, I hope it ties together when we watch the rushes and I hope we use up the rest of the story tie together. And there’s this huge argument. Imagine a huge argument on set where Wachowski’s claim, everybody said to blow it up. Why are you having that discussion? I mean if you’re looking at one of the scripts you’ve done, you know, worked on, could you imagine the scripts been vetted, set investors are happy, directors are good.

It’s all been continuity, everything’s continuing checks out and you got your scenes running and then suddenly they all have a huge argument on how to end. Just doesn’t make much sense. They’re shooting their dailies and they already know how it’s going to build anyway. Yeah, right. And you’re reviewing the dailies and you’ve got it all set to go and you’re doing your post wrap up meeting before the next day of shooting. And what did you get? And did you get all your scenes down? Have all the lines would hit like my goodness, you know. Yeah. Magic nightmare for the actors too.

And so then the Wachowskis announced we’re gonna keep the exact same ending of the Immortals. So it’s like. And they did it’s exact same ending of the Immortals. Wow. Not well done. All burst. And again, remember how they said they switched the scenes around? You know like the pen goes the architect and the room modders goes the architect. They sure like to give things the architect Christmas, you know, Christmas in the Matrix. But the thing is that they, they also switched around the character relationships. It’s not supposed to be the oracle at the end with a logo running up.

That makes no sense. The Oracle didn’t seem to give a care or a shit about anybody. So it’s like there at the end, she’s running up, the little girl’s calling out hey. And she’s like great conversation by the way. Did you make that? Yeah. This is the most boring time ever. Oracle. Yeah. Then, then you have the guy come up then the architect, you know, tentative piece. Well, this is really moving. This is gonna really affect. They’re gonna wet their pants. In the audience. This is just really, really heavy stuff. Okay, let’s watch the sunrise. It doesn’t work, but you put it back, the original, it’s kicking.

It’s gonna be awesome. Do you think they also, did they also lift the, with your script, the Immortals, which they lifted the name, lifted your name off of it in the title, put the Matrix when the Immortals eventually came out with Angelina Jolie being the divine, you know, female figurehead on that later. Did they lift any scenes from your original script to the Immortals that Angelina Jolie was in, you know, six years ago, they brought that out. What number was that one? What number of Matrix? It wasn’t, I don’t know which number of matrix. It wasn’t in Matrix.

There, there was actually a one time film called Immortals and Angelina Jolie. I had never watched it. Okay. You’re so focused on the Matrix. We’ve seen so many things happening with like, you know, what they did with man in High Castle. Yeah. The minority board. And we can talk about Canada again too if you want. Yeah, Canadians in the chat. I’ll just let everybody know in the chat, by the way. So posted immediately below the description of the show for those who just come on, plus up in the chat, and I’ll repost this in a second is a link to tomalthouse.com Go there again, Tom is still not getting paid for any of this.

So even, you know, going to RoseAnne on the second episode. So he, he survives right now still on donations and our good love. So@tomouthouse.com donate to the man. Follow Share this show Share his information Continue to get the truth out there because Rosanna, after the first show you did a year ago was she’s going to help produce your original screenplay the Immortals. And the more we get this out there, the faster there’s a great awakening and that we’re supporting true artists. So I’ll just put your link back in the description because we have people here as well from Canada.

We have New Zealand in the chat which is just awesome. I think I saw Texas as well. Right across the board. Fantastic. Yeah, we have Karen, Maki McDonald from Canada is in here, says, wow, Tom is really getting around out of the box to Roseanne bar more of this last week. Right. And Karen again, he, this is his second show on Roseanne. He was there over a year ago that he had just done. We need to keep pushing this. We need to keep pushing this with the truth. And he’ll share some more about how the Deep State operatives like the agents have come back.

You know, I really appreciate that. Was beautiful. And thank you for all those that are helping, too. Yeah. Because I’m like, I told Roseanne, I said, we got 17 more screenplays, and they’re not going to enter this world because that’s my leverage card to keep my son alive. And that’s what Disney understands, that if anything happens to my son, that work is never going to be ever, ever seen. And it’s better than the Matrix. And that’s how I kept my son alive by. I had to do that. I had to find out what they loved most and wanted most.

What they. What they value most wasn’t our lives. It was our work. So it was like, okay. All right. That’s a fun tape to listen to something for their profit. So are we gonna get to hear the tape after? There’s gonna be, obviously, you know, the court cases and then criminal process stuff runs. I’m putting everything public. You know it. Yeah. And that’s why I said, too, if we reclaim neural link. If I get to reclaim neural link, which looks very positive right now. So if I get to reclaim neuralink, I said, I want to use neuralink for the tribunals.

I want to put. I can imagine. Yeah. Neural link would be applied to people like Elon Musk and, you know, and some. Like, I get George Bush in there, too, and just use their memories, broadcast their memories to convict them. Wow. What are they gonna do? What are their attorneys gonna do? You know, talk. Talk about, you know, like, really seeing the truth. You just kind of tap it on there and you’re like, can you really handle the truth? Everybody? And then broadcast their memories to a screen. You bet you. I’m gonna get a bunch of really good neuralink attorneys, and we’ll turn this around.

And this is how it works. They ask the question. They’re hooked up with the neural link to broadcast. They’re asked the question. They can’t hide the answer. You can’t hide the answer. I’ve never thought about it like that. This is the person you probably spent a lot of money. That is amazing. NER link for Nuremberg. Right. And you have to be a certain degree of criminal in order to have it applied. It just won’t be on everybody. It’s not. You know, but if you are a severe criminal, like Keanu Reeves and, you know, Joel Silver and Elon, I call them Neon Husk, then, yeah, I like to reveal their true thoughts.

I think the public deserves to hear what they really thought of them. And you might Be surprised. So. Wow. Yeah. Popcorn. Incredible. Whoa. It’s pretty rare these days over these last few years where I hear something and I just have to absorb it. That is profound. I never. Yes. Yeah. So learning for Nuremberg and you receiving the actual claim, watching that time. So. Yeah, yeah, yeah. And that’s something. So, yeah, we’re gonna reverse the tables for sure. That’s how we secure our world. We take the mark of the beast and we turn it into our own tool for good.

Yeah, we can take something and make it for good if the owner is able to control it. I am who developed the Pandora box because I feel like God gave it to me to contain it. So I’m not. I can guard the. That box and not let it be picked. Peeked into, you know, and use it for whatever we need to for good, but keep it sealed. That’s what I want to do is seal that box. Elon would just use it to run amok over us all. Oh, my gosh. Yeah. That would. It wouldn’t slay us all.

That’s. Jake came up with that title. Yeah, Jake came up with that title. What? Jake. Jake did. Jake came up with it. Yeah. Oh, Jake, well done. I’m gonna text him that. Allegedly, Jake, you came up with this title. Yeah, we did. Allegedly. Allegedly. Tom says you came up. That’s awesome. Well, hey, everybody, at least you’re hearing it here for the first time. So, you know, definitely put comments, likes and. And donate, you know, if you can, a couple bucks or a few hundred bucks to Tom. For now. Can I give a shout out? I appreciate that.

Please do, man. David Schmidt. God help. God bless you, David Schmidt. God bless you, Michael, Jacob, Jen, all you guys. Yeah. God bless you guys. The lightweight patches. David, Michael. Crazy Go. Jen. Tell you what happened. I was like, Robin and Gregory. Yeah. Their strategy is to try to rattle you, right? To try to rattle you and, like, knock you down. And so it’s like if the mark of the beast, kind of the red pill is the bad pill in the original work, by the way. And since because of you, you know, because we’re a red pill.

Red pill, we have Freedom Force Battalions. A big one on Telegram, Melissa. Red pill. And. And the mascot for the show is the Bling Buddha. Right? So you look at here, you know, he fires red pills from his nine mil with a punisher tattooing Save the children. And. And I could bring it up in here a little bit larger for you to see on the banner. And only, you know, I. I heard you say that before, and it’s at the top here. But anyway, I had. I went to go find the original because I do it every.

All my art I do by hand. Not really good, like, stick figure stuff, but I got a graphic artist, you know, off, you know, like fiber or one of those platforms, right? And. And I do the rendition. I’m like, here it is. Here’s the interstitials. Here’s a couple of photo examples. So they pull this together. Four seasons. So that when you’re talking about this, the red pill is that I’m like, oh, I have to switch this to the blue pill. I can’t find the original file to just go find somebody to go make a quick switch over.

So, you know, it’s been over a month I’ve been searching for it, but it’ll happen. Yeah. Blue pill comes from blue pills. From his 9 mil. Blue pill concept comes from. Please go ahead. Looking right at it. Where the blue pill concept comes from. You’re. When you take the blue pill, you look through the author’s eyes. So the red pill is blood of the children. So it’s like they reverse that, right? It’s really wild. So again, if the red pill is what they like, Blood of the children, the blue pill, I would say is life wave.

I would say lifeware. Because it’s like. And what I want to tell you is like, I told Michael this and Tracy and them. I said, like, what I found out was I would get. I would get upset. I mean, my sons were killed. They took my work. They boast and brag about it. Supposed to agitate you, right? And so I would get upset. I would get upset. And ever since I started doing it, I mean, info commercial, but ever since I started doing the patching thing, people would try to rattle me. They like, they’d say stuff, and I’d be like, okay, whatever.

You know, it’s like, you’re an idiot. It doesn’t affect me at all anymore. I’m just like, okay, no problem. It doesn’t. Doesn’t affect me at all. I’m with you as a Reiki master, right? So I just celebrated a decade being a Reiki masters. Now some people go, oh, you can do Reiki online and you could find this and do over a weekend and do a 1, 2, 3. You know, like, to me, I’m not faulting anybody for offering stuff online, especially with COVID lockdown pandemic that happened, you know, because a lot of schools, like, if Bruce Lee was around during lockdown pandemic, he would have taken his Jeet Kune Dosho School and done it online.

Right. But there’s no substitute for first hand training. So it was nearly, you know, 15 years since my first reception, receiving Reiki, the gift of it, and then actually getting to practice it, go level one and then go level two. And over the years build myself up and then feel like I was ready to do my master’s level and, and take that. And when you’re talking about this from the Lifeway Patch standpoint, you know, Reiki can. Every time you’re attuned to another level, then you have a higher vibrational effect and senses. Right. And Michael is the one who taught me remote viewing.

That’s how I got to meet him and Tracy, Joel and. And then, you know, you go to another level. In 2011, I started meditating the LATM. You know, that helped me take me to another level with the patch. Now you have a consist rather than consciously activating it and subconsciously kind of running your Reiki energy and your spiritual security. Right. Patch. And with Bishop Jim, I say the law of encroachment prayer every morning and every night. Right? Yeah. Bishop Jim o’, Connor, everybody. Absolutely. Go follow him. God wins grace. God rumble 100amazing man. Right? Personal friends.

We’ve done stuff. Personal friends to both Tom and I too. And a brother, like a soul. Soul brother for me for sure. And in different lifetimes that we’ve all been together, that the patch builds that spiritual security in your bioelectric field, pushes out and creates that for you just with the X39. So back to David and back to this. It’s incredible. I was gonna say, I was at the conference and what I need to say is the writer of the Matrix. I am the writer. I mean, I got the copyright. The only one that has a copyright.

I got the everything from the notes and drafts where your attorney said they don’t have it. So as the Neo, the Thomas A. I’m saying, David, well done. David Schmidt and Michael Hiko both and Tracy Jo. What I’m saying is they gave out of a service. What like the Christ message? Something was like, you know, if you want to be the greatest of all, be the servant. And it’s like that was. That’s a service. There’s a company doing a service to help the world. Just like I wrote my piece as a service to audiences. So I would say the key if you want to be great in this world, which wasn’t my goal, is to operate from that heart, you know, do it a service, you know, give, do it not thinking like the Wachowskis did when they were wine and dined by Dean Laurentiis, promised beautiful women and fame and fortune.

That wouldn’t work on me. I’d be like, dino Check, please. You know? But if he’s gonna say, you’ll make a difference in this world with your original material, Tom, and like David’s doing like others like yourself, then, yeah, I’m in. I don’t want to be the person that had the home run hit for me or the touchdown done for me. I want to score the point. I want to do the service. I want to do the act if I don’t want stolen glory. So for the Wachowskis, Keanu Reeves, Mel Gibson, Elon Musk. Elon Musk. I’m going to love to go there then.

That tech was never his. He still doesn’t understand it. That’s not a service. That’s trying to get laid with Amber. Oh, gosh, sorry. I had to go there because it’s just. It just mind boggles me. This guy is some nerd. Think he’s going to be some Genghis Khan or Attila the Hunt. I put him back in his box anyway. Go ahead. So, well, and then back to my comment where life is imitating your art now, 32 years later, which producers are saying. Yeah, they’re saying that what we’re seeing is, you know, with what you mentioned here and on other shows that Easter this year, you came back to your house.

Right? Right. You have some of the original copies in the drafts, as well as notes written on them with other people after they were stolen. They put their names on them and they’re here. It’s right here. It’s right here. So what’s really wild is I had dinner, like Jen. Jen Allen, Tracy Jo, Michael, Jacob, and oh, it was so nice going to their home before they leave to Colorado. But I was at their home and we did the show and it was amazing. And to come home after that and, you know, after, you know, seeing them, and it’s like all this stuff was returned to the house, you know, on the first time I was down to see them.

And it’s like, here’s the original 1993 returned on the bed, on the bedroom. You’ve got the. This one here. Let me go. This actually part of that right there. Full script, Full script. Then you’ve got this one full script. Again, they don’t have any drafts, working drafts. And you’ve got this one, which is just bizarre. It’s like notations even. They even included this page from my. Greg. From my friend Greg, who worked on the fight scenes with me. And it’s in here. This is a 1993 screenplay. Then you’ve got this one, which was taken from my.

At my dinner table in 2012 by the Crackhead. I’m gonna say his name, Tony Rankin. Maui Suspended. Lights. Crackhead. And look at this at the top. He took it off our table at our own dining, which is a no, no in The Greek World. October, 1995. This is Tricia Fike I hadn’t even seen since 1995. And it has all the notations and all our notations on it that was returned in a stack. Then you got this one. Keep in mind, Warner Brothers doesn’t want any proof of any 1993-96 screenplays because the Wachowskis didn’t put Matrix Title 1990 until 1996 because they weren’t given the work until 95.

96 to steal. Right? So this one here, you can see it says on the bottom. Let me get this in focus here. Okay? Get rid of the blue before. Just. Everybody, let me get. We don’t need the effects right now. So here we go. So let’s see. So right here, you’ll see. Look at this bottom entry here. Yep. Draft 1, March 21, 1993 screenplay. And it even says at the top here, look at the mold on it. God help us. It says 1994, January 1994 Corrections in it. That’s Raptor 93, Christmas. So isn’t this wild? Look at this.

This is. This is everything here. Even teaching myself how to put the binders in. It’s all here. Copyright, everything. So that’s in the face of the Wachowskis. In the face of that crackhead attorney, Tony Rankin, who, you know, broke open our poor man’s patent and took out the full script. The full scripts returned from that. So everything’s being returned, which means they. It’s like they want us to win. And it’s. That’s what I was saying is like. It’s like they want us to win now. Because now I have all the evidence to prove our case, hands down.

And it was the crackhead that didn’t let me name Matrix One, let me name Matrix One. So Nature’s One’s never been claimed, which means now we can do it. Which has my high school in the first interrogation scene. Graphic. Birthday. My name. My fiance’s birthday, my dad’s name. They don’t stand a chance in heaven or Hell, wow. Yeah. And if anybody hears anybody else say like, he didn’t do it, he’s a fraud, just kick him. For me, I would like ignorance to leave our world and I’d like people just to kind of, you know, not listen to these morons that say this crap.

Anyway, I, I think the ignorance is, is almost gone. It’s outdated. It belongs to. It’s. Yeah, it’s. It’s very, very few and far between, you know, and those who are still at that level, they’re not going to survive whether they’ve done anything wrong or not. But if they’re remaining ignorant, they’re not going to survive in the Ascension because the vibration won’t work for them. So they’re going to be stuck on their timeline and co creating for themselves their own little prison. Which is unfortunate, but that’s part of why I keep doing this show. And part of my soul’s purpose is to help uplift consciousness of mankind.

Glad you do your show. This is great. Shout out to everybody that’s actually doing a service in this world and actually cares. We’re all coming together. That was the purpose of the piece was together a scattered remnant of people who actually had true heart expertise to solve our world’s problems. And it’s happening. That’s why I’m so happy also. And it starts with love. I mean, you’re, you’re the immortals is written with the premise being love absolutely conquers all. Yeah. Is the through line. Love conquers all. Regardless of, okay, it’s this, whatever, you know, it’s done from love.

And what the Hollywood industry, which is the boys club, couldn’t understand is I had the ladies be the good guys. I mean, the ladies were the heroes. You know how the agents are fighting in the, in the fight scenes in bullet time, which isn’t Chasky’s creation. I just learned it’s not bullet time wasn’t theirs or somebody else’s. And you know how they’re all fighting in bullet time and everything else. Do you know in the original work, it’s only women agents that are fighting that way? No men, only women. So I was lifting the women in my work.

So women reclaim your rights here. You know, Hollywood didn’t like it. Whichasis didn’t like it. They took my description of the Trinity character, one of the training parts components where I said, you know, had a look, had an extreme intelligence, had a look that would intimidate most men. And Larry Wachowski changes that into what I may have said last time he Changed it into. We wanted to have a sexy female protagonist. It’s like, my God, that’s not the answer. I’m trying to. We’re honoring the ladies, those of us that act as a service. And he goes and puts it right back in the toilet.

Anyway, that’s. That’s their key brands. But anyway. Yeah. Wild. Talking about the justice for a moment. Going back to. To it. Neuralink. Neuralink for Nuremberg. Absolutely. That’s great phrase. Awesome. We’ll let Jake. He’s got a good one going. There is the, you know, the. That woman that. The black lady they were putting out there, saying that she was the writer, you know, and whatnot. Is she still around or. Yeah, she’s not gonna let go. I mean, the last thing you’ll see of her, if she ever passes away from old age, her hand will still be gripping the microphone.

Wow. It’s like she really wants the attention bad. Wow. Wow. And do you think. Well, I want to ask you here, because we’ll see. We’ll see what happens later on. For sure. For sure. Absolutely. Justice. I don’t care about pissing them off. I don’t care at this point, so go ahead. I mean, if somebody is sitting here going, you know, is there justice be had? I mean, you look at the thumbnail once again, because you might be in the live show, you can’t see it. Proof the tides have turned and that we’ve got a rebel alliance of former Deep State operas.

And not to say that every man or woman who was serving and then. And was part of this was actually Deep State, because there’s stuff that they’ve done with us we didn’t even know. Like, look at the wars, right? That was all orchestrated as well by. By a few deep, deep, deep, very nasty people. And they pit people against each other because they claimed a narrative, you know, people are going to war with each other, right? So here we are. The fact that you have all this documentation that has been returned to you after three decades also means everybody that it was what was stolen from Tom and was then put away and hidden away, that was stolen back.

Like that simple, easy loop. It was taken from Tom 32 plus years ago, and then it would. Wherever that was archived, that was stolen from the bad guys and then given back to Tom. That’s why I’m so happy, too, that it lists my loved ones. It means security for the future for them. It. It honors the memory of those that have passed. And it. It means my son’s protected. It’s like right now I’m so happy. And that’s why, like, when people naysay or say negative things, it’s like, bouncing off. It’s like it doesn’t mean anything at all.

It’s like, wow, go ahead and shoot away. I don’t care. It’ll be entertaining. So, yeah, we got this. We got this. It’s on Retribution reckoning. It’s all. It’s all coming. Who. What other creators are you aware of that they have stolen their works from? Are you aware of any more? There’s been a lot of people that have come to me that. But what’s interesting is their attorneys will not allow anyone else to help. I don’t understand the mentality of that. The attorneys of these different playwrights and screenwriters, like from Gravity, Avatar. I’ll get contacted by writers like the one from Gravity, but then their attorneys don’t want the help.

Get the help, take the help. If we know what’s going on and we know if we’ve been sent through the ringer, let us give you some advice. You know, we know the tricks and the traps. Don’t send your clients through that mess. So anyway, I was gonna say. But I still. I don’t know what to call a break in. I was gonna jump here with the restore your stuff. Somebody needs to come up with a name for that, right? It’s like in Game of Thrones, they said, okay, what is the murder of a cousin, genocide. There’s this aside that aside.

There’s nothing for cousins. It’s like, well, what is the name for a break in where they restore your stuff and don’t take anything. Yeah, that’s. I don’t know. That’s moving day. I know what that is. Yeah. Yeah. Blessing. And that’s very humble. They never said anything. Of course, they probably want to live. I mean, at this point, they get killed for doing it. But, I mean, I like to think it was humble. I think they were just like, you know, hey, we’re just gonna do this out of the kindness of our heart. That’s wild. That’s wild.

Before the end of the year, do you think you’ll see some, you know, in. In the court system? There will be some things that get done that are your way. I think President Trumpy baby is going to do something good. I think he’s going to do some good. I really do. And I. I believe him as in him as a president. And I think that he was waiting to see. Like Michael Jacobs said about operatives, they were waiting to see. I mean, they have to worry about. They have to be concerned about their families. Right. They can’t just move and do a tribunal.

They have to make sure that it’s worth it. We have to make it worth it by having the courage to see this through in our different arenas so that people like President Trump can then say, okay, I’m gonna jump in. I’m gonna roll the dice. And that’s what even Rosanna told me. He’s waiting for the right moment to answer your question. I think the right moment’s gonna appear within the year for many and many agents, President, everybody. I think, you know, especially the biggest step is knowing the stories. Knowing the stories. So he. I was told by Roseanne, he knows our story.

All the family knows our story, Trump’s family. And. And so what I’m saying to people is get your stories out there. The story out is the way to heal our word. Your stories out, you know, and be generous in it. Don’t just push it out. You know, show your evidence, explain, and you’re part of the puzzle pieces that you hold. And let’s put this picture together. You know, it’s not about getting a acclaim or popularity, believe me. It’s about completing the picture, freeing our kids, and getting the truth out. We need to push away those that are making crap up on air just for clickbait, and we need to allow true stories to come forward.

And that’s happening. And a shout out to Rumble for doing that, too. Rumble is actually decided. Decided a little bit back. I was told by Sarah Westall they’re going to support truth, not these fakers anymore. Nice. Well, that’s good to hear on Rumble side too, because we’ve seen lots of weird stuff going on with Rumble since the beginning. Yeah. And I say to YouTube. YouTube start to be our tube. Okay. YouTube BR2. You know, just get out there and join out. Stop being so selfish. Yeah. Yeah. So it feels then that with President Trump and the team sitting here, because he said at as 45, he said, we’re fighting an invisible enemy, which now if you have everybody out there who are not good, and then also you give the good evidence to people and see if they do something for the good or not.

By virtue of that, you already know what side they have chosen because there is no. Yeah. Fence in this fight. There’s no gray area. It’s black or it’s white. You’re doing it good or not. That’s it. Brad, you get something so important, which is protect your evidence. They’re gonna steal it. Mine was Returned to my home. Like Brad said, two days before Easter. Why two days before Easter? Because I’ll be home on Easter. So two days before Easter, I’m preparing for Easter. That’s a smart move. Yeah, but it still says Easter. But it’s like. It’s like walking through one of those pie fights.

You know, in the old silent movies where you’re watching the pie fight. It’s like that. Trying to protect your evidence. So my evidence was taken. Warner Brothers attorneys. And it’s like, now it’s returned. So also, I like what Roseanne said. I want to throw this in. She said, tom, because someone said that, you know, announced the president he was Neo. I’m like, well, he’s not Thomas A. He hasn’t lost it all. It’s like, yeah. But Roseanne goes, he’s Morpheus. You’re Neo. I’m like, I can live with that. I can live with that. I was gonna share the Neo brotherhood with him.

I’d say you’re more like Neo, Brad. You’re more like Neo. We could be Neos. We dueling are double Neos. There you go. But our. Our papa Morpheus is President Trump. I hope you don’t mind that, Trumpy. I think that’s great. I think. I think he’ll take it. Absolutely. Yeah. Yeah, absolutely. I mean, you just look at the character development of Morpheus when you know about his backstory and how many times that he was saying, no, this is gonna happen. This is how it’s gonna happen. And he had all the naysayers and non believers, and they sung it up even in Zion.

Right. As they should in that matrix. Their version. Absolutely. Here it is. Here it is. Trump team chose gonna throw this out. The Trump team. I was told that Roseanne was talking about this, that I would be having dinner with Trump sometime. I would say, Mr. President, take my mom out to dinner. She loves you, so take my mom out to dinner. Don’t worry about me. I’m good. I’m good. I don’t want to take her dinner time, but take my mom. My mom would love it. It’d be a great moment for her. That would be awesome.

Well, that’s fantastic. So once again, everybody, the link for Tom isjust simply tomaltos.com. it’s immediately below the description here on this show, on the broadcast, or if you’re listening to this on the podcast, as well as do yourself a favor, donate to Tom. There’s a donate button on his website. Leave likes, comments, shares. Get the message out there. Continue to spread this, because this is part of the truth of the great awakening as well, from the resurrection. And final question for you. Do you feel we’re gonna have a new era, a good golden age of Hollywood, a return to that? Absolutely.

Without a doubt. In fact, the paparazzi. Some of the paparazzi were telling me that, you know, they said a new Hollywood is forming. They actually gave me credit. It was really sweet of them. They were like, you have caused a new Hollywood. And there’s, I love the quote, dangerous to people in Hollywood who are fighting for you now. I like that. Dangerous people. It’s like, you know, Joe Kessia, you know, it’s like. Like that. Yeah. It’s like we got dangerous Hollywood doing good. That sure sounds like the ending of the original Matrix. You know, the agents actually get on board and do well.

So I would. I would like to see the mafia giving flowers to children and the agents handing out Christmas pies, you know? You know, and things like that. I see the world, you know, somebody said like, you want to see everybody holding hands in the world? I’m like, what’s wrong with that? Yeah, there’s nothing wrong. That would be amazing. So anybody who does can contribute. Also, by the way, I think in layers is. We’re doing a thank you thing on when we make the film, which is going to list everybody who’s helped to immortalize your heart and your gift.

And then if you want to put, you know, in memory of someone, we’ll honor that and put in memory of someone. So just, you know, we want to honor back those that helped Neo complete his course and vote for Morpheus next term, too, by the way. Okay, good. Yeah. Oh, absolutely. Yeah. I love. So you’re gonna immortalize people. You have Alex J. Says here in the chat Roseanne will make an awesome oracle character when they redo the. Yes, Sassy. I gave her a birthday card that said, you know, sassy, classy, all that kind of stuff. So she is.

She is. Yeah. I. I think that was her audition tape. Was the show that you just. You just. I mean, you crowned her. Here it is, everybody. There it is. There it is. Yeah. God gave me this reaction. I’m supposed to like this right now. So it’s like, fantastic. Tom, thank you so much, mate, and appreciate your. Your fight, your stand, and many blessings to you for the losses that you’ve went through and to Helen back as well, and that we are going to see justice for you and for everybody who has been through that and more very, very soon.

Very Very soon in this very soon, very soon. I also say there’s a Las Vegas conference coming up that’s going to be absolutely brilliant. Alien disclosure kind of thing. We got the full disclosure going down St. Pete with Brian down there if anybody’s down there. And yeah, I love doing these keynote speaking things and I look forward to meeting you out there that are heroes that have shared your story and especially if your story is just now coming out. I want to meet you, shake your hand, give you a hug. So way to stay in there.

But thanks Brad for doing this. You’re a true hero. Thanks. I don’t know about the hero part, but thank you very much. It’s just part of my mission for sure. And as a teaser for everybody, Tom’s going to come back. We’re going to do another show. So stay tuned for that. It’s going to be slightly different some others. And then he’s definitely agreed to a Fuck It Friday. We’re going to have Tom, myself and Roseanne Bart on Fuck It Friday coming up. And yeah, maybe we’ll just put that one out to Jake too. You know, I’m gonna have to form my text thread with Jake.

Right. Have some fun with him. And God bless you everybody too. And make sure you follow tomoutel.com get this message out there. 100 everyone. God bless everyone. We’ll see you all. Thanks everybody. Cheers. Cutting edge guests. Awesome uncensored jaw dropping information. Plus funny memes, good deeds and loads of laughter. Kind of have it all. Ladies and gentlemen, if your soul’s awake, then welcome because you’re in the right place. And we’re out.
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